Review | Roberta Mameli Breathes New Life Into Hamlet’s Ghosts
On March 8 and 9, French Baroque orchestra Le Concert de l’Hostel Dieu and Italian soprano Roberta Mameli were invited by Arion Baroque Orchestra to…
Browsing: Concert Reviews
Review | OCM Unable to Swing for Stellar Jazz Soloists
On Feb. 25, Orchestre Classique de Montréal (OCM) presented Jazz & Jeans in Montreal’s Pierre Mercure Hall. A program of great symphonic jazz repertoire—from Gershwin…
Review | Alexei Volodin’s Astonishing Rachmaninoff with the VSO
Astonished. That is the word that comes to mind when watching pianist Alexei Volodin work his magic. I could go on and on about the…
Review | Marc-André Hamelin & OSM Swing in The Roaring Twenties
The Roaring Twenties was an age of dramatic social and economic change, fabulous fashion, and of course, great music. A century onwards, Orchestre symphonique de…
Review | La Scala’s Ring Continues with Triumphant David McVicar Die Walkure
This past fall, La Scala embarked upon a new Ring cycle with high expectations. Its previous one took place a decade ago, under the baton…
Review | Pacific Opera Victoria Renews Childlike Wonder with The Little Prince
The reach of Antoine de Saint-Exupéry’s novella The Little Prince is undeniable. First published in 1943, The Little Prince has seen numerous adaptations from films…
Review | Kerson Leong Dazzles in Lopsided Les Violons du Roy Program
For Valentine’s Day, Les Violons du Roy presented a program full of pathos at Montreal’s Bourgie Hall. On the program were iconic excerpts from J.S…
Review | Benjamin Appl & Eric Lu’s Schwanengesang at Bourgie Hall
A German-born baritone like Benjamin Appl is certainly no stranger to Schubert’s work. I can only assume that the Austrian composer’s impressive list of over…
Review | Peter Sellars’ Unhip Castor et Pollux in Paris
Nothing is less hip than a strenuous attempt to be hip. This is how polite society would describe Paul Sellars’ take on Rameau’s Castor et…
Review | Joyce El-Khoury Triumphs as Médée in Paris
Premiered in Paris in 1797, Cherubini’s Médée was originally presented with a French libretto, based on Euripides’ play from Greek antiquity. It’s this version that is currently…
