Arts writer, administrator and singer Gianmarco Segato is Assistant Editor for La Scena Musicale. He was Associate Artist Manager for opera at Dean Artists Management and from 2017-2022, Editorial Director of Opera Canada magazine. Previous to that he was Adult Programs Manager with the Canadian Opera Company. Gianmarco is an intrepid classical music traveler with a special love of Prague and Budapest as well as an avid cyclist and cook.
The Toronto Symphony Orchestra’s May 10th concert featured two stalwarts of the Classical canon: Brahms’ grand Violin Concerto in D Major and Tchaikovsky’s Symphony No. 4.
In this week’s news highlights: there’s a shuffle going on with women conductors in Canada; Canadians in Oper Frankfurt’s 24-25 season; Beethoven #9 at 200
All is Love, the new Opera Atelier production is a heterogeneous mix of numbers that impress individually but fail to add up to a dramatically satisfying whole.
Welcome to La Scena Musicale’s weekly Highlights, a roundup of classical music news from Canada and beyond. It’s season announcement time, and Canadian artists are…
Composed by Haitian-born, Montreal-based David Bontemps, who also adapted fellow Haitian Flaubert Bolivar’s award-winning play, La Flambeau draws its subject matter from a rich mythology based in Haitian Vodou traditions.
The latest recording by American tenor Michael Spyres, In the Shadows, exemplifies just what makes him stand out in the current hype-driven, Instagram-heavy opera landscape.