CD Review | American Spiritual (Leaf Music, 2024)

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American Spiritual
Michael Lee, piano
Leaf Music, 2024

Newfoundland native Michael Lee plays an interesting selection of rarely-heard piano music by African-American composers Florence Price, Margaret Bonds, and Robert Nathaniel Dett.

Lee’s solid, technically reliable, and musically attentive playing is evident in Price’s Piano sonata in E minor, which is a mix of romantic sonatas with echoes of gospel music. A standard, pleasant score rendered in very clean, confident performance by the pianist. The second movement starts with a beautiful, gospel-sounding melody sensitively played by the emerging Canadian pianist. Price’s playful tunes and melodic invention present a lovely mix of gospel and romantic styles. The final movement, Scherzo, hints at the influences of Scriabin (Fantasy), and modal melodic inflections reminiscent of Rachmaninoff. While a bit long and repetitive, the sonata is played well by the pianist.

Bonds’s adaptation of gospel-inspired Troubled Water, from her Spiritual Suite, comes across as stiff and predictable, while it should feel more improvised. Stylistically, Dett’s 8 Bible Vignettes are the most interesting and diverse works on the album. Lee’s performance is likewise much more intriguing.

Lee’s excellent and professional performance services these three African-American composers well. He takes a standard interpretive approach to non-standard repertoire. These works are stylistic hybrids, mixing genres, influences, and textures. Lee’s finely chiselled interpretation does not venture far beyond rendering the score—except for Dett’s 8 Bible Vignettes. Following Lee’s inspired rendition of Dett’s Vignettes, the pianist should dare explore improvisatory, spontaneous, and rhythmically flexible performance practices. A promising young Canadian pianist, whose interpretive and expressive range would be interesting to hear in more creative programming that pushes the envelope.

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About Author

Viktor Lazarov is an interdisciplinary musicologist and pianist specializing in performance practice analysis and contemporary repertoire by Balkan composers. Laureate of the Opus Prize for the “Article of the Year” awarded by the Conseil québécois de la musique in 2021, Viktor has performed and lectured in Austria, Canada, France, the Netherlands, Serbia, Spain, the United States, and published in CIRCUIT and La Revue musicale de l’OICRM. Viktor holds a Ph.D. in Musicology from the University of Montreal, an M.Mus. and a Graduate Diploma in Performance from McGill University, a B.Mus. from the University of South Carolina, and Graduate Certificate in Business Administration from Concordia University. (Photo: Laurence Grandbois-Bernard)

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