{"id":989564,"date":"2021-07-24T00:52:08","date_gmt":"2021-07-24T04:52:08","guid":{"rendered":"https:\/\/myscena.org\/arnaud-g-veydarier\/critique-de-disque-jan-jarvlepp-concerto-2000-other-works\/"},"modified":"2021-07-24T00:52:08","modified_gmt":"2021-07-24T04:52:08","slug":"critique-de-disque-jan-jarvlepp-concerto-2000-other-works","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/arnaud-g-veydarier\/critique-de-disque-jan-jarvlepp-concerto-2000-other-works\/","title":{"rendered":"Critique de disque : Jan J\u00e4rvlepp, <i>CONCERTO 2000 &#038; Other Works<\/i>"},"content":{"rendered":"<h4><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-989562\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/nv6291-jarvlepp-jan-concerto-2000-front-cover325x325_2x.jpg\" alt=\"\" width=\"298\" height=\"298\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/nv6291-jarvlepp-jan-concerto-2000-front-cover325x325_2x.jpg 649w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/nv6291-jarvlepp-jan-concerto-2000-front-cover325x325_2x-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/nv6291-jarvlepp-jan-concerto-2000-front-cover325x325_2x-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/nv6291-jarvlepp-jan-concerto-2000-front-cover325x325_2x-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/nv6291-jarvlepp-jan-concerto-2000-front-cover325x325_2x-150x150.jpg 150w\" sizes=\"(max-width: 298px) 100vw, 298px\" \/>CONCERTO 2000 &amp; Other Works<\/span><\/span><\/span><\/h4>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">JAN J\u00c4RVLEPP, compositeur<\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\">Pascale Margely fl\u00fbte, Jan\u00e1<\/span><span style=\"color: #000000;\">\u010d<\/span><span style=\"color: #000000;\">ek Philharmonic Orchestra | Stanislav Vav<\/span><span style=\"color: #000000;\">\u0159<\/span><span style=\"color: #000000;\">\u00ednek, chef, Zagreb Festival Orchestra | Ivan Josip Skender, chef, Moravian Philharmonic Orchestra | Petr Vronsk<\/span><span style=\"color: #000000;\">\u00fd<\/span><span style=\"color: #000000;\">, chef<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Navona Records, NV6291\u00a0<\/span><\/span><\/span><span style=\"color: #000000;\">\u2605\u2605\u2605\u2605<\/span><span style=\"color: #000000;\">\u2729<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\">Enfant terrible de la sc\u00e8ne contemporaine canadienne, le compositeur ontarien Jan J\u00e4rvlepp lan\u00e7ait en 2020 l\u2019album <\/span><span style=\"color: #000000;\"><i>Concerto 2000 &amp; Other Works<\/i><\/span><span style=\"color: #000000;\"> sous l\u2019\u00e9tiquette Navona. R\u00e9v\u00e9l\u00e9 au grand public par son audacieux <\/span><span style=\"color: #000000;\"><i>Garbage Concerto<\/i><\/span><span style=\"color: #000000;\">(1995), le compositeur nous livre un impressionnant recueil d\u2019\u0153uvres qui r\u00e9it\u00e8re le caract\u00e8re postmoderne de sa d\u00e9marche en rejetant les dogmes des musiques nouvelles. Ainsi lib\u00e9r\u00e9 du carcan conceptuel propre \u00e0 ces derni\u00e8res, J\u00e4rvlepp renoue candidement avec la tonalit\u00e9 en proposant une musique accessible et \u00e9vocatrice.<\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\">En ouverture d\u2019album, <\/span><span style=\"color: #000000;\"><i>Concerto 2000<\/i><\/span><span style=\"color: #000000;\"> (2000) suscite chez l\u2019auditeur un flot imm\u00e9diat d\u2019images tour \u00e0 tour inspir\u00e9es par les musiques traditionnelles d\u2019Espagne, les chants arabes et le folklore musical scandinave. Ce concerto pour fl\u00fbte solidement port\u00e9 par l\u2019Orchestre philharmonique <\/span><span style=\"color: #000000;\"><i>Jan\u00e1\u010dek<\/i><\/span><span style=\"color: #000000;\"> et son chef Stanislav Vav\u0159\u00ednek met \u00e0 l\u2019honneur la talentueuse fl\u00fbtiste Pascale Margely. Avec ses rythmes de flamenco, la vivacit\u00e9 du premier mouvement contraste avec l\u2019atmosph\u00e8re fun\u00e8bre du second. Plaintive et fragile, la fl\u00fbte sombre cette fois dans le pathos au fil de saisissants d\u00e9veloppements m\u00e9lodiques. Le concerto se conclut sur un troisi\u00e8me acte vif et enjou\u00e9 illustrant la virtuosit\u00e9 et l\u2019exceptionnelle articulation du jeu de Margely. Les pi\u00e8ces suivantes de l\u2019album t\u00e9moignent \u00e9galement de l\u2019\u00e9clectisme des influences de J\u00e4rvlepp. Les rythmes et m\u00e9lodies aux accents populaires s\u2019int\u00e8grent habilement aux structures n\u00e9oclassiques complexes et aux orchestrations \u00e9toff\u00e9es.<\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\">J\u00e4rvlepp r\u00e9alise avec <\/span><span style=\"color: #000000;\"><i>Concerto 2000 &amp; Other Works<\/i><\/span><span style=\"color: #000000;\"> une proposition musicale \u00e9minemment personnelle, audacieuse et jamais r\u00e9barbative que m\u00e9lomanes et n\u00e9ophytes peuvent appr\u00e9cier au m\u00eame titre.<\/span>\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONCERTO 2000 &amp; Other Works JAN J\u00c4RVLEPP, compositeur Pascale Margely fl\u00fbte, Jan\u00e1\u010dek Philharmonic Orchestra | Stanislav Vav\u0159\u00ednek, chef, Zagreb Festival Orchestra | Ivan Josip Skender, chef, Moravian Philharmonic Orchestra | Petr Vronsk\u00fd, chef Navona Records, NV6291\u00a0\u2605\u2605\u2605\u2605\u2729 &nbsp; Enfant terrible de la sc\u00e8ne contemporaine canadienne, le compositeur ontarien Jan J\u00e4rvlepp lan\u00e7ait en 2020 l\u2019album Concerto 2000<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/arnaud-g-veydarier\/critique-de-disque-jan-jarvlepp-concerto-2000-other-works\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":3357,"featured_media":989560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[],"class_list":{"0":"post-989564","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"issue-vol-26-issue-8-fr","9":"section-articles-de-fond"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/jan-featured-1024x538.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/jan-featured-300x158.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/07\/jan-featured-1024x538.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/989564"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/3357"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=989564"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/989564\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/989560"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=989564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=989564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=989564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}