{"id":985542,"date":"2021-05-10T20:04:05","date_gmt":"2021-05-11T00:04:05","guid":{"rendered":"https:\/\/myscena.org\/?p=985542"},"modified":"2021-05-10T20:04:05","modified_gmt":"2021-05-11T00:04:05","slug":"le-barbier-de-seville-en-version-concert","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/le-barbier-de-seville-en-version-concert\/","title":{"rendered":"Le Barbier de S\u00e9ville en version concert"},"content":{"rendered":"<p><strong>Qu\u00e9bec, le vendredi 7 mai 2021 \u2013 <\/strong>Place au printemps \u00e0 l\u2019Op\u00e9ra de Qu\u00e9bec. Afin de c\u00e9l\u00e9brer avec l\u00e9g\u00e8ret\u00e9 et humour l\u2019arriv\u00e9e du temps plus cl\u00e9ment, <em>Le Barbier de S\u00e9ville<\/em> de Gioachino Rossini sera pr\u00e9sent\u00e9 en version concert. Malgr\u00e9 les mesures sanitaires en vigueur, l\u2019Op\u00e9ra de Qu\u00e9bec s\u2019adapte et poursuit ses diffusions web afin d\u2019enchanter les amateurs d\u2019art lyrique. Cet op\u00e9ra, capt\u00e9 sans public \u00e0 partir de la<strong> salle Louis-Fr\u00e9chette du Grand Th\u00e9\u00e2tre de Qu\u00e9bec<\/strong>, pourra ainsi \u00eatre visionn\u00e9 d\u00e8s <strong>le samedi 29 mai prochain, \u00e0 15 h<\/strong>, sur la <a href=\"https:\/\/www.youtube.com\/channel\/UCloAoYrG7WaetkhqPUeC_9w\/videos\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/channel\/UCloAoYrG7WaetkhqPUeC_9w\/videos&amp;source=gmail&amp;ust=1620763455484000&amp;usg=AFQjCNEk5swy3rhWikbINjqhw2UMTqnbrw\">cha\u00eene YouTube<\/a> et le <a href=\"https:\/\/operadequebec.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/operadequebec.com\/&amp;source=gmail&amp;ust=1620763455484000&amp;usg=AFQjCNGI4v35EdoBUDp-rXFfqmDMvrRNgQ\">site web<\/a> de l\u2019organisation.<\/p>\n<p>Renouez avec ce chef-d\u2019\u0153uvre de l\u2019op\u00e9ra-comique italien. Ma\u00eetre incontest\u00e9 de l\u2019humour et des intrigues aux quiproquos abracadabrants, Rossini d\u00e9veloppe ici des personnages bien caract\u00e9ris\u00e9s et \u00e0 l\u2019esprit vif, qui tiennent le spectateur en haleine. Le g\u00e9nie du compositeur s\u2019exprime d\u00e8s la c\u00e9l\u00e8bre Ouverture, qui cr\u00e9e imm\u00e9diatement la surprise et campe l\u2019atmosph\u00e8re des situations \u00e0 venir, toutes plus invraisemblables les unes que les autres. Inspir\u00e9 par le rythme soutenu et l\u2019esprit bouillonnant de la pi\u00e8ce de th\u00e9\u00e2tre de Beaumarchais qui en constitue la trame narrative, Rossini plonge \u00e0 pieds joints dans l\u2019univers rocambolesque du dramaturge fran\u00e7ais.<\/p>\n<p>Le public pr\u00e9sent sur le web sera s\u00e9duit par cette production sur laquelle souffle un air de renouveau. Le directeur artistique, Jean-Fran\u00e7ois Lapointe, affirme\u00a0: \u00ab\u00a0Cet \u00e9v\u00e9nement sera l\u2019occasion d\u2019entendre des artistes au talent remarquable, qui impressionnent tant par leurs capacit\u00e9s vocales et leur sens dramatique que par leurs aptitudes \u00e0 incarner avec aplomb la subtilit\u00e9 et le raffinement des personnages rossiniens. L\u2019Orchestre symphonique de Qu\u00e9bec, sous la direction de Jean-Michel Malouf, accompagnera cette distribution splendide.\u00a0\u00bb<\/p>\n<p><strong>DISTRIBUTION\u00a0:<\/strong><\/p>\n<ul>\n<li><strong>Hugo LAPORTE<\/strong> (baryton) &#8211; Figaro<\/li>\n<li><strong>Doug MACNAUGHTON <\/strong>(baryton) &#8211; Bartolo<\/li>\n<li><strong>Andrew HAJI<\/strong> (t\u00e9nor) \u2013 Comte Almaviva<\/li>\n<li><strong>Sarah BISSONNETTE <\/strong>(mezzo-soprano) &#8211; Rosina<\/li>\n<li><strong>Alain COULOMBE <\/strong>(basse) &#8211; Basilio<\/li>\n<li><strong>William DESBIENS <\/strong>(baryton) \u2013 Fiorello et un officier<\/li>\n<li><strong>Chantal PARENT <\/strong>(soprano) &#8211; Berta<\/li>\n<\/ul>\n<p><strong>CLAVECIN ET CONTINUO\u00a0: Anne-Marie BERNARD<\/strong><\/p>\n<p><strong>NARRATEUR\u00a0: Bertrand ALAIN<\/strong><\/p>\n<p><strong>CHEF D\u2019ORCHESTRE<\/strong>\u00a0: <strong>Jean-Michel MALOUF<\/strong><\/p>\n<p><strong>Orchestre symphonique de Qu\u00e9bec<\/strong><\/p>\n<p>Diffusion\u00a0: samedi 29 mai 2021<\/p>\n<p>Heure\u00a0: 15 h<\/p>\n<p>Dur\u00e9e\u00a0: 2 h 30<\/p>\n<p>Version originale italienne avec sous-titres fran\u00e7ais.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Qu\u00e9bec, le vendredi 7 mai 2021 \u2013 Place au printemps \u00e0 l\u2019Op\u00e9ra de Qu\u00e9bec. Afin de c\u00e9l\u00e9brer avec l\u00e9g\u00e8ret\u00e9 et humour l\u2019arriv\u00e9e du temps plus cl\u00e9ment, Le Barbier de S\u00e9ville de Gioachino Rossini sera pr\u00e9sent\u00e9 en version concert. Malgr\u00e9 les mesures sanitaires en vigueur, l\u2019Op\u00e9ra de Qu\u00e9bec s\u2019adapte et poursuit ses diffusions web afin d\u2019enchanter<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/le-barbier-de-seville-en-version-concert\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":985543,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394],"tags":[45661,42326,44960],"class_list":{"0":"post-985542","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"tag-barbier-de-seville","9":"tag-hugo-laporte-fr","10":"tag-sarah-bissonnette-fr","11":"type-news-release","12":"section-news"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/05\/image002.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/05\/image002-300x157.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/05\/image002.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/985542"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=985542"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/985542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/985543"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=985542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=985542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=985542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}