Richard Goode, piano

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Richard Goode has been hailed for music-making of tremendous emotional power, depth and expressiveness and has been acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic music. In regular performances with the major orchestras, recitals in the world’s music capitals and through his extensive and acclaimed Nonesuch recordings, he has won a large and devoted following. The New York Times captured the essence of what makes Richard Goode such an original and compelling artist in these words: ‘It is virtually impossible to walk away from one of Mr. Goode’s recitals without the sense of having gained some new insight, subtle or otherwise, into the works he played or about pianism itself’. His discography is extensive and focuses on the core repertory of eighteenth and nineteenth-century composers, including the five Beethoven piano concertos, which have won worldwide acclaim. Goode’s historic recordings of the complete Beethoven sonatas on Nonesuch Records were recently reissued in recognition of the 25th anniversary of this set. Goode served, together with Mitsuko Uchida, as co-Artistic Director of the Marlboro Music School and Festival. 7th LMMC recital.

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Particulièrement reconnu pour la qualité de ses interprétations des œuvres de Beethoven, Richard Goode a étudié au Mannes College, puis au Curtis Institute avec le célèbre Rudolf Serkin. Il a gagné le premier prix du Concours international de piano Clara Haskil, en 1973, et celui du prix Avery Fisher en 1980. Il est le premier pianiste américain à avoir enregistré l’intégrale des sonates de Beethoven. Outre le répertoire classique et romantique, Richard Goode interprète fréquemment des pièces contemporaines. Il a ainsi créé des œuvres de Carlo Chavez, George Perle et Robert Helps, dont il est le dédicataire. Se produisant régulièrement en soliste ou avec de grands orchestres, Richard Goode a été co-directeur artistique de l’école de musique et du festival de Marlboro (Vermont) de 1999 à 2013, avec Mitsuko Uchida. Il a réalisé de nombreux enregistrements, dont celui de l’intégrale des concertos pour piano de Beethoven qui a été acclamé par les critiques et nominé aux Grammy Awards. 7e fois au LMMC.

Date/Time
Date(s) - 28/04/2019
3:30 pm - 5:30 pm

Location
Pollack Hall

Price Range
20-50

Event Artists
Richard Goode, piano

Phone Number
514-932-6796

Event Website
https://www.lmmc.ca/en/concert_details.php?concert_id=200

Event Facebook
https://www.facebook.com/ladiesmorningmusicalclub/?modal=composer


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Classification of ensemble/soloist

  • Piano solo
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    Founded in 1892 by a group of women amateur musicians, the LMMC embarks on its 125th season of uninterrupted musical activity. Originally all concerts were given by active members with the occasional assistance of local professionals. In 1895 the Club brought to Montreal the Belgian violinist Eugène Ysaÿe, whose recital was such a success that the Ladies increasingly engaged international artists. Horowitz, Serkin, Rubinstein, Heifetz, Milstein, Stern, Rampal, Piatigorsky, Tortelier, Yo-Yo Ma, Lehmann, Ferrier, Souzay, the Budapest, Amadeus, Juilliard Quartets, the Beaux Arts Trio, are but a sampling of those who have performed and, in many cases, made their Montreal debuts at the Club. The long list of Canadian artists includes Saucier, Chamberland, Forrester, Alarie, Donalda, Simoneau, Gould, Turini, the Orford Quartet. The LMMC is a non-profit organization, managed by a volunteer committee. Admission is open to all on a subscription or single-ticket basis.

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