{"id":5744,"date":"2010-05-31T17:03:00","date_gmt":"2010-05-31T22:03:00","guid":{"rendered":"http:\/\/172.16.1.151\/demo\/2010\/05\/31\/festival-trans-ameriques-lundi-31-mai\/"},"modified":"2016-07-28T16:17:02","modified_gmt":"2016-07-28T21:17:02","slug":"festival-trans-ameriques-lundi-31-mai","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/la-scena-musicale-team\/festival-trans-ameriques-lundi-31-mai\/","title":{"rendered":"Festival Trans-Am\u00e9riques : Lundi 31 mai"},"content":{"rendered":"

 <\/p>\n

Un piano, Chopin, une femme en bas nylon et un grand tissu noir\u2026 Le ton est donn\u00e9! Ce soir, D.A.Hoskins <\/b>et le Dietrich Group<\/a><\/b> prendront l\u2019Espace libre d\u2019assault.<\/span><\/div>\n
<\/div>\n
Les \u0153uvres de D.A.Hoskins<\/b>. puisent leur inspiration \u00e0 la source de notre soci\u00e9t\u00e9 et des commentaires qu\u2019elle lui inspire. Le triptyque The Mortality Songs<\/i>, une \u0153uvre de jeunesse du chor\u00e9graphe ontarien, a d\u2019ailleurs \u00e9t\u00e9 le pivot d\u2019une campagne de lev\u00e9e de fonds pour les victimes du VIH \u00e0 Toronto. Le Dietrich Group<\/b>, plate-forme d\u2019\u00e9changes interactifs fond\u00e9e par Hoskins en 2008, poursuit l\u2019\u0153uvre d\u2019observation et cr\u00e9\u00e9e ARTFAG,<\/i>\u00a0 un autre triptyque abordant la question de l\u2019individualit\u00e9 et des st\u00e9r\u00e9otypes sexuels.<\/span><\/div>\n
<\/div>\n
Hoskins a souhait\u00e9, pour Portrait<\/i> <\/b>, placer l\u2019individu et son potentiel cr\u00e9ateur au c\u0153ur de la repr\u00e9sentation, mettre en lumi\u00e8re l\u2019origine m\u00eame de l\u2019acte de cr\u00e9ation. L\u2019individu et son int\u00e9grit\u00e9 sont des th\u00e8mes de premi\u00e8re importance dans l\u2019\u0153uvre du chor\u00e9graphe. Le spectacle est, selon son concepteur, en partie auto biographique et \u00e9voque certains \u00e9pisodes difficiles de sa propre vie.<\/span><\/div>\n
<\/div>\n
Darryl Hoskins est de plus un artiste visuel reconnu. Il souhaite conserver cette approche et ainsi inviter le public \u00e0 regarder autrement la danse . La danse, croit le chor\u00e9graphe, ne devrait pas \u00eatre r\u00e9duite \u00e0 sa simple expression r\u00e9cr\u00e9ative\u00a0: danser est un geste politique. Portrait est \u00e0 la fois une \u0153uvre audacieuse et sans fioritures, le dialogue intimiste d\u2019un artiste et de son \u0153uvre.<\/span><\/div>\n
<\/div>\n
Darryl Hoskins rencontrera le public le 1er juin. Portrait est pr\u00e9sent\u00e9 \u00e0 l\u2019Espace Libre \u00e0 19h00 le 31 mai, 1er et 2 juin. Affaire \u00e0 suivre! <\/span><\/div>\n
<\/div>\n
– Nathalie de Han<\/div>\n","protected":false},"excerpt":{"rendered":"

  Un piano, Chopin, une femme en bas nylon et un grand tissu noir\u2026 Le ton est donn\u00e9! Ce soir, D.A.Hoskins et le Dietrich Group prendront l\u2019Espace libre d\u2019assault. Les \u0153uvres de D.A.Hoskins. puisent leur inspiration \u00e0 la source de notre soci\u00e9t\u00e9 et des commentaires qu\u2019elle lui inspire. Le triptyque The Mortality Songs, une \u0153uvre<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2814,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17036,395,401],"tags":[13951],"class_list":{"0":"post-5744","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-critiques-de-spectacles","7":"category-danse","8":"category-theatre-fr","9":"tag-festival-trans-ameriques","10":"type-critique"},"featured_image_src":"","blog_images":{"medium":"","large":""},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/5744"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2814"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=5744"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/5744\/revisions"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=5744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=5744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=5744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}