Not To Be Played in Church: In Honor of Avant-Garde Composer Charles Ives’s 150th

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This page is also available in / Cette page est également disponible en: Francais (French)

A concert for choir and organ celebrating the sesquicentennial year of American avant-garde composer Charles Ives. His earliest works are among his least-heard; written for the organ, an instrument he abandoned at age 27. In 1890, Ives accompanied his father George and other local musicians in concerts in neighbouring towns, where he gave the first public performances of his own compositions. As a 14 year old, Ives employed tactics that European modernists would not until decades later — he reportedly shocked the audiences with a melody played in three keys simultaneously, as well as choral writing that jumped more than an octave every two notes. As he noted later, one of his organ variations “was not to be played in church, as it made the boys laugh and become noisy!”

Featuring the modern premiere of reconstructed and undiscovered music by the renowned composer.

Event Artists

Abraham Ross, organ/concept; Bronwyn Thies-Thompson, soprano; William Duffy, alto; Haitham Haidar, tenor; Noah Wright, baritone.

Not To Be Played in Church: In Honor of Avant-Garde Composer Charles Ives’s 150th

Date/Time

Saturday, February 24, 2024
7:30 pm - 9:00 pm

Location

Église de Saint-Stanislas-de-Kostka
1350 Boulevard St-Joseph Est
Montréal, QC
Canada, H2J 1M3

Price

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Phone

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Website

www.abrahamross.com

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This page is also available in / Cette page est également disponible en: Francais (French)

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