CD Review | Mozart String Duos, Cosbey, Bandy

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Mozart String Duos

Catherine Cosbey, violin; Dorian Komanoff Bandy, violin and viola

Leaf Music, 2025

We dont often have the chance to hear Mozart in his most intimate arrangements, especially for two instruments. Catherine Cosbey and Dorian Komanoff Bandy have, however, given us this opportunity with their new recording on Leaf Music.

In Mozarts time, players were in the habit of adding their own ornaments, especially in cadenzas and da capo sections. Its an art that Cosbey, on violin, and Komanoff Bandy, on violin and viola, have exploited to the fullest extent on this album.

Theres a lovely cohesion between violinist and viola player; theyve taken care to create a beautiful sound and a sense of dialogue between the two instruments. However, in the first movement of the K. 423 duo, the freedoms taken with the score far exceed its ornamentation. Its played at more of an andante speed than of an allegro. What’s more, the tendency to slow down at the end of each musical phrase gives the performance a romantic flavour. The intent might be emotional but, in fact, the piece should flow naturally with just a hint of virtuosity. That said, the slow movements lend themselves more to this style of playing, and in the K. 424 duo, the violins low register melds with the tone of the viola to create a beautiful, suspended sound. 

The arrangements that complete these Mozart duos also mirror a common practice in the 18th and 19th centuries: extracts from large-scale works such as the opera La clemenza di Tito, played in a chamber-music context. Cosbey and Komanoff Bandy capture the vocality intrinsic to these works, as well as the variety of their characters—sometimes expressive, at other times dynamic— as conveyed in the recitatives adapted for two violins. A vibrant tribute to the composers vivid art!

Translation: Cecilia Grayson

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About Author

Justin Bernard est détenteur d’un doctorat en musique de l’Université de Montréal. Ses recherches portent sur la vulgarisation musicale, notamment par le biais des nouveaux outils numériques, ainsi que sur la relation entre opéra et cinéma. En tant que membre de l’Observatoire interdisciplinaire de création et de recherche en musique (OICRM), il a réalisé une série de capsules vidéo éducatives pour l’Orchestre symphonique de Montréal. Justin Bernard est également l’auteur de notes de programme pour le compte de la salle Bourgie du Musée des Beaux-Arts de Montréal et du Festival de Lanaudière. Récemment, il a écrit les notices discographiques pour l'album "Paris Memories" du pianiste Alain Lefèvre (Warner Classics, 2023) et collaboré à la révision d'une édition critique sur l’œuvre du compositeur Camille Saint-Saëns (Bärenreiter, 2022). Ses autres contrats de recherche et de rédaction ont été signés avec des institutions de premier plan telles que l'Université de Montréal, l'Opéra de Montréal, le Domaine Forget et Orford Musique. Par ailleurs, il anime une émission d’opéra et une chronique musicale à Radio VM (91,3 FM).

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