{"id":989605,"date":"2021-07-27T11:23:29","date_gmt":"2021-07-27T15:23:29","guid":{"rendered":"https:\/\/myscena.org\/arthur-kaptainis\/critique-de-disque-matthew-larkin-plays-the-organ-of-st-pauls-anglican-church\/"},"modified":"2021-07-27T11:23:29","modified_gmt":"2021-07-27T15:23:29","slug":"critique-de-disque-matthew-larkin-plays-the-organ-of-st-pauls-anglican-church","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/arthur-kaptainis\/critique-de-disque-matthew-larkin-plays-the-organ-of-st-pauls-anglican-church\/","title":{"rendered":"Critique de disque : Matthew Larkin plays the organ of St. Paul\u2019s Anglican Church"},"content":{"rendered":"

\"\"Matthew Larkin plays the organ of St. Paul\u2019s Anglican Church<\/span><\/span><\/span><\/h4>\n

Musique de Couperin, Bach, Mendelssohn, Franck, Reger, Howells, Willan, Durufl\u00e9, Messiaen, MacMillan, Jongen, Jarrett, Ager et Mallory<\/p>\n

ATMA Classique ACD2 2857 (deux disques)<\/p>\n

\u2605\u2605\u2605\u2605<\/b>\u2729<\/p>\n

Ce r\u00e9cital en deux disques de l\u2019organiste d\u2019Ottawa d\u2019origine britannique Matthew Larkin couvre un vaste territoire stylistique, mais assoit l\u2019auditeur au centre d\u2019une \u00e9glise canadienne r\u00e9sonnante \u2013 St. Paul\u2019s Anglican \u00e0 Toronto, pour \u00eatre pr\u00e9cis. De nombreux instruments Casavant ont une sonorit\u00e9 majestueuse, mais l\u2019op. 550 de 1914, \u00e9galement appel\u00e9 Blackstock Memorial Organ, est particuli\u00e8rement admir\u00e9 pour sa \u00ab\u00a0port\u00e9e et sa beaut\u00e9\u00a0\u00bb, pour citer l\u2019un des lucides essai du livret de Larkin. L\u2019organiste l\u2019adapte avec succ\u00e8s aux subtilit\u00e9s fugu\u00e9es de Durufl\u00e9, \u00e0 la puissance symphonique de Mendelssohn, aux couleurs solennelles de Reger et aux inspirations mystiques de Howells et Messiaen (ce dernier repr\u00e9sent\u00e9, curieusement, par la transcription par Larkin du huiti\u00e8me mouvement du Quatuor pour la fin du temps <\/i>plut\u00f4t que par une composition originale pour orgue). Les barricades myst\u00e9rieuses<\/i> de Couperin, \u00e0 l\u2019origine pour clavecin, sonnent un peu lourd, mais on ne peut pas tout avoir. Les indispensables de Healey Willan, \u00e0 qui cet instrument est le plus \u00e9troitement associ\u00e9, incluent, utilement, la seconde Passacaille et fugue<\/i> (plut\u00f4t que la premi\u00e8re plus connue) \u2212 la ressemblance de cet ostinato avec la c\u00e9l\u00e8bre passacaille de Bach n\u2019\u00e9tant probablement pas fortuite. On trouve une ex\u00e9cution d\u00e9sinvolte du Cort\u00e8ge acad\u00e9mique<\/i> de sir Ernest MacMillan et un traitement consciencieux de l\u2019Hymne du souvenir <\/i>remarquablement simple et direct de Keith Jarrett. C\u2019est un instrument tr\u00e8s consistant; des pauses d\u2019\u00e9coute sont conseill\u00e9es. Mais les s\u00e9lections (y compris certaines \u0153uvres contemporaines non avant-gardistes) sont attrayantes et le jeu est adapt\u00e9. ATMA a captur\u00e9 l\u2019acoustique du lieu de mani\u00e8re impressionnante.<\/p>\n","protected":false},"excerpt":{"rendered":"

Matthew Larkin plays the organ of St. Paul\u2019s Anglican Church Musique de Couperin, Bach, Mendelssohn, Franck, Reger, Howells, Willan, Durufl\u00e9, Messiaen, MacMillan, Jongen, Jarrett, Ager et Mallory ATMA Classique ACD2 2857 (deux disques) \u2605\u2605\u2605\u2605\u2729 Ce r\u00e9cital en deux disques de l\u2019organiste d\u2019Ottawa d\u2019origine britannique Matthew Larkin couvre un vaste territoire stylistique, mais assoit l\u2019auditeur au<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2761,"featured_media":989526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[],"class_list":{"0":"post-989605","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"issue-vol-26-issue-8-fr","9":"section-articles-de-fond"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/larkin-3.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/larkin-3-300x163.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/larkin-3.png"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/989605"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2761"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=989605"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/989605\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/989526"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=989605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=989605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=989605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}