PREVIEW: of Aleksandr Solzhenitsyn at 100, at New York City’s 92nd Street Y, Monday, November 19, 7:30 p.m.; and INTERVIEW: with pianist and conductor Ignat Solzhenitsyn,…
This past weekend (Friday, Nov. 9 to Sunday, Nov. 11), I attended four vocal music performances (three operas and one oratorio) which shows that Montreal…
Last Saturday, November 10, Opéra de Montréal premiered Der Rheingold, the first instalment from Wagner’s tetralogy Der Ring des Nibellungen. It marked the first time…
Last Saturday, November 10, Mundia Productions presented Mozart’s Requiem and the Piano Concerto #20 in d minor k.466 performed by the Orchestre philharmonique du Nouveau…
PRAGUE – Very strange. The knights and nobles were dressed in stylized medieval tunics and standing in orderly semicircles. When Lohengrin arrived, an alluring image…
REVIEW: of The Anchoress, a world premiere of a new musical monodrama/song cycle composed by David Serkin Ludwig with text by Katie Ford, performed by…
REVIEW: of Opera Philadelphia’s “Festival O18” (September 20-30, 2018) – a new production of Lucia di Lammermoor, composed by Gaetano Donizetti with libretto by Salvadore…
The Opéra de Québec opened its 35th season with Werther, a dramatic French opera written by Romantic French composer Jules Massenet at Salle Louis-Fréchette in…
Last Sunday, after 20 years of absence, a jam-packed Bell Centre welcomed the return of international star Andrea Bocelli. His passage through Montreal is part…
The Canadian Opera Company opened its 2018-19 season with a new production of Pyotr Ilyich Tchaikovsky’s Eugene Onegin, originally premiered by the Metropolitan Opera. It…