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Festival of Renaissance Music – Conspirare’s Contemporary Twist

By Paul E. Robinson on 31 January 2011 Concert Reviews, Opera

by Paul E. RobinsonCraig Hella Johnson never ceases to amaze us. Just when you think his exceptional musical imagination has surely outdone itself, he comes up with something even more remarkable. His latest achievement was a festival given at St. Martin’s Lutheran Church in Austin and called Renaissance & Response: Polyphony Then and Now. Sound like an article in an academic journal? Perhaps, but that didn’t stop his many followers from selling out four concerts in one weekend and to judge by the concert I attended, enjoying every moment of it.The basic concept of the festival was to combine music…

This Week in Montreal / Cette semaine à Montréal – Jan. 31 – Feb. 6

By La Scena Musicale Team on 27 January 2011 Opera, This Week in Montreal, Violin

Werther @ The Montreal Opera: two shows left on Jan. 31 and Feb. 3It’s your last chance to catch the beloved Massenet adaptation of Goethe’s Sturm und Drang masterpiece. A success since its 1892 premiere, Werther is one of the staples of the operatic repertoire. The Montreal Opera’s production is a rare treat to sample the rare baritone scoring for the lead role, which Massenet wrote himself for Mattia Battistini in 1902. It transfers the action from late 18th-century Germany to 1920s America, in a move which the Gazette’s Arthur Kapatainis suggests alludes to a Gatsby-Daisy relationship between the troubled…

Prix d’Europe Music Journalism Prize

By Newswire on 27 January 2011 Arts Industry, Classical Music, Newswire

For its 100th edition, the Prix d’Europe is launching its Music Journalism Prize in honour of Claude Gingras (Prix d’Europe en journalism en homage à Claude Gingras). All articles (news/information, features including interviews, profiles and music history article, and reviews) published in English and French in 2010 will be eligible. Deadline for submissions: February 28, 2011. http://www.prixdeurope.ca/

Austin Symphony’s New World “Beyond the Score”

By Paul E. Robinson on 23 January 2011 Concert Reviews, Orchestral

By Paul E. Robinson It is always a difficult business to “educate” the classical music audience without talking down to them on the one hand or talking over their heads on the other, and while some subscribers welcome non-musical elements in a concert, others hate them.The Austin Symphony and conductor Peter Bay deserve full marks for making a valiant effort to both educate and entertain at their Long Center concert last week.In the first half of the concert, we were given some background on the piece courtesy of the Chicago Symphony’s (CSO) Beyond the Score series, a multi-media production incorporating…

Austin Symphony Celebrates Mexico!

By Paul E. Robinson on 23 November 2010 Orchestral, World Music

by Paul E. RobinsonLast weekend (November 19 and 20) the Austin Symphony under music director Peter Bay presented an all-Mexican programme. And there was a good reason for it. This year, Mexico is celebrating the 200th anniversary of its independence, and the 100th anniversary of its revolution. A big year for Mexico and President Calderon duly named it “Año de la Patria.”Surprisingly, given the inspiration for this concert, there was virtually nothing in the programme book to let the audience know what it was all about. All we got were the cryptic words “Mexico’s 200/100” on the main programme page.…

Jaap van Zweden Masterly in Shostakovich Eighth

By Paul E. Robinson on 8 November 2010 Concert Reviews, Contemporary, Orchestral, Romantic

by Paul E. RobinsonClassical TravelsMeyerson Symphony CentreDallas, TexasOctober 22, 2010Mendelssohn: Violin ConcertoShostakovich: Symphony No. 8Nicola Benedetti, violinDallas Symphony Orchestra/Jaap van ZwedenJaap van Zweden took most of the summer off to nurse a sore shoulder. The recuperation seems to have been successful and he is back in town leading the Dallas Symphony Orchestra (DSO) with even more energy than before. Among his specialties are the symphonies of Bruckner and Mahler and Shostakovich is not far behind. Last season in Dallas he conducted a stunning performance of the Symphony No. 7 and this season he followed it up with an equally fine…

Gidon Kremer: Standing Behind the Music

By Lucie Renaud on 1 November 2010 Violin

Flash version here. With over a hundred recordings, thousands of concerts in halls all over the world, lauded appearances in festivals, collaborations with legendary artists such as Martha Argerich, Mischa Maisky, Yo-Yo Ma and Keith Jarrett and close ties to composers such as Philip Glass, Alfred Schnittke, Arvo Pärt, John Adams, Luigi Nono, Sofia Guibadulina, Valentin Silvestrov and Lera Auerback under his belt, Gidon Kremer’s career path is nothing short of astonishing. One could imagine that such a performer might be unapproachable, crisscrossing the globe, setting down his designer suitcases in the most luxurious of hotel suites, a man who…

Gidon Kremer: Standing Behind the Music

By Lucie Renaud on 1 November 2010 Violin

Eschenbach Era Begins in Washington

By Paul E. Robinson on 29 October 2010 Arts Industry, Concert Reviews, Contemporary, Orchestral

by Paul E. RobinsonCLASSICAL TRAVELSConcert Hall, the Kennedy CenterWashington, D.C.October 16, 2010Mozart: Symphony No. 34 in C major K. 338Mahler: Symphony No. 5National Symphony Orchestra/Christoph EschenbachWho can explain the chemistry, or lack thereof, between a conductor and an orchestra? Sometimes it works and sometimes it doesn’t. At the moment, it is definitely working and working splendidly between Christoph Eschenbach and the National Symphony (NSO) in Washington, D.C; over the past four weeks they have been making music together and nearly everyone you talk to agrees that this partnership is something special. I went to hear for myself and was duly…

Sararste Returns to Toronto Symphony with Stunning Shostakovich

By Paul E. Robinson on 26 October 2010 Concert Reviews, Contemporary, Orchestral

By Paul E. RobinsonClassical TravelsRoy Thomson Hall, TorontoOctober, 2010Stravinsky: FireworksSibelius: Violin ConcertoShostakovich: Symphony No. 4Henning Kraggerud, violinToronto Symphony Orchestra/Jukka-Pekka SarasteThe Toronto Symphony (TSO) has the good fortune to enjoy good relations with several of its former music directors. While current music director Peter Oundjian is now well-established, conductor laureate Andrew Davis is a frequent and welcome guest conductor, and less often, maestro Jukka-Pekka Saraste. Saraste, who was music director of the TSO from 1994 to 2001, recently succeeded Semyon Bychkov as conductor of the WDR Radio Orchestra in Cologne.Solid Sibelius Follows Less than Stellar StravinskyOn this occasion, Saraste’s partnership with…

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