{"id":992711,"date":"2021-09-09T23:55:52","date_gmt":"2021-09-10T03:55:52","guid":{"rendered":"https:\/\/myscena.org\/?p=992711"},"modified":"2021-09-12T17:26:59","modified_gmt":"2021-09-12T21:26:59","slug":"musica-camerata-retrouve-son-public","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/hassan-laghcha\/musica-camerata-retrouve-son-public\/","title":{"rendered":"Musica Camerata retrouve son public"},"content":{"rendered":"\r\n

Apr\u00e8s une longue absence due \u00e0 la \u001fpand\u00e9mie, les responsables de Musica Camerata Montr\u00e9al affichent leur immense joie de pouvoir recommencer \u00e0 pr\u00e9senter leur programmation devant public. La saison 2021-22 de l\u2019ensemble, qui c\u00e9l\u00e8bre son 52e<\/sup> anniversaire, s\u2019amorce le samedi 2 octobre \u00e0 la Chapelle historique du Bon-Pasteur.<\/p>\r\n\r\n

\u00ab\u00a0C\u2019\u00e9tait une ann\u00e9e difficile d\u2019un point de vue \u00e9motionnel, \u001fpsychologique et \u001ffinancier\u00a0\u00bb, dit Luis Grinhauz, directeur musical et cofondateur de l\u2019ensemble. Il \u001frappelle que pour \u001fpr\u00e9server la sant\u00e9 \u001fmentale de son \u00e9quipe et surtout garder contact avec son public, Musica Camerata a fait preuve de beaucoup de r\u00e9silience en diffusant trois concerts virtuels qui ont connu un franc \u001fsucc\u00e8s. \u00ab\u00a0Et ce, sans aucune aide du \u001fgouvernement et autres instances publiques\u00a0\u00bb, se d\u00e9sole-t-il. Luis salue vivement le soutien \u001finestimable que l\u2019ensemble a re\u00e7u de ses habitu\u00e9s. <\/span><\/span><\/span><\/p>\r\n

Cette saison, l\u2019ensemble a d\u00e9cid\u00e9 de \u001fproc\u00e9der avec prudence, vu l\u2019impr\u00e9visibilit\u00e9 de la situation sanitaire. \u00ab\u00a0On va programmer les concerts au fur et \u00e0 mesure. Du moins, on a d\u00e9j\u00e0 les menus bien \u00e9tablis des deux \u001fpremiers\u00a0\u00bb, indique ce violoniste et \u001fchambriste chevronn\u00e9. Le deuxi\u00e8me concert, dont la date sera annonc\u00e9e ult\u00e9rieurement, portera sur un programme pour trio piano, violon et violoncelle avec le Trio no 1<\/i> de Saint-Sa\u00ebns et le Trio no 1<\/i> d\u2019Anton\u00edn Dvo\u0159\u00e1k.<\/span><\/span><\/span><\/p>\r\n

\u00c0 propos des perspectives d\u2019\u00e9volution de la musique de chambre \u00e0 Montr\u00e9al, Luis Grinhauz se r\u00e9jouit\u00a0: \u00ab\u00a0La rel\u00e8ve est bel et bien assur\u00e9e. On a d’excellents jeunes chambristes.\u00a0\u00bb Luis Grinhauz se dit optimiste quant \u00e0 l\u2019avenir de Musica Camerata qu\u2019il a cofond\u00e9 en 1971 avec sa compagne, la pianiste talentueuse Berta Rosenohl. Les deux fondateurs sont d\u2019ailleurs les seuls membres d\u2019origine encore dans \u001fl\u2019ensemble. Ils sont fiers d\u2019avoir su garder la vision originale du groupe dont la marque de fabrique a toujours \u00e9t\u00e9 l\u2019importance accord\u00e9e aux compositeurs d\u2019ici et \u00e0 les faire d\u00e9couvrir, souvent en premi\u00e8re canadienne.<\/span><\/span><\/span><\/p>\r\n

\r\n

Musica Camerata Montr\u00e9al pr\u00e9sente son premier \u00a0concert de la saison le samedi 2 octobre de 18\u00a0h \u00e0 19\u00a0h\u00a030 \u00e0 la Chapelle historique du Bon-Pasteur.<\/span><\/span><\/span><\/span><\/span><\/p>\r\n<\/blockquote>\r\n

https:\/\/cameratamontreal.com<\/a><\/p>\r\n

\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

Apr\u00e8s une longue absence due \u00e0 la \u001fpand\u00e9mie, les responsables de Musica Camerata Montr\u00e9al affichent leur immense joie de pouvoir recommencer \u00e0 pr\u00e9senter leur programmation devant public. La saison 2021-22 de l\u2019ensemble, qui c\u00e9l\u00e8bre son 52e anniversaire, s\u2019amorce le samedi 2 octobre \u00e0 la Chapelle historique du Bon-Pasteur. \u00ab\u00a0C\u2019\u00e9tait une ann\u00e9e difficile d\u2019un point de<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2816,"featured_media":992719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394],"tags":[23917],"class_list":{"0":"post-992711","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"tag-musica-camerata-fr-14","9":"type-evenements-prochains","10":"volume-volume-27","11":"issue-vol-27-issue-1-fr","12":"section-articles-de-fond"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/09\/musica-camerata-CMYK-Copy.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/09\/musica-camerata-CMYK-Copy-300x192.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/09\/musica-camerata-CMYK-Copy.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""},{"key":"volume","label":"Volume","value":[]},{"key":"number","label":"Number","value":[]},{"key":"group_select","label":"Group","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/992711"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2816"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=992711"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/992711\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/992719"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=992711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=992711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=992711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}