{"id":994843,"date":"2021-10-08T16:40:40","date_gmt":"2021-10-08T20:40:40","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/round-midnight-dutilleux-merlin-schoenberg-erato\/"},"modified":"2021-10-11T14:04:53","modified_gmt":"2021-10-11T18:04:53","slug":"round-midnight-dutilleux-merlin-schoenberg-erato","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/round-midnight-dutilleux-merlin-schoenberg-erato\/","title":{"rendered":"Round midnight: Dutilleux, Merlin, Schoenberg (Erato)"},"content":{"rendered":"&#13;\n<p class=\"has-drop-cap has-medium-font-size\">Avec le d\u00e9clin de deux quatuors \u00e0 cordes embl\u00e9matiques \u2212 l\u2019Allemand Artemis, en d\u00e9route, et l\u2019Am\u00e9ricain Emersons, \u00e0 la retraite \u2212 le Quatuor \u00c9b\u00e8ne de France est probablement en t\u00eate de liste des meilleurs au monde \u00e0 l\u2019heure actuelle. Quatre musiciens variables qui jouent debout et repoussent sans cesse les limites, leurs sorties d\u2019albums \u00e9tant toujours un \u00e9v\u00e9nement et souvent une surprise.<\/p>&#13;\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-994783 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne.jpg\" alt=\"\" width=\"356\" height=\"357\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne.jpg 550w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne-300x301.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne-150x150.jpg 150w\" sizes=\"(max-width: 356px) 100vw, 356px\" \/>Ce nouvel enregistrement associe deux chefs-d\u2019\u0153uvre \u00e0 th\u00e9matique nocturne : <em>Ainsi la Nuit<\/em> d\u2019Henri Dutilleux et <em>Verkl\u00e4rte Nacht<\/em> d\u2019Arnold Schoenberg. Dutilleux suit les traces de Bart\u00f3k avec des choses qui grincent dans la nuit. Schoenberg \u00e9coute les amants illicites dans les bois. Les deux \u0153uvres suscitent la peur et l\u2019appr\u00e9hension. Les deux finissent par apaiser la peur avec une bouff\u00e9e de pure beaut\u00e9. Je ne pense pas avoir jamais entendu une plus belle version d\u2019<em>Ainsi la nuit<\/em>, et il y en a eu un tas. Dutilleux, qui n\u2019est pas un compositeur de salon, exige du temps et de la concentration de l\u2019auditeur, r\u00e9compensant l\u2019investissement avec une gamme de sons apparemment impossibles.<\/p>\n<p>Dans le Schoenberg, \u00c9b\u00e8ne, rejoint par l\u2019altiste Antoine Tamestit et le violoncelliste Nicolas Altstaedt, con\u00e7oit une sonorit\u00e9 wagn\u00e9rienne dans laquelle l\u2019amour et la mort sont inextricables et le r\u00e9sultat importe moins que les moyens pour y parvenir.<\/p>\n<p>Alors, comment peut-on lier deux pi\u00e8ces de caract\u00e8re si fort et diff\u00e9rent ? Le violoncelliste Rapha\u00ebl Merlin offre une solution avec d\u2019originaux arrangements pour quatuor de quatre classiques am\u00e9ricains du cr\u00e9puscule \u2212 <em>Moon River<\/em>, <em>Night and Day<\/em>, <em>Stella by Starlight<\/em> et <em>Round Midnight<\/em>. C\u2019est un divertissement \u00e9blouissant. \u00c0 garder sur sa table de chevet.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>NL<\/p>\n<p>Abonnez-vous \u00e0\u00a0<a href=\"https:\/\/slippedisc.com\/\">https:\/\/slippedisc.com\/<\/a><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#13; Avec le d\u00e9clin de deux quatuors \u00e0 cordes embl\u00e9matiques \u2212 l\u2019Allemand Artemis, en d\u00e9route, et l\u2019Am\u00e9ricain Emersons, \u00e0 la retraite \u2212 le Quatuor \u00c9b\u00e8ne de France est probablement en t\u00eate de liste des meilleurs au monde \u00e0 l\u2019heure actuelle. Quatre musiciens variables qui jouent debout et repoussent sans cesse les limites, leurs sorties d\u2019albums<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/round-midnight-dutilleux-merlin-schoenberg-erato\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":994815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,34360],"tags":[46377,46376,46378,46375],"class_list":{"0":"post-994843","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-lhebdo-lebrecht","9":"tag-antoine-tamestit-fr","10":"tag-henri-dutilleux-fr-2","11":"tag-nicolas-altstaedt-fr","12":"tag-quatuor-ebene-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne-par-julien-Mignot-e1633705826529.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne-par-julien-Mignot-300x214.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/quatuor-\u00e9b\u00e8ne-par-julien-Mignot-e1633705826529.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/994843"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=994843"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/994843\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/994815"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=994843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=994843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=994843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}