Since its founding in 1984, Orchestre symphonique de Laval (OSL) has brilliantly established itself in the musical landscape of Greater Montreal. On the eve of its 40th anniversary, the orchestra will open its new season with Encounter: Antoine Bareil plays Mendelssohn, an evening under the direction of conductor Adam Johnson featuring Felix Mendelssohn’s Violin Concerto in E minor (1844), Pictures at an Exhibition (1874) by Modest Mussorgsky, and the Overture in C major (1832) by Fanny Mendelssohn Hensel. A grandiose program combining the enchanting expressiveness of German Romanticism with the raw lyricism of the Russian tradition.
A family story
Felix Mendelssohn’s Violin Concerto occupies a central place in the violin repertoire. A true test of artistic maturity, this monument of Romanticism is a must for any aspiring artist. And yet, this will be the first time that the charismatic Antoine Bareil will play it in concert. Far from shying away from this challenge, the OSL’s first concertmaster sees it as a unique opportunity to approach this masterpiece with a fresh perspective. Quite a change for a violinist more accustomed to the 20th-century fare he regularly plays with the Molinari Quartet.
The evening’s program also includes the Overture in C major by Fanny Mendelssohn Hensel, Felix’s sister. Largely overshadowed by the success of her brother, she was a victim of the patriarchal restrictions of her time, which limited the publication of her works. She nevertheless managed to compose more than 450 lieder and solo piano works. Conductor Adam Johnson looks forward to highlighting the legacy of this great artist, whom historians recognize as having a significant influence on her illustrious brother.
The OSL at the heart of its community
With a reputation as a bedroom community whose bungalows and asphalt create the landscape of a soulless suburb, Laval has experienced a tremendous revival in recent years, with culture at its beating heart. This is further evidenced by the new cultural centre soon to begin construction, which will be OSL’s future home. For Simon Ouellette, general director of the OSL, there is no doubt that the orchestra will be called upon to play a key role in this cultural renaissance.
In addition to its seasonal programming, the OSL sponsors the Laval-Laurentides Youth Symphony Orchestra and organizes several community initiatives, including concerts and activities intended for families, school students, as well as residents. This community commitment has been an integral part of the orchestra’s mission since its beginnings. As Bareil sums it up so well, “Despite time and trials, one constant remains: the desire to serve and stay close to the Laval community.”
Translation by Gianmarco Segato