{"id":976100,"date":"2020-11-14T12:27:24","date_gmt":"2020-11-14T17:27:24","guid":{"rendered":"https:\/\/myscena.org\/?p=976100"},"modified":"2020-11-14T12:36:49","modified_gmt":"2020-11-14T17:36:49","slug":"critique-de-disque-the-spirit-and-the-dust","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/justin-bernard\/critique-de-disque-the-spirit-and-the-dust\/","title":{"rendered":"Critique de disque. The Spirit and the Dust"},"content":{"rendered":"

The Spirit and the Dust<\/strong><\/em><\/p>\n

Beverley Johnston, percussions; Marc Djokic, violon; Amici Chamber Ensemble<\/strong><\/p>\n

Centredisques CMCCD 27920<\/strong><\/p>\n

Dur\u00e9e\u00a0: 67 minutes<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Plus t\u00f4t cette ann\u00e9e, le Centre de musique canadienne a fait para\u00eetre un enregistrement que l\u2019on vous recommande chaudement, The Spirit and the Dust<\/em>. Mettant en vedette la percussionniste Beverley Johnston, accompagn\u00e9e du violoniste Marc Djokic et de l\u2019ensemble de chambre Amici, cet album m\u00eale ambiance psych\u00e9d\u00e9lique, r\u00eaverie surnaturelle et exploration de sonorit\u00e9s venues d\u2019ailleurs. Le timbre du marimba et du vibraphone nous transporte par moments dans un \u00e9tat de transe qui rend les \u0153uvres s\u00e9duisantes \u00e0 l\u2019oreille, malgr\u00e9 leur langage r\u00e9solument moderne. Bref, des \u0153uvres int\u00e9ressantes et accessibles, sign\u00e9es Dinuk Wijeratne, Christos Hatzis, Norbert Palej et Richard Mascall qui sont tous des compositeurs tr\u00e8s actifs dans le milieu de la musique contemporaine. Mentionnons, par exemple, The Spirit and the Dust<\/em> de Wijeratne qui donne son nom \u00e0 l\u2019album et dont l\u2019ambiance flottante, a\u00e9rienne, c\u00f4toie parfois l\u2019angoisse et l\u2019horreur. Le cycle de trois pi\u00e8ces intitul\u00e9 Vignettes<\/em> de Hatzis fait dialoguer admirablement le marimba et le violon, tandis que Ser con \u00c9l <\/em>de Palej m\u00eale la musique \u00e0 des textes parl\u00e9s. En guise de conclusion, Beverley Johnston et Marc Djokic joignent \u00e0 nouveau leurs forces dans Quantum Hologram <\/em>de Mascall; une \u0153uvre magistrale de plus de 17 minutes qui n\u2019est jamais \u00e0 court d\u2019id\u00e9es musicales. Ce disque plaira \u00e0 tous ceux qui r\u00e9sistent encore \u00e0 la musique contemporaine.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Spirit and the Dust Beverley Johnston, percussions; Marc Djokic, violon; Amici Chamber Ensemble Centredisques CMCCD 27920 Dur\u00e9e\u00a0: 67 minutes Plus t\u00f4t cette ann\u00e9e, le Centre de musique canadienne a fait para\u00eetre un enregistrement que l\u2019on vous recommande chaudement, The Spirit and the Dust. Mettant en vedette la percussionniste Beverley Johnston, accompagn\u00e9e du violoniste Marc<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2811,"featured_media":976129,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038],"tags":[],"class_list":{"0":"post-976100","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"type-critique-de-disque","9":"volume-volume-26","10":"issue-vol-26-issue-34-fr","11":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/11\/The-Spirit-and-the-Dust_cover-1-e1605374831273-1024x486.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/11\/The-Spirit-and-the-Dust_cover-1-e1605374831273-300x142.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/11\/The-Spirit-and-the-Dust_cover-1-e1605374831273-1024x486.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/976100"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2811"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=976100"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/976100\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/976129"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=976100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=976100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=976100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}