Browsing: Vocal

On Feb. 8, Vancouver Opera presented the local premiere of Jonathan Dove’s 1998 opera, Flight. This opera—inspired by the true story of an Iranian refugee stranded in Paris’ Charles de Gaulle Airport for 18 years—is an emotional rollercoaster ride from the comedic to the heart-wrenching. The production originated at Pacific Opera Victoria in early 2020, just before the pandemic shut down. Stage direction was entrusted there to veteran Canadian theatre legend Morris Panych who has revived his retro-1960s vision for Vancouver Opera.   At the start of the opera, Ken MacDonald’s set design looked quite simple with a tall control tower…

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Bellini’s final opera, I puritani (1835), premiered shortly before the composer’s untimely death by accidental poisoning. It is one of the highpoints in the romantic Italian bel canto repertoire, leaving us to wonder what other masterpieces Bellini might have written had he lived past thirty-three.  I puritani is based on the French play Têtes Rondes et Cavaliers (1833), itself derived from Sir Walter Scott’s Old Mortality (1816). It takes place in Plymouth circa 1640, during the English Civil War fought between Puritans and Royalists culminating with Cromwell’s victory.  Reputed to have been Queen Victoria’s favourite opera, it’s dramatically compact and…

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Based on Die Letzte am Schafott (“The Song at the Scaffold”), a novella about the execution by guillotine of sixteen Carmelite nuns from Compiègne in 1794, Georges Bernanos (1888-1948) wrote a screenplay for a film that ultimately was not produced. However, seeing its potential, Italian publisher Ricordi bought the rights and commissioned Francis Poulenc to write Dialogues des Carmélites, based on Bernanos’s work. The opera premiered in 1957 at La Scala to great acclaim, and has been a mainstay of the twentieth-century opera canon ever since.  In Act I, Blanche de la Force, a young noblewoman afflicted with an unnamed…

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Toronto, ON, Canada, 10 February 2025 – The Azrieli Music, Arts and Culture Centre (AMACC) has opened its international call to composers for the  (AMP). For its sixth biennial cycle, AMP is seeking scores and proposals for choir and orchestra with optional soloists. The 2026 call is open from 7 February through 2 May 2025. Created in 2014 by Sharon Azrieli CQ for the Azrieli Foundation, AMP celebrates excellence in music composition by offering the largest prize package of its kind in Canada, making it one of the most substantial composition competitions in the world. “We are looking for composers who exhibit the most…

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Toronto, ON — Opera Atelier celebrates its landmark 40th year with two significant productions: the company’s iconic production of Mozart’s The Magic Flute, on stage October 15, 16, 18 and 19, 2025 at the Elgin Theatre, and the world premiere of Debussy’s surrealist opera, Pelléas et Mélisande, on stage April 15, 16, 18 and 19 2026 at Koerner Hall TELUS Centre for Performance and Learning. “We’re thrilled to open our season in Toronto’s historic Elgin Theatre with the company’s period production of Mozart’s The Magic Flute, part of our 40th anniversary celebrations,” says Opera Atelier Founding Co-artistic Director Marshall Pynkoski. “Opera Atelier’s Magic Flute remains North America’s first and only period production of the Opera and has proven to…

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FEBRUARY 4, 2025, VANCOUVER, B.C. / Traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations – Vancouver Opera announces an exciting and audience-inspired 2025–2026 season with three classic opera productions. The 2025-2026 season begins in October with Verdi’s eternally thrilling Rigoletto, followed by Mozart’s light-hearted Così fan tutte in February 2026. La Bohème, Puccini’s enduring love story, closes the season in blockbuster style with a five-show run in April/May 2026. “For our 66th season, we’re bringing operas by the art form’s greatest composers to the Queen Elizabeth Theatre stage,” said Tom Wright, Vancouver Opera General Director. “These…

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Montreal, February 4, 2025 – The Concours musical international de Montréal (CMIM) is proud to announce the names of the singers chosen to participate in the Voice 2025 edition. This 23rd edition of the CMIM brings together some of the most outstanding classical singers of the new generation. Under the expert eye of a prestigious jury, the 24 selected artists gather in Montreal from May 25 to June 6, 2025, for an exceptional experience and the chance to make their mark on the international scene. This year, the CMIM once again received applications of superior quality from around the world,…

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Composer Julien Bilodeau and librettist Michel Marc Bouchard’s La Reine-garçon represents a milestone as the first co-production of a new “mainstage” opera between two of Canada’s major opera companies. Premiered at Opéra de Montréal almost exactly one year ago, it made its Canadian Opera Company debut on Jan. 31st. Taking iconoclast 17th-century monarch Queen Christine of Sweden as its subject, the new work ambitiously grapples with big topics like the emergence of free will, the rationalist philosophy of René Descartes, religious freedom and unconventional sexual desire. With an evocative score and poetic libretto, La Reine-garçon succeeds on many levels, but…

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Toronto, ON – Toronto City Opera (TCO) is thrilled to announce the eight finalists selected for the second annual Macina Voice Competition. The highly anticipated event, set for February 22, 2025, will feature some of Canada’s most promising young opera singers as they compete in front of a live audience for cash prizes and future performance opportunities. This year’s competition saw a record-breaking 110 video submissions from talented vocalists across the country. After careful deliberation, the TCO artistic staff has chosen the following finalists to perform in the live competition: Alex Hetherington – Mezzo-Soprano Matthew Li – Bass Lauren Margison…

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