The age of humans—the “Holocene era”—is at its end, suggests award-winning composer Frank Horvat on his latest masterpiece, An Auditory Survey of the Last Days of the Holocene.
For better or worse, En Route is a unique example of how track lengths, titles, and human voices (or the lack thereof) affect a listener’s experience of an album.
Bruce Liu’s new album, Waves, opens with Rameau’s well-known Gavotte et six doubles, a stately French dance with variations, each of which explore and ornament the theme in a different and more dramatic way.
Recurrence is a collaboration between members of the ICOT (Iranian-Canadian Composers of Toronto) Chamber Orchestra, the New Orford String Quartet and two eminent Canadian composers.
With their new album Los Santos y Pecadores, Toronto-born band Battle of Santiago’s latest musical experiment continues to arouse the curiosity of audiences on the alternative Latin experimental scene.