{"id":998576,"date":"2021-11-12T11:06:27","date_gmt":"2021-11-12T15:06:27","guid":{"rendered":"https:\/\/myscena.org\/paul-robinson\/critique-de-disque-oleg-kagan-and-natalia-gutman-live\/"},"modified":"2021-11-17T00:40:38","modified_gmt":"2021-11-17T04:40:38","slug":"critique-de-disque-oleg-kagan-and-natalia-gutman-live","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/paul-e-robinson\/critique-de-disque-oleg-kagan-and-natalia-gutman-live\/","title":{"rendered":"Critique de disque : Oleg Kagan and Natalia Gutman Live<\/i>"},"content":{"rendered":"

\"\"Brahms: Concerto for Violin, Cello and Orchestra in A Minor Op. 102.* Shostakovich: Concerto for Cello and Orchestra No. 1 in E Flat Major Op. 107**<\/h4>\n

Oleg Kagan, violon, Natalia Gutman, violoncelle. State Symphony Orchestra of the USSR\/Yevgeny Svetlanov.* Netherlands Radio Philharmonic Orchestra\/Alexander Lazarev**\u00a0<\/span><\/p>\n

DOREMI 2022 –\u00a0\u2605\u2605\u2605\u2605\u2605<\/p>\n

Natalia Gutman (1942-) et son mari Oleg Kagan (1946-1990) comptent parmi les artistes sovi\u00e9tiques les plus importants de leur g\u00e9n\u00e9ration. Kagan \u00e9tait un \u00e9tudiant d\u2019O\u00efstrakh destin\u00e9 \u00e0 une carri\u00e8re importante lorsqu\u2019il est d\u00e9c\u00e9d\u00e9 d\u2019un cancer \u00e0 l\u2019\u00e2ge de 43 ans. Gutman a fait ses d\u00e9buts aux \u00c9tats-Unis en 1969 sous la direction de Stokowski. Elle rivalisait avec Rostropovitch pour l\u2019amplitude et la qualit\u00e9 du son. Vers la fin de sa carri\u00e8re, elle a jou\u00e9 dans l\u2019Orchestre du Festival de Lucerne comme faveur pour Claudio Abbado. Cette nouvelle parution de DOREMI capture un moment fort de la saison de concerts de 1986-1987 \u00e0 Toronto\u00a0: une repr\u00e9sentation du Double<\/i> de Brahms avec Kagan et Gutman et l\u2019un des meilleurs orchestres russes sous la direction de Yevgeny Svetlanov. Les prestations sont superbes et la qualit\u00e9 audio est plus que correcte. Gutman faisait autorit\u00e9 dans la musique de Chostakovitch, et cette interpr\u00e9tation du Concerto pour violoncelle n\u00b01<\/i> de 1980 en direct des Pays-Bas est aussi passionnante et instructive que n\u2019importe quelle autre du catalogue.<\/p>\n","protected":false},"excerpt":{"rendered":"

Brahms: Concerto for Violin, Cello and Orchestra in A Minor Op. 102.* Shostakovich: Concerto for Cello and Orchestra No. 1 in E Flat Major Op. 107** Oleg Kagan, violon, Natalia Gutman, violoncelle. State Symphony Orchestra of the USSR\/Yevgeny Svetlanov.* Netherlands Radio Philharmonic Orchestra\/Alexander Lazarev**\u00a0 DOREMI 2022 –\u00a0\u2605\u2605\u2605\u2605\u2605 Natalia Gutman (1942-) et son mari Oleg Kagan<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":2769,"featured_media":998573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[4581,46852,46851],"class_list":{"0":"post-998576","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"tag-doremi","9":"tag-natalia-gutman-fr","10":"tag-oleg-kagan-fr","11":"volume-volume-27","12":"issue-vol-27-issue-34-fr","13":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/11\/Brahms-Shostakovich-Concertos-copy.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/11\/Brahms-Shostakovich-Concertos-copy-300x158.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/11\/Brahms-Shostakovich-Concertos-copy.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/998576"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2769"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=998576"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/998576\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/998573"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=998576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=998576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=998576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}