In the contemporary Eckhardt-Gramatté competition, a competitor’s repertoire must consist of works made no sooner than the 1950s, at least half of them composed by Canadians. So when young pianist David Potvin played exclusively Canadian music, his exceptional effort tying the repertoire together did not go unnoticed by the judges, who awarded him the first-place prize from among six finalists. “I tried to pick a program of contrasting works but present them in an order where they complemented each other well,” Potvin said. “There’s so much wonderful Canadian piano music so I thought, why not? I think I got just as…
