{"id":5746,"date":"2010-05-30T23:17:00","date_gmt":"2010-05-30T23:17:00","guid":{"rendered":"http:\/\/172.16.1.151\/demo\/2010\/05\/30\/festival-trans-ameriques-le-30-mai\/"},"modified":"2016-07-28T16:23:01","modified_gmt":"2016-07-28T21:23:01","slug":"festival-trans-ameriques-le-30-mai","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/la-scena-musicale-team\/festival-trans-ameriques-le-30-mai\/","title":{"rendered":"Festival Trans-Am\u00e9riques : Le 30 mai"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">Bonjour, bonjour\u00a0!<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">La compagnie montr\u00e9alaise <a href=\"http:\/\/www.overtigo.com\/\">O Vertigo<\/a><\/span><span style=\"font-size: small;\"> livrait vendredi soir sa derni\u00e8re cr\u00e9ation, tout juste sortie des studios de la compagnie et la compagnie hollandaise Toneelgroep Amsterdam donnait les tr\u00e8s attendues Trag\u00e9dies Romaines\u00a0 La premi\u00e8re fin de semaine du Festival Trans-Am\u00e9riques s\u2019ach\u00e8ve et ces deux spectacles offrent\u00a0 une derni\u00e8re repr\u00e9sentation aujourd\u2019hui (<a href=\"http:\/\/www.fta.qc.ca\/\" target=\"_blank\"><span style=\"color: blue;\"><u>www.fta.qc.ca<\/u><\/span><\/a><\/span><span style=\"font-size: small;\">).\u00a0<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">\u00c0 propos de \u2026 <i>Onde de Choc<\/i>..<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">Ginette Laurin poursuit avec <i> Onde de choc <\/i>sa r\u00e9flexion sur les \u00e9tats de corps et leur potentiel m\u00e9taphorique, scrutant cette fois le plus profond de l\u2019humain \u00e0 la lentille d\u2019un microscope, \u00e9coutant les r\u00e9sonances du souffle et celles du rythme cardiaque au st\u00e9thoscope. L\u2019entreprise est\u00a0 couronn\u00e9e de succ\u00e8s et la facture visuelle d<i>\u2019Onde de Choc <\/i> irr\u00e9prochable. R\u00e9solument inventive, la construction du spectacle est \u00e0 la fois rigoureuse et po\u00e9tique, la gestuelle des huit interpr\u00e8tes fluide, harmonieuse et agr\u00e9ablement narrative.<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">Les lumi\u00e8res de Martin Labrecque sont purement magiques. La musique du Britanique Michael Nyman ( il a compos\u00e9 la musique du film de Jane Capion <i>La le\u00e7on de piano<\/i>) et les compositions de l\u2019\u00e9lectro acousticien Martin Messier parviennent \u00e0 cr\u00e9er pour le spectacle une troublante dimension sonore: l\u2019on croit que les sons nous parviennent d\u2019<i>en-dedans<\/i>, comme le sang qui bat \u00e0 nos tympans apr\u00e8s une course folle. V\u00e9ritable r\u00e9ussite, <i> Onde de Choc<\/i> emportera dans un m\u00eame flot tous spectateurs, avertis ou novices.\u00a0\u00a0 <\/span><span style=\"font-size: small;\">\u00a0<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">\u2026 Trag\u00e9dies Romaines\u2026<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">\u00ab\u00a0Les spectateurs sont invit\u00e9s \u00e0 aller s\u2019asseoir sur la sc\u00e8ne pendant le changement de d\u00e9cor\u2026\u00a0\u00bb Dans le brouhaha, une foule se l\u00e8ve. Une voix r\u00e9sonne dans les haut-parleurs\u00a0: \u00ab\u00a0Pas tous \u00e0 la fois\u00a0!!\u00a0\u00bb Le sc\u00e9nario est sans doute le m\u00eame lors de toutes les repr\u00e9sentations\u00a0: le metteur en sc\u00e8ne Ivo van Hove donnant au\u00a0 spectateur le droit d\u2019aller voir sur la sc\u00e8ne ce qui s\u2019y passe <b>r\u00e9ellement <\/b>(et ce pendant la repr\u00e9sentation!!), le dit spectateur se pr\u00e9cipite sur la sc\u00e8ne\u2026<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">La compagnie hollandaise Toneelgroep Amsterdam a \u00e9tabli au Monument National les camps de Ciriolan, Jules C\u00e9sar et Antoine. Les <i>Trag\u00e9dies Romaines<\/i> de William Shakespeare, re-mix\u00e9e par Ivo van Hove, s\u2019y d\u00e9roulent \u00e0 merveille. Le spectacle intelligent m\u00eale les codes de la repr\u00e9sentation, du cin\u00e9ma, de la t\u00e9l\u00e9vision, et ce jeu autant que son seul principe, comble le spectateur d\u2019aise.<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">Je vous invite \u00e0\u00a0lire <a href=\"http:\/\/www.voir.ca\/blogs\/pcouture\/archive\/2010\/05\/29\/fta-offta-trag-233-dies-romaines-et-chaperon-rouge\"> ce que Philippe Couture et Aur\u00e9lie Olivier en ont \u00e9crit<\/a> sur le site du journal Voir Parath\u00e9\u00e2tre.<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">Mon prochain rendez-vous avec le festival\u00a0: <i>The Dragon Fly of Chicoutimi<\/i>. Claude Poissant revisite le texte de Larry Tremblay \u00e0 l\u2019espace Go les 30 et 31 mai ainsi\u00a0 les 1<sup>er<\/sup> et 2 juin. (<a href=\"http:\/\/www.theatrepap.com\/\" target=\"_blank\">www.theatrepap.com<\/a>)<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">\u00c0 tr\u00e8s bient\u00f4t\u00a0!\u00a0<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">\u00a0<\/span><\/div>\n<div style=\"font-family: Georgia,'Times New Roman',serif;\"><span style=\"font-size: small;\">&#8211; Nathalie de Han<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Bonjour, bonjour\u00a0! La compagnie montr\u00e9alaise O Vertigo livrait vendredi soir sa derni\u00e8re cr\u00e9ation, tout juste sortie des studios de la compagnie et la compagnie hollandaise Toneelgroep Amsterdam donnait les tr\u00e8s attendues Trag\u00e9dies Romaines\u00a0 La premi\u00e8re fin de semaine du Festival Trans-Am\u00e9riques s\u2019ach\u00e8ve et ces deux spectacles offrent\u00a0 une derni\u00e8re repr\u00e9sentation aujourd\u2019hui (www.fta.qc.ca).\u00a0 \u00c0 propos<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/la-scena-musicale-team\/festival-trans-ameriques-le-30-mai\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2814,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[395,28147,401],"tags":[13951],"class_list":{"0":"post-5746","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-danse","7":"category-la-scena-plein-feux","8":"category-theatre-fr","9":"tag-festival-trans-ameriques","10":"type-critique"},"featured_image_src":"","blog_images":{"medium":"","large":""},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/5746"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2814"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=5746"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/5746\/revisions"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=5746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=5746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=5746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}