{"id":994757,"date":"2021-10-08T08:38:13","date_gmt":"2021-10-08T12:38:13","guid":{"rendered":"https:\/\/myscena.org\/arthur-kaptainis\/critique-de-disque-english-songs-a-la-francaise-bridge\/"},"modified":"2021-10-08T08:43:39","modified_gmt":"2021-10-08T12:43:39","slug":"critique-de-disque-english-songs-a-la-francaise-bridge","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/arthur-kaptainis\/critique-de-disque-english-songs-a-la-francaise-bridge\/","title":{"rendered":"Critique de disque : English Songs \u00e0 la fran\u00e7aise (Bridge)"},"content":{"rendered":"

\"\"English Songs \u00e0 la fran\u00e7aise.
\nSongs by Gounod, Hahn, Massenet, Milhaud, Poulenc, Roussel, Ravel, Saint-Sa\u00ebns<\/h4>\n

Tyler Duncan, baryton. Erika Swtizer, piano<\/p>\n

Bridge 9537<\/p>\n

\u2605\u2605\u2605\u2605<\/b>\u2729<\/p>\n

Le catalogue d\u2019\u0153uvres anglophones par des compositeurs fran\u00e7ais n\u2019est pas vaste, mais il n\u2019est pas non plus n\u00e9gligeable, \u00e0 en juger par ce r\u00e9cital intrigant du baryton canadien Tyler Duncan, \u00e9tabli dans l\u2019\u00c9tat de New York. La plupart des m\u00e9lodies sont en joyeux mode majeur. Le sombre Tis better so<\/i>, de Saint-Sa\u00ebns, apr\u00e8s l\u2019inoffensif Cherry-Tree Farm<\/i>, est une exception. Il y a des \u00e9vocations astucieuses de l\u2019harmonie ou du rythme folklorique britannique\u00a0: Ravel r\u00e9ussit avec un minimum de moyens dans sa Chanson \u00e9cossaise<\/i> (une mise en musique d\u2019un texte \u00e9cossais de Burns, malgr\u00e9 le titre fran\u00e7ais). Un autre gagnant est le Fancy<\/i> de Poulenc (c\u2019est-\u00e0-dire Tell me where is fancy bred<\/i> du Marchand de Venise<\/i>). Laissez \u00e0 ce ma\u00eetre encore sous-estim\u00e9 le soin de cr\u00e9er un ver d\u2019oreille avec sa seule m\u00e9lodie qui n\u2019est pas en fran\u00e7ais. Les Five Little Songs<\/i> de Reynaldo Hahn sont des miniatures exquises. L\u2019\u00e9lan d\u2019un enfant a-t-il d\u00e9j\u00e0 \u00e9t\u00e9 repr\u00e9sent\u00e9 de mani\u00e8re plus vivante au piano\u00a0? On doit beaucoup d\u2019\u00e9loges \u00e0 Gounod pour avoir transmis \u00e0 la fois l\u2019impatience de la passion (If thou art sleeping, maiden<\/i>) et l\u2019h\u00e9sitation de la prudence (Beware<\/i>, \u00e9galement avec les paroles de Longfellow). L\u2019\u0153uvre de Gounod se d\u00e9marque. Il est dommage que l\u2019auteur du livret, le baryton v\u00e9t\u00e9ran Fran\u00e7ois Le Roux, n\u2019ait rien de particulier \u00e0 dire \u00e0 leur sujet. L\u2019inspiration de Milhaud est moins stable, bien que Peace, my heart<\/i> (Rabindranath Tagore) termine le programme avec une lueur nostalgique. (Malheureusement, ce texte, ainsi que d\u2019autres, est omis du livret.) S\u2019il ne ma\u00eetrise pas la palette la plus large, Duncan chante avec concentration et savoir-faire interpr\u00e9tatif. L\u2019accompagnement d\u2019Erika Swtizer est un d\u00e9lice.<\/p>\n","protected":false},"excerpt":{"rendered":"

English Songs \u00e0 la fran\u00e7aise. Songs by Gounod, Hahn, Massenet, Milhaud, Poulenc, Roussel, Ravel, Saint-Sa\u00ebns Tyler Duncan, baryton. Erika Swtizer, piano Bridge 9537 \u2605\u2605\u2605\u2605\u2729 Le catalogue d\u2019\u0153uvres anglophones par des compositeurs fran\u00e7ais n\u2019est pas vaste, mais il n\u2019est pas non plus n\u00e9gligeable, \u00e0 en juger par ce r\u00e9cital intrigant du baryton canadien Tyler Duncan, \u00e9tabli<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2761,"featured_media":994441,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[46359,46360,43562,43563],"class_list":{"0":"post-994757","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"tag-bridge-fr","9":"tag-erika-swtizer-fr","10":"tag-nick-pritchard-fr","11":"tag-tyler-duncan-fr","12":"type-critique-de-disque","13":"volume-volume-27","14":"issue-vol-27-issue-2-fr","15":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/English-Songs-\u00e0-la-fran\u00e7aise.-Songs-by-Gounod-Hahn-Massenet-Milhaud-Poulenc-Roussel-Ravel-Saint-Sa\u00ebns-Tyler-Duncan-baritone.-Erika-Swtizer-piano-copy-1024x453.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/English-Songs-\u00e0-la-fran\u00e7aise.-Songs-by-Gounod-Hahn-Massenet-Milhaud-Poulenc-Roussel-Ravel-Saint-Sa\u00ebns-Tyler-Duncan-baritone.-Erika-Swtizer-piano-copy-300x133.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/10\/English-Songs-\u00e0-la-fran\u00e7aise.-Songs-by-Gounod-Hahn-Massenet-Milhaud-Poulenc-Roussel-Ravel-Saint-Sa\u00ebns-Tyler-Duncan-baritone.-Erika-Swtizer-piano-copy-1024x453.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/994757"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2761"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=994757"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/994757\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/994441"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=994757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=994757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=994757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}