Poison in the Garden – The declining importance of the arts in the political agenda. by Norman Lebrecht / July 19, 2000 AS you sit down to read this, I shall be sitting with one of our more rapacious media moguls discussing the ever-widening gap between illusion and cultural reality. We have a government that tells us that it is pumping unprecedented amounts into the arts, yet around the country the arts are in greater distress than ever. Welsh National Opera has announced that it is cancelling its annual visit to Plymouth and halving its fortnight in Liverpool because constraints…
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Long live the Russian revolution Amid scenes of wonderment the visit of the Kirov climaxed this week with an awe-inspiring War and Peace. For the third time this century Russian visitors have opened our eyes and set new standards in opera and ballet. by Norman Lebrecht / July 12, 2000 WITH the outbreak of War and Peace at Covent Garden, the last slab in the monumental Kirov season has been put in place, and it becomes possible to assess the project in its historic perspective – for historic is the only word. Three times in the 20th century the Russians…
Bucks Stop Here – The Biggest Need Not Be the Best by Norman Lebrecht / July 5, 2000 THE international concert circuit revolves around the assumption that there are three crack orchestras in Europe – in Berlin, Vienna and Amsterdam – and five in America, where the mighty handful are commonly known as the Big Five. The assumption is not founded on current form or conductor. In Europe, the pecking order was established long ago by the record industry which, dying, is now sowing confusion. In America, money speaks. The Big Five were supposedly the richest outfits, namely: Boston, Chicago,…
Not All Is Lost – the Decline of Serious Music Criticism by Norman Lebrecht / June 28, 2000 THE world is going to the dogs was the theme of the Prince of Hesse Memorial Lecture delivered at Aldeburgh last week by the veteran music critic Andrew Porter. “Serious, scholarly music criticism,” sighed Porter, has “disappeared” from our daily press. Most concerts pass unreviewed; few debut recitals are ever reported. Critical authority has been usurped by powerful “arts editors”, usually women and often, in Porter’s view, acting “in connivance with publicity ladies” to subvert cultural priorities. “The celebrity interview,” said Porter,…
Sitting alone in a box at the opera can give rise to mild delusions. The Duke of Wellington used to imagine he was in his sitting room at home and would greet the singers on stage as arriving guests. ‘Good evening, Miss Lind,’ he’d call out to the Swedish Nightingale. ‘How are you tonight? All right, I hope.’ He was not at all bothered when she proceeded to go mad and die before his eyes as Donizetti’s Lucia. Myself, I like to kick off shoes and sip coffee, receiving a performance at two levels of immersion, wet and dry. In…
Ida Haendel – The one they don’t want you to hear by Norman Lebrecht / June 22, 2000 WITH its pristine acoustics and sexy ceiling friezes, Wigmore Hall has served London splendidly for almost 100 years as its premier venue for debutants. Most of the 20th century’s great performers took their first UK bow beneath its Pre-Raphaelite cupola, along with innumerable hopefuls never to be heard again. No compromise: ‘I am not there to please the audience,’ declares Ida Haendel. ‘I am not an entertainer, I am there to serve the composer. I want people to listen’ A debut at…
Noxious Crossover by Norman Lebrecht / June 14, 2000 ONE night last week, having despaired of finding anything more cultural on British television than saggy-bottomed naturists on Channel 5, I was zapping around the cable map when Italy, for once, came up trumps. Rai-Uno, the premier state channel, had cleared its schedules of sappy game shows and was relaying a live event entitled Luciano and Friends. The mighty Pavarotti was making music in his hometown of Modena for the benefit of Tibetan charities. The Dalai Lama, no less, was sitting in the front row of the arena and beside him…
On donations to the arts in Europe and America TIS the season to be giving. Something close to £12 million poured in last weekend to the BBC’s Children in Need appeal. Another record total is confidently expected for the annual Telegraph charity fund-raiser next Sunday. Manning the phones for The Telegraph, I never fail to be moved and humbled at the generosity of thousands of people who want to give others the chance of a better life. Never in human history has so much been freely given by so many in good causes – and I have the figures to…
How Smith Has Crippled Culture by Norman Lebrecht / June 7, 2000 IN THE bleary fourth year of New Labour, few members of the Cabinet have enhanced their career prospects. Beyond the big guns of Blair and Brown, the further you look down the table the bigger the pile of fumbles and foul-ups – until you reach the lowliest seat of all, where the Secretary of State for Culture, Media and Sport wears a broad smile and an almost unsoiled record. Whispers in the political wind suggest that Chris Smith is due for a move in this summer’s reshuffle. He…
Mariss Jansons – High Drama on the Podium by Norman Lebrecht / May 31, 2000 FORTY minutes before a concert, Mariss Jansons mounts the stage and checks the musicians’ seating. The second clarinet’s chair is moved half an inch to the right, the tuba’s turned 15 degrees towards centre. Like a brain surgeon, Jansons needs to be assured that all his instruments are correctly aligned before he can start to operate. More than any conductor I have known, Jansons is preoccupied with his precision tools. Among friends, he compares the vagaries of orchestras. If he has a spare hour on…