{"id":974333,"date":"2020-10-23T00:11:53","date_gmt":"2020-10-23T05:11:53","guid":{"rendered":"https:\/\/myscena.org\/?p=974333"},"modified":"2020-10-23T00:11:53","modified_gmt":"2020-10-23T05:11:53","slug":"laventure-web-du-tnm-engendre-des-creations-evolutives","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/nathalie-de-han\/laventure-web-du-tnm-engendre-des-creations-evolutives\/","title":{"rendered":"L\u2019aventure web du TNM\u00a0engendre des cr\u00e9ations \u00e9volutives"},"content":{"rendered":"<p><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">L<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">e TNM a eu le flair de miser \u00e0 fond sur les nouvelles options virtuelles et le pari se r\u00e9v\u00e8le gagnant, car les amateurs peuvent ainsi suivre les retransmissions des spectacles et ce, sans rompre le lien qui les lie \u00e0 la c\u00e9l\u00e8bre institution, quelque soit leur \u00e9loignement. Or, depuis septembre, le style des web diffusions est en pleine transformation&#8230; <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">C&#8217;est avec la mise en sc\u00e8ne du texte de Glen Berger<\/span><\/span><\/span><strong><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">,<\/span><\/span><\/span><\/strong> <strong><em><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i>Zebrina. Une pi\u00e8ce \u00e0 conviction<\/i><\/span><\/span><\/span><\/em><\/strong><em><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">, <\/span><\/span><\/span><\/em><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">que Fran\u00e7ois Girard a lanc\u00e9 la saison du TNM. Une petite centaine de personnes a assist\u00e9<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"> \u00e0 la seule repr\u00e9sentation \u00ab\u00a0pr\u00e9sentielle\u00a0\u00bb, dont la captation a par contre \u00e9t\u00e9 offerte en <\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">web diffusion <\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">pendant une semaine. Captation certes un peu statique mais le metteur en sc\u00e8ne Fran\u00e7ois Girard, qui est d&#8217;ailleurs mondialement r\u00e9put\u00e9 pour son cin\u00e9ma (<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i>Le violon rouge<\/i><\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">) s&#8217;est certainement accommod\u00e9 de la formule &#8211; confiant qu&#8217;Emmanuel Schwartz r\u00e9ussirait \u00e0 transcender cette camera ingrate, seul en sc\u00e8ne.\u00a0 <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">L<\/span><\/span><\/span><em><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">a <\/span><\/span><\/span><\/em><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">COVID-19 a bouscul\u00e9 deux fois plut\u00f4t qu&#8217;une les plans de Fr\u00e9d\u00e9ric B\u00e9langer. <\/span><\/span><\/span><strong><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i>La <\/i><\/span><\/span><\/span><em><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i>nuit des rois<\/i><\/span><\/span><\/span><\/em><\/strong><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"> devait initialement ouvrir la saison d&#8217;automne du TNM. \u00c9videmment annul\u00e9e \u00e0 cause de la pand\u00e9mie, la pi\u00e8ce a \u00e9t\u00e9 retravaill\u00e9e et devait \u00eatre pr\u00e9sent\u00e9e au public, sous la forme d&#8217;un chantier multidisciplinaire, avant sa web diffusion. Mais c&#8217;\u00e9tait aussi avant que ne soit annonc\u00e9 le deuxi\u00e8me confinement, initialement pr\u00e9vu pour vingt-huit jours. Le metteur en sc\u00e8ne et le TNM ont donc pr\u00e9f\u00e9r\u00e9 offrir aux fid\u00e8les du TNM un montage de prises de vues soign\u00e9es, glan\u00e9es au terme d&#8217;un processus de cr\u00e9ation et de quelques jours de tournage. L&#8217;approche est compl\u00e8tement diff\u00e9rente de celle de la premi\u00e8re captation. Et, si elle surprend d\u2019abord un peu, elle rend bien compte de l&#8217;intention et de atmosph\u00e8re rock et po\u00e9tique du futur spectacle que nous devrions d\u00e9couvrir la saison prochaine (avec Kathleen Fortin, Beno\u00eet McGinnis,Yves Jacques, Eve Landry, Marie-Pier Labrecque, Adrien Bletton, Jean-Philippe Perras, Janie Richard, Marcio Vinicius)<\/span><\/span><\/span><strong><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">. <\/span><\/span><\/span><\/strong><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Autre projet, autre recette! Jusqu\u2019au 25 octobre, petits et grands m\u00e9lomanes seront heureux d&#8217;entendre et de voir la web diffusion de la captation de <\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i><strong>Pierre et le Loup<\/strong>,<\/i><\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"> de<\/span><\/span><\/span> <span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Sergue\u00ef\u00a0Prokofiev<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i>. <\/i><\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Lorraine\u00a0Pintal<\/span><\/span><\/span> <span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">dirige les com\u00e9diens,<\/span><\/span><\/span><i> <\/i><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Nicolas\u00a0Elli<\/span><\/span><\/span><strong><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">s<\/span><\/span><\/span><\/strong><span style=\"color: #333333\"> dirige <\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">le quintette \u00e0 vent de l&#8217;Orchestre M\u00e9tropolitain. S&#8217;il s&#8217;agit bien ici d&#8217;une captation, les cam\u00e9ras et par cons\u00e9quent les prises de vues sont multiples. Le r\u00e9sultat obtenu est gai, vif sans que le regardeur ne perde l&#8217;effet\u00ab th\u00e9\u00e2tre \u00bb