{"id":985992,"date":"2021-05-21T09:48:14","date_gmt":"2021-05-21T13:48:14","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/lhebdo-lebrecht-dreams-of-a-new-day-songs-by-black-composers-cedille\/"},"modified":"2021-05-21T12:14:26","modified_gmt":"2021-05-21T16:14:26","slug":"lhebdo-lebrecht-dreams-of-a-new-day-songs-by-black-composers-cedille","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/lhebdo-lebrecht-dreams-of-a-new-day-songs-by-black-composers-cedille\/","title":{"rendered":"L’hebdo Lebrecht : Dreams of a New Day – Songs by Black Composers (Cedille)"},"content":{"rendered":"

En cette ann\u00e9e o\u00f9 toutes les institutions am\u00e9ricaines tentent d’afficher des r\u00e9f\u00e9rences multiculturelles, la question sans r\u00e9ponse est de savoir si la musique classique a quelque chose de positif \u00e0 apporter. Aucun grand orchestre n’a d\u00e9pass\u00e9 l’ouverture ou l’intermezzo symbolique d’un compositeur issu d’une minorit\u00e9, et aucune \u0153uvre d’un artiste m\u00e9connu n’a encore saisi l’esprit de notre \u00e9poque. Malgr\u00e9 toutes ses embauches de v-ps de la diversit\u00e9 et de PR woke<\/em>, l’industrie musicale n’a pas chang\u00e9 ses habitudes, ni le public ses go\u00fbts.<\/p>\n

\"\"<\/p>\n

Le pr\u00e9sent r\u00e9cital constitue une sorte de perc\u00e9e. Will Liverman, un baryton que l’on a beaucoup vu au Met, a choisi des chants de compositeurs noirs de deux ou trois g\u00e9n\u00e9rations, des chansons qui mettent \u00e0 mal les mises en sc\u00e8ne plus blanches que blanches des ann\u00e9es pass\u00e9es. “Pale Hands I Love Thee” de Henry Burleigh (1866-1949) sonne de mani\u00e8re riche et transgressive \u00e0 c\u00f4t\u00e9 des oraisons vaporeuses de Rudolph Valentino et Richard Tauber.<\/p>\n

Un “Amazing Grace” alternatif, r\u00e9gl\u00e9 par Leslie Adams (n\u00e9 en 1932), remplace la foi humble par une aspiration brute, imparable dans sa vigueur. Deux chansons de Shawn E Okpebholo (n\u00e9 en 1981) rappellent les attaques raciales dans les \u00c9tats du Sud, tandis que Birmingham Sunday de Richard Farina nous laisse avec une lueur d’espoir dans un idiome narratif tout am\u00e9ricain.<\/p>\n

Livermore invoque une gamme d’\u00e9motions et de couleurs, d\u00e9licatement soutenu par le pianiste Paul Sanchez. J’ai \u00e9cout\u00e9 cet album avec plaisir et affirmation. Il existe une richesse de talents divers et vari\u00e9s, et ils ont une vari\u00e9t\u00e9 de messages pour nos confusions actuelles. Il ne nous reste plus qu’\u00e0 \u00e9couter.<\/p>\n

NL<\/em><\/p>\n

https:\/\/slippedisc.com\/<\/a><\/em><\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

En cette ann\u00e9e o\u00f9 toutes les institutions am\u00e9ricaines tentent d’afficher des r\u00e9f\u00e9rences multiculturelles, la question sans r\u00e9ponse est de savoir si la musique classique a quelque chose de positif \u00e0 apporter. Aucun grand orchestre n’a d\u00e9pass\u00e9 l’ouverture ou l’intermezzo symbolique d’un compositeur issu d’une minorit\u00e9, et aucune \u0153uvre d’un artiste m\u00e9connu n’a encore saisi l’esprit<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":985988,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[44778,45693,45692],"class_list":{"0":"post-985992","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-cedille-fr","9":"tag-paul-sanchez-fr","10":"tag-will-liverman-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/05\/WL_038-e1621605350194.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/05\/WL_038-e1621605350194-300x163.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/05\/WL_038-e1621605350194.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/985992"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=985992"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/985992\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/985988"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=985992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=985992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=985992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}