Les 9 presented a simultaneously captivating and ethereal concert experience in Koerner Hall on November 22nd. Under the direction of Vincent Bélanger, the ensemble consists of eight cellos and one double bass, a unique instrumentation with wide appeal – the cello, for instance, is well-loved by both long-time classical music listeners and newcomers to the genre. Some believe that it is the instrument’s likeness to the human voice that gives the instrument such popularity. Indeed, the sounds of the cello are more like human singing in timbre and range than any other instrument.
The ensemble takes advantage of this trope by inserting the cellos into well-loved classical works. Classics such as Debussy’s Clair de Lune and Beethoven’s Moonlight Sonata provided a stunning lunar backdrop for new works written by Les 9’s composer-in-residence, Christian Thomas. Thomas’ compositions opened and closed the program, and his pieces captured the essence and ability of the ensemble in a stunning manner. Unlike some of the other arrangements on the program, Thomas’ pieces managed to take full advantage of the ensemble’s capabilities, showcasing the extended techniques of the instruments, as well as capturing the textural possibilities and versatility of the cellos. The double bass was effective in its foundational role, filling out the low-end sound that is so often missing from chamber music. Despite being nine in number, the ensemble played as one. With careful attention to the artistic direction of Vincent Bélanger, the group at once captured the beautiful unison sounds created by orchestral cello sections, and showcased the ability and musical character of each player individually.
Les 9 de Montréal on stage at Koerner Hall (Photo by Taylor Long)
A particular highlight was Ravel’s Pavane pour une infante défunte. One of the most appealing parts of this work is the different timbres and colors created as the melody is passed around the orchestra. Despite lacking the conventional variety in instrumentation, the ensemble’s performance of Joey Reda and Francis Choinère’s arrangement managed to maintain newness and differentiation of character and style. Again, each instrumentalist provided a unique approach to playing, demonstrating the importance of maintaining individual musical identity and character, in a chamber music context. In sum, Les 9 captured the stunning beauty of lunar imagery and sound through their pairing of old favourites with new compositions. This music is easily beloved by anyone, and Les 9 delivered on its promise of an enchanting evening and elegant sound.
Les 9 de Montréal
https://www.les9.ca/
