{"id":5811,"date":"2010-06-05T18:19:00","date_gmt":"2010-06-05T23:19:00","guid":{"rendered":"http:\/\/172.16.1.151\/demo\/2010\/02\/05\/mercredi-2-juin-au-fta\/"},"modified":"2016-07-28T15:53:41","modified_gmt":"2016-07-28T20:53:41","slug":"mercredi-2-juin-au-fta","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/la-scena-musicale-team\/mercredi-2-juin-au-fta\/","title":{"rendered":"Mercredi 2 juin au FTA"},"content":{"rendered":"

 <\/p>\n

La deuxi\u00e8me semaine du Festival Trans-Am\u00e9riques est bien entam\u00e9e.<\/span><\/div>\n
<\/div>\n
Ce soir a lieu la derni\u00e8re repr\u00e9sentation de Portrait du chor\u00e9graphe torontois D.A. Hoskins dont je vous ai pr\u00e9sent\u00e9 le travail lundi.<\/span><\/div>\n
<\/div>\n
Du c\u00f4t\u00e9\u00a0de l\u2019Usine C, Faustin Linyekula et les studios Kabako de Kisangi au Congo pr\u00e9sentent ce soir et demain encore More, More, More\u2026 Future.(www.kabako.org\/<\/a>)<\/i>\u00a0<\/span><\/div>\n
<\/div>\n
Le spectacle vaut le d\u00e9tour. Captivant concert chor\u00e9graphique, More, More, More\u2026 Future <\/i> offre au spectateur des moments de pure magie\u00a0: Faustin Linyekula est la ferveur incarn\u00e9e. Il danse avec la force, la fr\u00e9n\u00e9sie et la foi de celui qui peut sauver le monde. Faustin Linyekula, qui pr\u00e9sentera avec des com\u00e9diens congolais cet \u00e9t\u00e9 \u00e0 Avignon Pour en finir avec B\u00e9r\u00e9nice, <\/i>se fait la voix du po\u00e8te Antoine Vumilia Muhindo, prisonnier politique emprisonn\u00e9 \u00e0 Kinshasa. La justesse des mots n\u2019a d\u2019\u00e9gale que leur rage et les chanteurs musiciens du spectacle les crient avec d\u00e9sespoir. Les strophes sont r\u00e9p\u00e9t\u00e9es et le texte est si puissant que le spectateur aime l\u2019entendre \u00e0 nouveau.<\/span><\/div>\n
<\/div>\n
Faustin Linyekula, qui assume la direction artistique du spectacle, a choisi de faire appel \u00e0\u00a0 Flamme Kapaya pour la section musicale du projet, et le guitariste s\u2019acquitte admirablement de la t\u00e2che. Il retourne et remplit de majest\u00e9 ses accords ndombolo, une musique d\u2019ordinaire connue pour sa superficialit\u00e9.\u00a0\u00a0<\/span><\/div>\n
<\/div>\n
Le FTA offre cette ann\u00e9e de multiples spectacles construit sur la combinaison de la danse et de la musique. More, More, More\u2026 Future <\/i> offre une rencontre organique des deux familles artistiques. Danse, musique,\u00a0 th\u00e9\u00e2tre visuel, le spectacle est avant tout, pour Faustin Linyekula\u00a0 un espace d\u00e9mocratique.<\/span><\/div>\n
<\/div>\n
Ce soir, le Grouped\u2019artGravelartGroup\u00a0 pr\u00e9sente la premi\u00e8re mondiale de Tout se p\u00e8te la gueule ch\u00e9rie \u00e0 la Cinqui\u00e8me Salle de la place des arts\u00a0.<\/span><\/div>\n
<\/div>\n
\u00c0 bient\u00f4t\u00a0!<\/span>\u00a0<\/span><\/div>\n
<\/div>\n
– Nathalie de Han\u00a0\u00a0 <\/span>
\n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

  La deuxi\u00e8me semaine du Festival Trans-Am\u00e9riques est bien entam\u00e9e. Ce soir a lieu la derni\u00e8re repr\u00e9sentation de Portrait du chor\u00e9graphe torontois D.A. Hoskins dont je vous ai pr\u00e9sent\u00e9 le travail lundi. Du c\u00f4t\u00e9\u00a0de l\u2019Usine C, Faustin Linyekula et les studios Kabako de Kisangi au Congo pr\u00e9sentent ce soir et demain encore More, More, More\u2026<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2814,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[395,401],"tags":[],"class_list":{"0":"post-5811","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-danse","7":"category-theatre-fr","8":"type-critique"},"featured_image_src":"","blog_images":{"medium":"","large":""},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/5811"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2814"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=5811"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/5811\/revisions"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=5811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=5811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=5811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}