{"id":984510,"date":"2021-04-13T16:57:32","date_gmt":"2021-04-13T20:57:32","guid":{"rendered":"https:\/\/myscena.org\/?p=984510"},"modified":"2021-04-13T16:57:32","modified_gmt":"2021-04-13T20:57:32","slug":"lancement-dune-nouvelle-etude-sur-la-frequentation-des-spectacles","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/lancement-dune-nouvelle-etude-sur-la-frequentation-des-spectacles\/","title":{"rendered":"Lancement d&#8217;une nouvelle \u00e9tude sur la fr\u00e9quentation des spectacles"},"content":{"rendered":"<p>MONTR\u00c9AL, le 13 avril 2021 \/CNW Telbec\/ &#8211;\u00a0Le\u00a0Groupe de travail sur la fr\u00e9quentation des arts de la sc\u00e8ne\u00a0(GTFAS)\u00a0est heureux d&#8217;annoncer la publication\u00a0de\u00a0<b><a href=\"https:\/\/c212.net\/c\/link\/?t=0&amp;l=fr&amp;o=3127310-1&amp;h=2122191738&amp;u=http%3A%2F%2Fwww.daiglesaire.ca%2Fupload%2Fpdf%2FDS_GTFAS_Etude_des_publics.pdf&amp;a=l%27%C3%89tude+des+publics+des%0D+arts+de+la+sc%C3%A8ne+au+Qu%C3%A9bec\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/c212.net\/c\/link\/?t%3D0%26l%3Dfr%26o%3D3127310-1%26h%3D2122191738%26u%3Dhttp%253A%252F%252Fwww.daiglesaire.ca%252Fupload%252Fpdf%252FDS_GTFAS_Etude_des_publics.pdf%26a%3Dl%2527%25C3%2589tude%2Bdes%2Bpublics%2Bdes%250D%2Barts%2Bde%2Bla%2Bsc%25C3%25A8ne%2Bau%2BQu%25C3%25A9bec&amp;source=gmail&amp;ust=1618430083284000&amp;usg=AFQjCNHudbMjw8bEGZZjQl0OPTQNunI9bg\">l&#8217;\u00c9tude des publics des arts de la sc\u00e8ne au Qu\u00e9bec<\/a><\/b>, la plus importante recherche\u00a0jamais produite\u00a0sur le sujet au Qu\u00e9bec<b>.\u00a0<\/b>Elle\u00a0offre\u00a0un portrait\u00a0d\u00e9taill\u00e9\u00a0de la fr\u00e9quentation des arts de la sc\u00e8ne avant la pand\u00e9mie, soit de\u00a0mars\u00a02018 \u00e0 f\u00e9vrier 2019.<\/p>\n<p>D&#8217;une\u00a0ampleur\u00a0in\u00e9dite,\u00a0l&#8217;<wbr \/>\u00e9tude\u00a0couvre\u00a010 disciplines des arts de la sc\u00e8ne\u202f:\u00a0danse, musique classique, musique instrumentale,\u00a0th\u00e9\u00e2tre, chanson francophone\u00a0et chanson anglophone,\u00a0humour, cirque, com\u00e9die musicale\u00a0et\u00a0vari\u00e9t\u00e9s.\u00a0Un sondage national\u00a0d&#8217;une tr\u00e8s grande ampleur\u00a0(6\u00a0254 r\u00e9pondants),\u00a03 enqu\u00eates cibl\u00e9es (20\u202f000 r\u00e9pondants)\u00a0et\u00a0une trentaine d&#8217;entrevues avec des informateurs cl\u00e9s\u00a0ont\u00a0\u00e9t\u00e9 r\u00e9alis\u00e9es par DAIGLE\/SAIRE, qui a\u00a0coordonn\u00e9 l&#8217;ambitieux\u00a0chantier et analys\u00e9 les r\u00e9sultats. Les riches donn\u00e9es ont\u00a0permis de tracer les profils disciplinaires et g\u00e9ographiques des publics\u00a0et de mieux comprendre\u00a0les facteurs influen\u00e7ant la fr\u00e9quentation\u00a0sous diverses formes,\u00a0y compris dans les festivals et lieux alternatifs.<\/p>\n<p>Pour la premi\u00e8re fois, la\u00a0relation entre la fr\u00e9quentation gratuite et payante\u00a0est bien document\u00e9e, de m\u00eame\u00a0que les freins \u00e0 la sortie au spectacle.\u00a0L&#8217;\u00e9tude\u00a0d\u00e9boulonne\u00a0<wbr \/>par ailleurs\u00a0le mythe\u00a0du spectateur qui ne s&#8217;int\u00e9resse qu&#8217;\u00e0 une forme de spectacle, par exemple l&#8217;op\u00e9ra et la musique classique, et r\u00e9v\u00e8le\u00a0que le public qu\u00e9b\u00e9cois navigue souvent entre diverses disciplines.