Born in Cairo, Egypt, Ossama el Naggar moved to Montréal to pursue graduate studies in Chemistry and Business Administration. He founded a classical music distribution company and later an online business. He teaches opera appreciation, history and literature at the Thomas More Institute in Montréal and travels extensively worldwide, chronicling opera, ballet and the symphonic repertoire.
For opera aficionados, a fatigue sets in, seeing the same repeated warhorses each year: Tosca, La bohème, La traviata, Rigoletto, et al. As excellent as…
Unlike the Roman Arena di Verona, Macerata’s 2,500 seat Arena Sferisterio is a more recent creation. Created two centuries ago for an Italian variant of…
For its 150th anniversary, Bavarian State Opera’s Munich Opera Festival had the novel idea of producing all three Da Ponte/Mozart operas as a trilogy, using…
A revolution has erupted: the Swiss dancer and choreographer Martin Schläpfer, formerly director of Düsseldorf’s Ballet am Rhein (known for its innovative choreography), became director…
Christian Thielemann’s June 26th concert with Staatskspelle Berlin at Vienna’s venerable Musikverein almost felt like too much of a good thing. Works by two favourite…
For avid Rossini fans, a logical destination is the Rossini Opera Festival held annually in Pesaro, the composer’s birthplace on Italy’s Adriatic coast. There, the…
Belgian playwright’s Maurice Maeterlinck’s play Pelléas et Mélisande (1892) fascinated musicians of the epoch. Both Fauré (in 1898) and Sibelius (in 1905) wrote incidental music…