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New Conducting Mentoring Program and Community Concert in May

By Newswire on 16 January 2025 Choral, Classical Music, Education, Newswire, Toronto

Toronto, January 16, 2025 — The Toronto Mendelssohn Choir (TMChoir) is proud to announce an exciting new initiative for local conductors: the Conducting Mentoring Program, taking place over several weeks in April and May 2025. This program is designed for local conductors of all experience levels, including university students and emerging community leaders, and will focus on educational activities surrounding the community concert, rather than extensive podium time. The program delivers a personalized, in-depth musical learning experience for participants, combining observation, discussions, and lectures. With its innovative approach to conducting mentorship, it emphasizes hands-on engagement and collaborative learning, providing an…

Canada's NAC Orchestra (2024-2025 Season). Photo: Rémi Thériault

NAC Orchestra Set to Embark on a Monumental International Tour

By Newswire on 16 January 2025 Classical Music, Newswire, Orchestral, Ottawa

January 16, 2025 – OTTAWA (Canada) – Canada’s National Arts Centre Orchestra (NACO) is proud to announce the launch of its latest international tour. This major tour will see the NAC Orchestra, led by Music Director Alexander Shelley, return to Japan for the first time in 40 years and debut in the Republic of Korea. NACO and Shelley, along with star pianists Yeol Eum Son (in Korea) and Olga Scheps (in Japan), will visit and perform in six cities at some of the world’s most renowned concert halls, including Tokyo’s Suntory Hall and the Seoul Arts Center. The Orchestra’s concert…

Shown left-right: incoming singers of the 2025/2026 Ensemble Studio, Ariana Maubach, Angelo Moretti, Nicholas Murphy, Emma Pennell, and Ben Wallace (all photos submitted by the artist).

Ensemble Studio to Welcome Five New Singers for 2025/2026 Season

By Newswire on 16 January 2025 Newswire, Opera, Toronto, Vocal

Toronto – The Canadian Opera Company’s prestigious Ensemble Studio for artistic career development has invited five of the country’s most talented artists to join next season, marking the 45th anniversary of the COC’s innovative program for singers and pianists. Soprano Emma Pennell, mezzo-soprano Ariana Maubach, tenor Angelo Moretti, baritone Ben Wallace, and bass-baritone Nicholas Murphy will join the company’s highly specialized program for Canadian opera professionals in 2025/2026, alongside two returning Ensemble Studio members entering their second year of the program, soprano Emily Rocha and bass Duncan Stenhouse. Last fall, following a national audition tour, Maubach, Pennell, and Murphy all placed as finalists at the COC’s 11th annual Centre Stage: Ensemble Studio Competition, with Pennell securing Second Prize and Maubach clinching both First Prize and…

Soprano Lauren Margison and tenor Colin Ainsworth.

Review | Lauren Margison & Colin Ainsworth Shine in OIC Alceste

By Gianmarco Segato on 13 January 2025 Concert Reviews, Opera, Toronto

Although Toronto audiences have experienced memorable Robert Carsen stagings of two operas by Christoph Willibald Gluck in relatively recent seasons (Orfeo ed Euridice and Iphigénie en Tauride, both in 2011), Voicebox: Opera in Concert (OIC)’s Jan. 12th presentation of his Alceste (1767) is a Canadian premiere. Its 1769 preface was a de facto manifesto outlining Gluck’s ideals for operatic reform. The result is an opera stripped bare of virtuosic vocal display that relies on expert articulation of its French text to make an effect. Happily, in soprano Lauren Margison and tenor Colin Ainsworth, OIC had found two exemplars of French,…

TSO conducted by Anja Bihlmaier at Roy Thomson Hall. Photo: Jae Yang

Review | TSO Delights with Dvořák and Mozart Crowd-Pleasers

By Denise Lai on 13 January 2025 Classical Music, Concert Reviews, Orchestral, Toronto

The Toronto Symphony Orchestra (TSO) heralded the new year with two audience favourites: Mozart’s Clarinet Concerto in A Major, K. 622 and Dvořák’s Symphony No. 9 in E minor, op. 95 (“From the New World”). On Jan. 12, the concert opens with the usual choice of a rarely-performed modern piece. Most Toronto audiences, myself included, are unfamiliar with Grażyna Bacewicz, even though she was one of Poland’s most well-regarded composers of the mid-20th century. Her “Concerto for String Orchestra” is her best-known and most-performed piece, and considered a prime example of Polish neoclassicism, showcasing Bacewicz’s style of blending traditional and…

