Review | No Concept Required: Bryn Terfel and Tosca in Birmingham
All opera-goers have experienced it, and perhaps more often than we’d like: an evening in the theatre where the producer’s “concept/vision”—that most elastic synonym for…
Browsing: Gwyn Hughes Jones
Review | Disappointing Tristan und Isolde opens Geneva opera season
Tristan und Isolde is a colossal work, not only due to its length (five hours, including two intermissions) or for the influence of its “Tristan”…
