Alice Sara Ott; Echoes of Life (Deutsche Grammophon)

Advertisement / Publicité

This page is also available in / Cette page est également disponible en: Francais (French)

  • 3
  • User Ratings (2 Votes)

The German-Japanese pianist, a trophy artist on Deutsche Grammophon, is facing the onset of multiple sclerosis with courage, positivism and ingenuity. On her tenth album she seeks to give the preludes of Frederic Chopin a contemporary twist by interleaving them with some of her favourite modern composers.

Her daring approach changes the colouring of some of the Chopin so that certain preludes sound like shards of Philip Glass that got left on the mixing desk – not that Glass is present in the mix. The composers she chooses are compellingly more eclectic.

Advertisement / Publicité

There is the Italian Francesco Tristano, who reimagines the creation of the universe; the Hungarian György Ligeti who imagines he created it himself, and Nino Rita who wrote the soundtrack to the Creation movie. Also present at Chilly Gonzales, Arvo Pärt, Toru Takemitsu and Alice herself with a closing lullaby based on bits ofithe Mozart Requiem. All told, it’s a dazzling experiment that almost works and, when it doesn’t, is still interesting enough to retain the attention.

For a pianist to stand out nowadays, s/he needs to do more than rattle off the Grieg and Schumann concertos on Naxos and Youtube. This kind of compilation sets a trend and raises the bar high for individualism. I would not turn to Ott first for the Chopin preludes, but I will keep it handy for those evenings when my mood is fluttery and unsettled. Three years from now, mark my words, Lang Lang will do a copycat album.

This page is also available in / Cette page est également disponible en: Francais (French)


About Author

Norman Lebrecht is a prolific writer on music and cultural affairs. His blog, Slipped Disc, is one of the most popular sites for cultural news. He presents The Lebrecht Interview on BBC Radio 3 and is a contributor to several publications, including the Wall Street Journal and The Standpoint. Visit every Friday for his weekly CD review // Norman Lebrecht est un rédacteur prolifique couvrant les événements musicaux et Slipped Disc, est un des plus populaires sites de nouvelles culturelles. Il anime The Lebrecht Interview sur la BBC Radio 3 et collabore à plusieurs publications, dont The Wall Street Journal et The Standpoint. Vous pouvez lire ses critiques de disques chaque vendredi.

Leave A Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.