recherch\u00e9. Beno\u00eet Bri\u00e8re<\/span><\/span><\/span><i> <\/i><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">tient le r\u00f4le de Pierre<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i>, <\/i><\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Jean\u00a0Fran\u00e7ois Casabonne<\/span><\/span><\/span><i> <\/i><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">celui du Loup<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i>. <\/i><\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Avec <\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Sophie\u00a0Desmarais<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">, <\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Fayolle\u00a0Jean<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">, <\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Beno\u00eet\u00a0McGinnis,\u00a0Victor\u00a0Andres Trelles\u00a0Turgeon<\/span><\/span><\/span><strong><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">.<\/span><\/span><\/span><\/strong><i> <\/i><span style=\"color: #0563c1\"><u><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><i><a href=\"https:\/\/tnm.qc.ca\/automne\" target=\"_top\" rel=\"noopener noreferrer\">https:\/\/tnm.qc.ca\/<\/a><a href=\"https:\/\/tnm.qc.ca\/automne\" target=\"_top\" rel=\"noopener noreferrer\">a<\/a><a href=\"https:\/\/tnm.qc.ca\/automne\" target=\"_top\" rel=\"noopener noreferrer\">utomne<\/a><\/i><\/span><\/span><\/span><\/u><\/span><i> <\/i><\/p>\n<p><a name=\"_Hlt50386251\"><\/a> <span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\"><br \/>\nEnfin, d\u00e8s le 30\u00a0octobre et jusqu&#8217;au 8 novembre, le\u00a0r\u00e9cit universel de Saint\u00a0Exup\u00e9ry <strong><i>Le Petit Prince<\/i><\/strong> devient cr\u00e9ation musicale gr\u00e2ce au compositeur \u00c9ric Champagne et \u00e0 maestro Yannick N\u00e9zet S\u00e9guin, enfin lib\u00e9r\u00e9 de sa quarantaine. Sophie Cadieux, qui souhaite c\u00e9l\u00e9brer le contact et la nostalgie de l\u2019enfance, promet une mise en sc\u00e8ne simple et po\u00e9tique, \u00e0 des milliers d&#8217;ann\u00e9es lumi\u00e8res des h\u00e9ros surdimensionn\u00e9s de l&#8217;univers Marvel. Ce conte de notre enfance se r\u00e9v\u00e8le \u00e9trangement actuel: tous, en nos temps de pand\u00e9mie, comprennent\u00a0 combien il est difficile de se laisser apprivoiser et d\u2019apprivoiser les autres&#8230; <\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Avec Renaud Lacelle-Bourdon dans le r\u00f4le du Petit Prince, Sophie Desmarais dans celui de la rose et celui du renard. Et Beno\u00eet Bri\u00e8re, Jean-Fran\u00e7ois Casabonne, Fayolle Jean et Victor Andres Trelles Turgeon. https:\/\/tnm.qc.ca\/automne<u><i><\/i><\/u><i> <\/i><\/span><\/span><\/span><\/p>\n<p><a name=\"_Hlt503862511\"><\/a><br \/>\n<span style=\"color: #000000\"><span style=\"font-family: Arial, sans-serif\"><span style=\"font-size: small\">Le TNM est tr\u00e8s attentif aux r\u00e9actions du public. Il le sonde de quelques questions apr\u00e8s chaque web diffusion, histoire de savoir comment glissent les regardeurs, de la sc\u00e8ne \u00e0 l&#8217;\u00e9cran. Se laissent-ils s\u00e9duire par ces captations renouvel\u00e9es, pr\u00e9sent\u00e9es comme une autre couche de mise en sc\u00e8ne? C&#8217;est n\u00e9cessaire car, en attendant la fin du deuxi\u00e8me confinement et un meilleur demain, les web diffusions semblent la fa\u00e7on la plus certaine de soutenir le th\u00e9\u00e2tre de la Rue Sainte-Catherine. https:\/\/tnm.qc.ca\/automne<br \/>\n<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le TNM a eu le flair de miser \u00e0 fond sur les nouvelles options virtuelles et le pari se r\u00e9v\u00e8le gagnant, car les amateurs peuvent ainsi suivre les retransmissions des spectacles et ce, sans rompre le lien qui les lie \u00e0 la c\u00e9l\u00e8bre institution, quelque soit leur \u00e9loignement. Or, depuis septembre, le style des web<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/nathalie-de-han\/laventure-web-du-tnm-engendre-des-creations-evolutives\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2943,"featured_media":974345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17013,17036,17294,17243,28147,29949,394,17275,401,36111],"tags":[],"class_list":{"0":"post-974333","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cette-semaine-a-montreal","8":"category-critiques-de-spectacles","9":"category-industrie-culturelle","10":"category-la-scena-en-ligne","11":"category-la-scena-plein-feux","12":"category-les-arts-scena","13":"category-musique-classique","14":"category-musique-orchestrale","15":"category-theatre-fr","16":"category-vents"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/10\/Captation-Pierre-et-Le-Loup-1024x684.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/10\/Captation-Pierre-et-Le-Loup-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/10\/Captation-Pierre-et-Le-Loup-1024x684.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[{"adjusted_star_result":0,"star_result":0,"total_max_option_value":5,"adjusted_score_result":0,"score_result":0,"percentage_result":0,"adjusted_percentage_result":0,"count":0,"post_id":974333}]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/974333"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2943"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=974333"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/974333\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/974345"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=974333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=974333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=974333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}