{"id":971032,"date":"2020-08-30T13:07:00","date_gmt":"2020-08-30T18:07:00","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/rachmaninov-preludes-etudes-deutsche-grammophon\/"},"modified":"2020-08-30T13:10:43","modified_gmt":"2020-08-30T18:10:43","slug":"rachmaninov-preludes-etudes-deutsche-grammophon","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/rachmaninov-preludes-etudes-deutsche-grammophon\/","title":{"rendered":"Rachmaninov : Pr\u00e9ludes, \u00c9tudes (Deutsche Grammophon)"},"content":{"rendered":"<p>L&#8217;arriv\u00e9e de cet album tout \u00e0 fait \u00e9tonnant m&#8217;a fait rompre ma promesse solennelle (et irr\u00e9aliste) de ne critiquer, durant la pand\u00e9mie de Covid, que les compositeurs n\u00e9glig\u00e9s. Personne ne pourrait qualifier Rachmaninov de n\u00e9glig\u00e9, bien qu&#8217;avec l\u2019interruption de l\u2019apport r\u00e9gulier en musique devant un public r\u00e9el, ce r\u00e9cital d\u2019\u0153uvres solo produit un choc de nouveaut\u00e9 \u2212 d&#8217;autant plus qu&#8217;il est jou\u00e9 par l&#8217;artiste arm\u00e9nien Sergei Babayan, qui fait ici ses d\u00e9buts sur une grande \u00e9tiquette.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-970956\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/sergei-babayan-rachmaninoff.jpg\" alt=\"\" width=\"352\" height=\"352\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/sergei-babayan-rachmaninoff.jpg 720w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/sergei-babayan-rachmaninoff-300x300.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/sergei-babayan-rachmaninoff-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/sergei-babayan-rachmaninoff-600x600.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/sergei-babayan-rachmaninoff-150x150.jpg 150w\" sizes=\"(max-width: 352px) 100vw, 352px\" \/>Babayan, 59 ans, est surtout connu comme le professeur de Daniil Trifonov et le partenaire occasionnel de Martha Argerich dans des \u0153uvres pour piano \u00e0 quatre mains. \u00c9tabli \u00e0 New York, sa pr\u00e9sence dans le circuit des vedettes du classique est discr\u00e8te. Ce qui rend son Rachmaninov si remarquable, c&#8217;est son \u00e9conomie de virtuosit\u00e9. On nous \u00e9pargne l\u2019habituel \u00ab je peux jouer cela une main derri\u00e8re le dos tout en mangeant une orange de Jaffa \u00bb. Pas de clins d&#8217;\u0153il \u00e0 un fan-club imaginaire, pas de fioritures inutiles.<\/p>\n<p>C&#8217;est Rachmaninov \u00e0 son plus bavard : un mot \u00e0 l&#8217;oreille, une petite histoire \u00e0 raconter. J&#8217;ai \u00e9t\u00e9 saisi d\u00e8s l&#8217;ouverture du pr\u00e9lude en la b\u00e9mol majeur, puis les papillonnements des <em>\u00c9tudes-Tableaux<\/em>, puis le sombre et t\u00e9n\u00e9breux pr\u00e9lude en si mineur\u00a0: une humeur morose que peu de pianistes v\u00e9hiculent avec l&#8217;authenticit\u00e9 requise. Rachmaninov, nous le savons, \u00e9tait sujet \u00e0 la d\u00e9pression. Mais il \u00e9tait aussi un animal social, un homme qui aimait \u00eatre invit\u00e9 dans les d\u00eeners \u00e0 Hollywood et qui plaisantait ais\u00e9ment, tant que la langue \u00e9tait le russe et la vodka au menu.<\/p>\n<p>Voil\u00e0 ce que Babayan met de l\u2019avant dans cet album tout \u00e0 fait passionnant, qu\u2019il d\u00e9die \u00e0 la m\u00e9moire de son propre professeur, Georgy Saradjev. Les derni\u00e8res pages du pr\u00e9lude en si mineur sont un v\u00e9ritable cours de ma\u00eetre sur la mani\u00e8re de mettre la musique \u00e0 l\u2019avant-plan. Le r\u00e9cital a eu lieu \u00e0 Hambourg en d\u00e9cembre 2009\u2026 Pourquoi a-t-il fallu si longtemps pour le voir para\u00eetre\u00a0?<\/p>\n<blockquote><p>NL<\/p>\n<p>Inscrivez-vous aux actualit\u00e9s du blogue : <a href=\"http:\/\/www.artsjournal.com\/slippeddisc\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.artsjournal.com\/slippeddisc&amp;source=gmail&amp;ust=1598707397145000&amp;usg=AFQjCNFObU3e1SMt-7-HDbEZuLuSx-ycEA\">www.slippedisc.com<\/a><\/p>\n<p>Visitez le site web : <a href=\"http:\/\/www.normanlebrecht.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.normanlebrecht.com&amp;source=gmail&amp;ust=1598707397145000&amp;usg=AFQjCNGckIGYsMoJNJk9pSTejDaTEKxviA\">www.normanlebrecht.com<\/a><\/p><\/blockquote>\n<p>Traduction par Andr\u00e9anne Venne<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;arriv\u00e9e de cet album tout \u00e0 fait \u00e9tonnant m&#8217;a fait rompre ma promesse solennelle (et irr\u00e9aliste) de ne critiquer, durant la pand\u00e9mie de Covid, que les compositeurs n\u00e9glig\u00e9s. Personne ne pourrait qualifier Rachmaninov de n\u00e9glig\u00e9, bien qu&#8217;avec l\u2019interruption de l\u2019apport r\u00e9gulier en musique devant un public r\u00e9el, ce r\u00e9cital d\u2019\u0153uvres solo produit un choc de<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/rachmaninov-preludes-etudes-deutsche-grammophon\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":970955,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[37291,44559],"class_list":{"0":"post-971032","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-daniil-trifonov-fr","9":"tag-deutsche-grammophon-fr","10":"type-critique-de-disque","11":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/hero_7-750x400-1.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/hero_7-750x400-1-300x160.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/08\/hero_7-750x400-1.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/971032"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=971032"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/971032\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/970955"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=971032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=971032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=971032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}