École de musique Vincent-d’Indy’s Open House

By Newswire on 7 January 2025 Classical Music, Education, Jazz, Montreal, Newswire

On February 4th, from 5:30 p.m. to 8:30 p.m., École de musique Vincent-Indy opens its doors! During this lively evening, visitors will be able to learn about the pre-university programs in classical and jazz music (501.A0) and the double DEC offered in collaboration with Collège Jean-de-Brébeuf (Musique et Sciences de la nature (200.11), Musique et Sciences humaines (300.11) et Musique et Arts, lettres et communication (500.11)). Teachers and students will be on hand to present the four profiles offered to : Perfect your playing techniques: Interprétation profile (classical – jazz); Deepen an interest in musical composition: Création profile (classical -…

The OCM presents Distant Echoes of Africa as Part of Black History Month

By Newswire on 7 January 2025 Classical Music, Montreal, Newswire, Orchestral

Tuesday, January 7, 2025 – In honour of Black History Month, the Orchestre Classique de Montréal (OCM) will shine the spotlight on three artists of African descent: Cameroonian-Canadian soprano Suzanne Taffot, Haitian-Canadian composer David Bontemps, and Panamanian-American conductor Kalena Bovell, making her Montréal debut. The OCM’s concert on Thursday, February 6, at Pierre‑Mercure Hall, will feature the world premiere of Bontemps’ Le Deuil des roses qui s’effeuillent, a song cycle based on poems by Jacques Roumain, in a performance marking the 80th anniversary of the Haitian writer’s passing. This special evening will focus entirely on the music of Afro-descendant composers, with works by Black British composer Samuel Coleridge‑Taylor and African-American composers George Walker and William Grant Still. The program will conclude with a set of…

Cast of Koerner Hall's Into the Woods. Photo: RCM/Lisa Sakulensky

Review | Stellar cast enlivens flawed Into the Woods at Koerner Hall

By Gianmarco Segato on 31 December 2024 Concert Reviews, La Scena Online, Opera, Popular Music, Toronto, Vocal

The nearly 40-year-old musical Into the Woods, with music and lyrics by the legendary Stephen Sondheim and book by American playwright James Lapine, has become a staple on North American stages. Its appeal is clearly linked to an ingenious amalgamation of familiar characters from classic fairy tales like Cinderella, Little Red Riding Hood and Jack and the Beanstalk. Their stories are utilised to deliver a universal message that boils down to “be careful what you wish for”. Koerner Hall has assembled a cast which includes the crème de la crème of Canadian musical theatre in a smartly-staged production by Richard…

Holly Chaplin in the title role of Toronto Operetta Theatre's Countess Maritza. Photo: Gary Beechey

Review | Toronto Operetta Theatre’s Marvellous Countess Maritza

By Gianmarco Segato on 30 December 2024 Concert Reviews, Opera, Toronto, Vocal

As is their tradition, Toronto Operetta Theatre livens up the in-between-Christmas-to-New Year lull with an annual production of a classic, golden age operetta. This year, it’s Hungarian composer Imre Kálmán’s Countess Maritza with its non-stop succession of great tunes and authentic czardas-infused rhythms. TOT can always be relied on to present some of the best young Canadian talent and this was certainly no exception at Dec. 29th’s opening performance. A Maritza that moves TOT’s General Director, Guillermo Silva-Marin is also the show’s stage director and he does a lot with comparatively modest means. Maritza’s country mansion is appropriately decorated with…

Rose Naggar-Tremblay, contralto soloist in ArtChoral's Messiah. Photo: TamPhotography

Review | ArtChoral’s Messiah Preserves its Original Freshness

By Heather Weinreb on 24 December 2024 Baroque and Early, Choral, Concert Reviews, Montreal

Every holiday season, Handel’s Messiah comes to town. Not once, not twice, but many times. With all the options, how can an audience member decide which one to choose? On Dec. 22, ArtChoral and Ensemble Caprice delivered an inspiring performance of Handel’s Messiah. It seems that Juno award-winning conductor Matthias Maute takes avid delight in showcasing how old works can always sound new, so long as they are performed with technical precision, intentionality, and a lot of joyful energy. When Messiah season comes around next year, audiences would do well to consider ArtChoral’s version. What you missed? A Baroque oratorio,…

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