\u00a0Elle d\u00e9fait\u00a0aussi le\u00a0pr\u00e9jug\u00e9\u00a0d&#8217;une jeunesse culturellement passive,\u00a0tourn\u00e9e exclusivement vers l&#8217;offre num\u00e9rique.<\/p>\n<p>\u00ab\u202fL&#8217;\u00e9tude et les donn\u00e9es qui l&#8217;accompagnent\u00a0constituent\u00a0un formidable outil, entre autres\u00a0pour la r\u00e9alisation\u00a0des\u00a0\u00e9tudes de march\u00e9 et des campagnes de promotion\u00a0qui seront\u00a0tout particuli\u00e8rement\u00a0n\u00e9cessaires pour\u00a0la relance des arts vivants au Qu\u00e9bec\u202f\u00bb\u00a0soulignent les membres du groupe de travail.<\/p>\n<p>L&#8217;\u00e9tude\u00a0a \u00e9t\u00e9 rendue possible gr\u00e2ce au\u00a0soutien financier des\u00a0cinq partenaires suivants:<\/p>\n<ul type=\"disc\">\n<li>Conseil des arts du Canada<\/li>\n<li>Minist\u00e8re de la Culture et des Communications<\/li>\n<li>Conseil des arts et des lettres du Qu\u00e9bec<\/li>\n<li>Patrimoine canadien<\/li>\n<li>Soci\u00e9t\u00e9 de d\u00e9veloppement des entreprises culturelles<\/li>\n<\/ul>\n<blockquote><p><strong><em>Vous pouvez t\u00e9l\u00e9charger l&#8217;\u00e9tude compl\u00e8te en consultant <a href=\"https:\/\/c212.net\/c\/link\/?t=0&amp;l=fr&amp;o=3127310-1&amp;h=1770107995&amp;u=http%3A%2F%2Fwww.daiglesaire.ca%2Fupload%2Fpdf%2FDS_GTFAS_Etude_des_publics.pdf&amp;a=ce+lien\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/c212.net\/c\/link\/?t%3D0%26l%3Dfr%26o%3D3127310-1%26h%3D1770107995%26u%3Dhttp%253A%252F%252Fwww.daiglesaire.ca%252Fupload%252Fpdf%252FDS_GTFAS_Etude_des_publics.pdf%26a%3Dce%2Blien&amp;source=gmail&amp;ust=1618430083284000&amp;usg=AFQjCNGI0li70sRyGQcvgtU6-8KhukuoHA\">ce lien<\/a>.\u00a0<\/em><\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>MONTR\u00c9AL, le 13 avril 2021 \/CNW Telbec\/ &#8211;\u00a0Le\u00a0Groupe de travail sur la fr\u00e9quentation des arts de la sc\u00e8ne\u00a0(GTFAS)\u00a0est heureux d&#8217;annoncer la publication\u00a0de\u00a0l&#8217;\u00c9tude des publics des arts de la sc\u00e8ne au Qu\u00e9bec, la plus importante recherche\u00a0jamais produite\u00a0sur le sujet au Qu\u00e9bec.\u00a0Elle\u00a0offre\u00a0un portrait\u00a0d\u00e9taill\u00e9\u00a0de la fr\u00e9quentation des arts de la sc\u00e8ne avant la pand\u00e9mie, soit de\u00a0mars\u00a02018 \u00e0 f\u00e9vrier<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/lancement-dune-nouvelle-etude-sur-la-frequentation-des-spectacles\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":984511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17294],"tags":[1253],"class_list":{"0":"post-984510","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-industrie-culturelle","8":"tag-rideau"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-13-at-16.54.27-e1618347300670-1024x458.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-13-at-16.54.27-e1618347300670-300x134.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2021\/04\/Screen-Shot-2021-04-13-at-16.54.27-e1618347300670-1024x458.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/984510"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=984510"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/984510\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/984511"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=984510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=984510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=984510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}