{"id":993476,"date":"2021-09-15T21:55:58","date_gmt":"2021-09-16T01:55:58","guid":{"rendered":"https:\/\/myscena.org\/arthur-kaptainis\/critique-de-disque-love-songs\/"},"modified":"2021-10-11T14:12:31","modified_gmt":"2021-10-11T18:12:31","slug":"critique-de-disque-love-songs","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/arthur-kaptainis\/critique-de-disque-love-songs\/","title":{"rendered":"Critique de disque : Love songs<\/i>"},"content":{"rendered":"

\"\"<\/h4>\n

Love songs. Transcriptions for piano of songs and vocal works by Bach, Falla, Faur\u00e9, Gershwin, Gluck, Grainger, Grieg, Schubert, Schumann, Strauss; Mahler\u2019s Adagietto<\/h4>\n

Angela Hewitt, piano<\/p>\n

Hyperion CDA68341<\/p>\n

\u2605\u2605\u2605\u2605<\/b>\u2729<\/p>\n

Omnipr\u00e9sents \u00e0 l\u2019\u00e9poque de la Hausmusik<\/i>, les transcriptions et les arrangements pour piano seul ne sont pas souvent entendus sur sc\u00e8ne en raison de la profondeur et de la force du r\u00e9pertoire \u00e9crit \u00e0 l\u2019origine pour l\u2019instrument. Ici, Angela Hewitt nous offre une collection franchement romantique de lieder d\u2019amour rendus purement pianistiques par divers transcripteurs, Hewitt y compris. Les s\u00e9lections de musique douce (dont la c\u00e9l\u00e8bre S\u00e9r\u00e9nade<\/i> de Schubert) font bonne figure; parfois l\u2019\u00e9laboration pianistique (comme vers la fin de la version populaire du Widmung<\/i> de Schumann par Liszt) semble trop percussive. On n\u2019a pas ce genre de probl\u00e8me dans le morceau le plus long et le plus entreprenant, l\u2019Adagietto<\/i> de Mahler, merveilleusement chaleureux et soutenu (avec un tempo non persistant) dans la transcription de la pianiste. Le la<\/i> final de la main droite a un rythme doux, peut-\u00eatre gr\u00e2ce \u00e0 l\u2019accordeur du bien-aim\u00e9 piano Fazioli de Hewitt. Il manque la d\u00e9licieuse transcription de Leopold Godowsky du St\u00e4ndchen<\/i> de Strauss, bien que nous ayons droit \u00e0 une C\u00e4cilie<\/i> ardente et \u00e0 un Morgen!<\/i> radieux dans les versions de Max Reger (dans son livret d\u00e9taill\u00e9, Hewitt avoue avoir quelque peu d\u00e9sencombr\u00e9 le second). Deux chansons de Grieg (transcrites par le compositeur) et Siete Canciones populares <\/i>de Falla (dans des arrangements d\u2019Ernesto Halffter) compl\u00e8tent cette parution de 23 s\u00e9duisants titres totalisant 75 minutes.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Love songs. Transcriptions for piano of songs and vocal works by Bach, Falla, Faur\u00e9, Gershwin, Gluck, Grainger, Grieg, Schubert, Schumann, Strauss; Mahler\u2019s Adagietto Angela Hewitt, piano Hyperion CDA68341 \u2605\u2605\u2605\u2605\u2729 Omnipr\u00e9sents \u00e0 l\u2019\u00e9poque de la Hausmusik, les transcriptions et les arrangements pour piano seul ne sont pas souvent entendus sur sc\u00e8ne en raison de la profondeur<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2761,"featured_media":993380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[4582],"class_list":{"0":"post-993476","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"tag-hyperion","9":"volume-volume-27","10":"issue-vol-27-issue-1-fr","11":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/09\/Love-songs-Angela-Hewitt-copy.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/09\/Love-songs-Angela-Hewitt-copy-300x134.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/09\/Love-songs-Angela-Hewitt-copy.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/993476"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2761"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=993476"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/993476\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/993380"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=993476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=993476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=993476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}