by Frank CadenheadIt was a high-risk venture that finished as a major triumph in Paris on Tuesday night (March 29, 2011). The superstar pianist Lang Lang, as part of a week’s residency, joined with the French tenor Roberto Alagna in a program of rare French arias at the historic Salle Pleyel. But the success of this “carte blanche” evening for Lang Lang was not automatically assured.The French have a history of neglecting their rich musical heritage and the arias, with one exception, have not been heard in Paris in living memory. While some of this repertory is beginning to appear…
Browsing: Classical Music
by Paul E. RobinsonThe Los Angeles Philharmonic has always been an enterprising organization, and especially so with impresario Ernest Fleishmann in charge. Today, under the leadership of current president Deborah Borda and Maestro Gustavo Dudamel, it is breaking new ground in all kinds of ways; for example, Dudamel is bringing the concept of El Sistema from Venezuela to the poorer neighbourhoods of Los Angeles, and the LA Phil is the first American orchestra to begin streaming live concerts into movie theatres. The second of these “LA Phil LIVE” performances, devoted to three Tchaikovsky symphonic poems inspired by Shakespeare, was presented…
Beethoven: Gods, Heroes, and MenThe Creatures of Prometheus/Symphony No. 3 “Eroica”Orchestre symphonique de Montréal/Kent NaganoAnalekta AN2 9838 (73 min 51 s)****It is a sign of the times that the MSO has no major label willing to produce its CDs. Many fine orchestras are in the same situation and several of them – San Francisco Symphony, London Symphony, London Philharmonic, Boston Symphony, Toronto Symphony, etc. – have taken to producing their own recordings. Fortunately, the Canadian record company Analekta, with the help of the Department of Canadian Heritage, has been putting together several MSO projects. The latest venture, like the first…
by Paul E. RobinsonNot even the greatest of composers has left the world a portfolio of only masterpieces – a case in point being Franz Liszt (1811- 1886), undoubtedly one of the most famous composers who ever lived.The Austin Symphony recently celebrated the Liszt bicentennial by programming the composer’s Piano Concerto No. 1 and Totentanz for piano and orchestra; the former remains solidly in the standard repertoire, while the latter barely qualifies for even an occasional performance.Music director Peter Bay was hedging his bets in honouring Liszt. He gave us two Liszt works for piano and orchestra with Italian pianist…
by Paul E. RobinsonI must confess that I was reaching the point where I doubted I could sit through another performance of Carmen! The plot was too silly, the music overly familiar and the characters merely cardboard cutouts; then, along came the Royal Opera House production directed for the stage by Francesca Zambello, and for film by Julian Napier. Did I mention it was in 3D?This production of Carmen (poster: right) in 3D was a fantastic experience, and completely restored my faith in Bizet’s venerable opera. It also provoked me to question the Met’s pioneering efforts in streaming opera live…
by Paul E. Robinson It was just over a year ago that Austin music lovers last heard Anne Akiko Meyers (photo: above) in an imaginative and brilliantly played recital at the Butler School of Music at the University of Texas. Meyers had recently been appointed to the faculty at the school and – with a baby on the way – she and her husband had decided to move to Austin. What a coup for the school, its students and Austinites! We all looked forward to hearing Meyers on a regular basis; unfortunately, even the most carefully planned relationships don’t always…
Here is the Metropolitan Opera’s 2011-12 Season announcement.Wah Keung Chan—Seven New Productions, Including a World Premiere,a Met Premiere, and the Complete Ring Cycle,Headline the Met’s 2011-12 SeasonJames Levine conducts the final two installments of Robert Lepage’s production of the Ring: Siegfried and Götterdämmerung; complete cycles scheduledfor April and May 2012The season opens with the first-ever Met performance of Donizetti’s Anna Bolena,starring Anna Netrebko in the first of two new productions she sings this season; Laurent Pelly’s production of Manon follows in AprilThe world premiere of The Enchanted Island, a pastiche of Baroque music and Shakespearean comedy, opens on New Year’s EveTony Award-winning stage directors Michael Grandage and Des McAnuffmake their Met debuts…
By Frank Cadenhead The prime-time live telecast Monday night, February 14, of the French show Victoires de la Musique Classique was already good news. This is the top awards show for classical music in France, comparable to America’s Grammy awards, and it focuses mainly on French artists. But in competition with other shows on the major channels, its traditionally weak ratings always cause talk of taping it and showing it on off hours. This year, from the convention center in the city of Nantes, it headlined the Orchestre National des Pays de la Loire and their engaging young American conductor, John…
Soprano Simone Osborne (photo: Connor Beaton)It has just been announced that Vancouver soprano Simon Osborne will be making her Vancouver Opera debut as Juliette in Gounod’s Romeo et Juliette next season. Below is the Press Release from Vancouver Opera. Osborne burst onto the scene after winning the Metropolitan Opera National Council Auditions in 2008, and has since taken on major assignments. Currently she is Pamina in the COC production of The Magic Flute. Upcoming engagements include an Atlantic Canada recital tour, Gilda in Rigoletto for the COC next season, and Mozart Requiem for the Toronto Symphony Orchestra in January 2012.*******************Vancouver…
Just received the following press release from the Met – Newfoundland baritone Peter Barrett is making his Met debut this evening as Dr. Malatesta opposite a stellar cast of Anna Netrebko Norina and Matthew Polenzani as Ernesto. This is great news for Peter and for Canadian opera. He was a member of the COC Ensemble, and even at that early stage of his career, he had all the ingredients of a major singer – gorgeous voice, solid training, stage presence, musicality, and the drive and ability to excel. We say Bravo to Peter, and “Toi toi toi” for this evening!…