{"id":995698,"date":"2021-10-13T12:43:37","date_gmt":"2021-10-13T16:43:37","guid":{"rendered":"https:\/\/myscena.org\/?p=995698"},"modified":"2021-10-13T12:47:56","modified_gmt":"2021-10-13T16:47:56","slug":"annonce-dune-supplementaire-jean-guihen-queyras-de-retour-a-la-salle-bourgie-avec-stephane-tetreault-comme-invite","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/annonce-dune-supplementaire-jean-guihen-queyras-de-retour-a-la-salle-bourgie-avec-stephane-tetreault-comme-invite\/","title":{"rendered":"Jean-Guihen Queyras de retour \u00e0 la salle Bourgie avec St\u00e9phane T\u00e9treault comme invit\u00e9 !"},"content":{"rendered":"

Montr\u00e9al, le mercredi 13 octobre 2021 – <\/strong>Apr\u00e8s quelques passages remarqu\u00e9s dans les derni\u00e8res ann\u00e9es, la salle Bourgie est heureuse de retrouver le violoncelliste Jean-Guihen Queyras<\/strong> pour deux concerts, les 25 et 26 octobre<\/strong> \u00e0 19h30.<\/strong> Pour l\u2019occasion, son ami St\u00e9phane T\u00e9treault<\/strong> se joindra \u00e0 lui l\u2019instant de deux \u0153uvres pour deux violoncelles.<\/p>\n

Originaire de Montr\u00e9al, le violoncelliste fran\u00e7ais Jean-Guihen Queyras<\/strong> est un artiste totalement et passionn\u00e9ment d\u00e9di\u00e9 \u00e0 la musique dont l\u2019approche de la partition, humble et sans pr\u00e9tention, refl\u00e8te son essence sans concession. Il a longtemps \u00e9t\u00e9 soliste pour l\u2019Ensemble intercontemporain dirig\u00e9 par Pierre Boulez qui en a fait son prot\u00e9g\u00e9. En plus d\u2019\u00eatre invit\u00e9 dans les plus grands orchestres internationaux, il est professeur \u00e0 la Musikhochschule de\u00a0Fribourg-en-Brisgau,\u00a0en Allemagne, et codirecteur des Rencontres musicales de Haute-Provence \u00e0\u00a0Forcalquier, en France.<\/p>\n

Interpr\u00e8tes<\/u><\/strong><\/p>\n

Jean-Guihen Queyras,<\/strong> violoncelle
\nSt\u00e9phane<\/strong> T\u00e9treaul<\/strong>t, <\/strong>violoncelle<\/p>\n

Programme<\/u><\/strong><\/p>\n

BRITTEN<\/strong> Suite no\u00a0<\/sup>1 en\u00a0sol<\/em>\u00a0majeur pour violoncelle, op. 72
\nAhmet ADNAN SAYGUN<\/strong> Partita pour violoncelle seul, op. 31
\nJ. S. BACH<\/strong> Suite no<\/sup>\u00a01 en\u00a0sol<\/em>\u00a0majeur pour violoncelle seul, BWV\u00a01007
\nBARRI\u00c8RE<\/strong> Sonate \u00e0 deux violoncelles en\u00a0sol<\/em>\u00a0majeur, op. 4 n\u00ba 4
\nOFFENBACH<\/strong> Duo pour deux violoncelles en\u00a0si<\/em> b\u00e9mol majeur, op. 53\u00a0n\u00ba 1<\/p>\n

Prix\u00a0: \u00e0 partir de 33$ taxes incluses<\/p>\n

Billetterie en ligne<\/a> ou par t\u00e9l\u00e9phone au 514-285-2000, option 1<\/p>\n

 <\/p>\n

\u00c0 propos de la salle Bourgie<\/u><\/strong><\/p>\n

Ouverte en septembre 2011, la salle Bourgie est la salle de concert du Mus\u00e9e des beaux-arts de Montr\u00e9al. Elle est situ\u00e9e dans la nef de l\u2019ancienne \u00e9glise Erskine and American,<\/em> con\u00e7ue en 1894 par l\u2019architecte Alexander Cowper Hutchison dans un style n\u00e9o-roman et d\u00e9sign\u00e9e \u00ab lieu historique d\u2019int\u00e9r\u00eat national \u00bb. Elle est dot\u00e9e d\u2019une acoustique hors pair et d\u2019un d\u00e9cor exceptionnel, compos\u00e9 notamment de vingt vitraux Tiffany<\/em>, fait rare au Canada. Parfaitement adapt\u00e9e aux besoins des ensembles de musique de chambre, et d\u2019autres formations tels que les orchestres \u00e0 cordes, la salle Bourgie offre une programmation de haut vol, accueillant autant de musiciens canadiens qu\u2019internationaux.<\/p><\/blockquote>\n

sallebourgie.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Montr\u00e9al, le mercredi 13 octobre 2021 – Apr\u00e8s quelques passages remarqu\u00e9s dans les derni\u00e8res ann\u00e9es, la salle Bourgie est heureuse de retrouver le violoncelliste Jean-Guihen Queyras pour deux concerts, les 25 et 26 octobre \u00e0 19h30. Pour l\u2019occasion, son ami St\u00e9phane T\u00e9treault se joindra \u00e0 lui l\u2019instant de deux \u0153uvres pour deux violoncelles. Originaire de<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":995699,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394],"tags":[46131,38311],"class_list":{"0":"post-995698","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"tag-jean-guihen-queyras-fr","9":"tag-stephane-tetreault-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/image00632.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/image00632-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/image00632.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/995698"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=995698"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/995698\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/995699"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=995698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=995698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=995698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}