It’s no secret that Opera Atelier has wanted to present Debussy’s Pelléas et Mélisande for many decades, and finally, the results were unveiled last week…
Thirty-three winners were presented the fruits of their labour one by one—collecting single or, in some cases, multiple awards—at the 29th edition of Prix Opus…
There are productions that succeed, productions that impress, and—very rarely—productions that bring the art form to a new level. The new Das Rheingold at the…
After more than a decade shaping the sound of the Ensemble Intercontemporain and several years working largely in New York, Matthias Pintscher returns to the…
On an unassuming night in the seclusion of Montreal’s Salle Pierre-Mercure, Orchestre Classique de Montréal (OCM) welcomed three unique soloists to perform a stylistically diverse…
John Cranko’s Onegin has played an important role in the recent history of the Hungarian State Ballet. Its current artistic director, Tamás Solymosi, danced the…
Hungarian State Opera’s revival of their 2016 production of Donizetti’s Lucia di Lammermoor by Máté Szabó gives us a new Lucia ascendant who succeeds within…