Amidst the bustle of the holiday season, Chor Leoni ushered audience members into the serene atmosphere of St. Andrew’s-Wesley United Church for their annual Christmas concert on Dec 19. The space was lit with reds, blues, and purples while golden lanterns hung from the ceiling. The beauty of the church was highlighted under this unique lighting, creating an almost fantasy effect within the large arches. Lighting designer Keagan Elrick had set the stage for the magical evening welcoming Chor Leoni’s largest-ever opening night audience. The first song of the evening was “The Long Night” arranged by founding member, Artistic Director,…
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Notre-Dame de Paris has long stood as the heart of France and became a powerful symbol of hope, unity, and faith following the fire in 2019. At the reopening ceremony on December 7, 2024, this spirit of renewal and togetherness was palpable, with the joyous sounds of orchestras, choirs, and the cathedral’s iconic 8,000-pipe organ filling the air. Below is a list of the music and musicians featured in the reopening ceremony of Notre-Dame de Paris. Notre-Dame de Paris (Excerpts) (Arr. Pierre Bertrand-Cagnes), Richard Cocciante Garou (Guitar) Orchestre Philharmonique de Radio France (Orchestra) Amazing Grace, William Walker Pretty Yende (Soprano)…
Montreal, December 12th, 2024 – Pro Musica is proud to announce its new 2025 program, Saison Prodige, featuring three concert series: Cartes Blanches, devoted to internationally renowned musicians; Mélodînes, which showcases younger artists and introduces them to the public; and Pro Musica sur la route, which offers a valuable program outside Montreal. “The idea of a Prodige Season, aimed at discovering prodigious performers and composers, came to me from my experience as a teacher of child prodigies, with whom I have worked for a long time, and which has shaped and profoundly affected me,” explains Irina Krasnyanskaya, Pro Musica’s Artistic Director. Cartes Blanches, all…
As the holidays approach, George Frideric Handel’s Messiah begins to line concert programs around the world—and so, Orchestre classique de Montréal presents its annual performance of the great oratorio in one of the city’s most fitting venues: Saint Joseph’s Oratory. There, OCM, Filles de L’île women’s choir, Chantres Musiciens men’s choir, and four Canadian soloists presented 44 movements from the original piece under the baton of Israeli-French conductor Roï Azoulay. Though originally written for Easter, the English oratorio has become synonymous with Christmas. It details the birth and death and resurrection of Jesus Christ despite the fact the majority of…
The return of esteemed conductor Kent Nagano marked the first of Orchestre symphonique de Montréal’s festive December celebrations. Under the banner Le temps des fêtes avec Nagano (‘Tis the Season with Kent Nagano), the OSM presented a program ranging from cheerful Christmas ballets to dark and biblical storytelling including excerpts from The Nutcracker, a brand new oratorio, and an adaptation of Vivaldi’s Four Seasons. Though Nagano has not served as the OSM’s Music Director since 2020, he has continued to grace the Maison symphonique stage during past holiday seasons, and his presence is always welcome. The highlights of the evening…
In an unfortunate incident on December 11, celebrated British cellist Sheku Kanneh-Mason was denied boarding on an Air Canada flight with his cello. This resulted in him and his sister, pianist Isata Kanneh-Mason, missing a sold-out concert at The Royal Conservatory of Music’s Koerner Hall, which was to take place that evening. The Kanneh-Masons issued the following statement on December 11: Dear everyone, We are deeply sad to not be able to perform for you this evening. We had severe misfortune with the flights today, including a cancelled flight and denial of boarding with cello on another. We really value all of your…
Performances of Handel’s Messiah at Montreal’s Notre-Dame Basilica had been an annual tradition of the Montreal Symphony Orchestra up until about 12 years ago when its artistic director Kent Nagano did away with Handel in favour of Bach. Orchestre Métropolitain (OM)’s artistic director Yannick Nézet-Séguin grew up with this tradition as he announced before the concert from the stage, and this is the second year in a row that OM has presented Messiah at the Basilica to a full house. Nézet-Séguin hinted that this will become a tradition, so hopefully, it will be an annual event. What you missed? Dec.…
2024 is the Year of Czech Music. Inaugurated in 1924 to celebrate the centenary of the birth of Bedřich Smetana, this tradition occurs every decade in the year ending in 4, which also marks other important milestones in Czech music history: Smetana’s death in 1884, Leoš Janáček’s birth in 1854, and Antonin Dvořák’s death in 1904. How fortunate for us in Toronto that the 129-year-old Czech Philharmonic concluded the 100th anniversary of this celebration with two concerts in our city, as part of its North American tour in which the orchestra also played at Carnegie Hall. It was even more…
The Czech Philharmonic’s guest appearance at Toronto’s Koerner Hall on Dec. 7 is part of a year-long series of concerts they are presenting the world-over in honour of the year of Czech music. Years that end in 4 often coincide with the anniversaries of the birth, death, or creation of key works of the most prominent Czech composers. 2024 coincides with anniversaries of several great Czech composers including the 200th of Bedřich Smetana’s birth and the 120th Antonín Dvořák’s death. Both were the focus of Dec. 7’s concert led by the orchestra’s Chief Conductor and Music Director, Semyon Bychkov. The…
Montreal, November 26, 2024 – Starting November 29, the Montreal Museum of Fine Arts (MMFA) will present the Canadian premiere of the immersive video installation Ravel Ravel Interval by world-renowned French-Albanian artist Anri Sala. In this work, Sala trains his lens on the left hands of two pianists performing Maurice Ravel’s (1875-1937) Piano Concerto for the Left Hand in D Major: Louis Lortie and Jean-Efflam Bavouzet. The exhibition will run through April 2025, the year of the 150th anniversary of Ravel’s birth. To foster an immersive auditory experience, a chamber will be installed with several speakers that transmit two quasi-simultaneous interpretations of Ravel’s…