Known for his twelve-tone method, Arnold Schoenberg was an iconoclast in the classical music world of the early 20th century. His atonal works clashed against the traditional diatonic systems of harmony by taking chromaticism to an extreme extent, provoking both widespread love and dissent. His influence spread with his dedicated disciples Anton Webern and Alban Berg, who continued the atonal tradition. It has been criticized of Schoenberg that his music is more often defended than listened to. Aside from music, Schoenberg is also notable for his gifted painting ability, his fear of the number 13 (ironically born on September 13th and died July 13th), and fleeing the increasingly antisemitic Europe of his day.
Editorial Assistant Weiyu Dang currently lives in Montreal because of his intense affection for the STM. While he attends McGill to pursue a double major in English and History, Young Wei purposefully lives far from school to capitalize on the metro commute potential. Musical interests include Bartok, Hard Bop, and YG. Weiyu worked for La Scena Musicale from July 4th to August 1st, 2016.