{"id":407387,"date":"2020-03-04T18:07:25","date_gmt":"2020-03-04T23:07:25","guid":{"rendered":"https:\/\/myscena.org\/?p=407387"},"modified":"2026-04-09T21:27:02","modified_gmt":"2026-04-10T01:27:02","slug":"la-saison-2020-2021-de-lopera-de-montreal","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/la-saison-2020-2021-de-lopera-de-montreal\/","title":{"rendered":"La saison 2020-2021 de l\u2019Op\u00e9ra de Montr\u00e9al"},"content":{"rendered":"<p><strong>Montr\u00e9al, mercredi 4 mars 2020<\/strong> <strong>\u2014 <\/strong>Les plus beaux airs de Verdi et Mozart, le retour tr\u00e8s attendu du grand compositeur Jan\u00e1\u010dek, une \u0153uvre originale sign\u00e9e Julien Bilodeau et Michel Marc Bouchard, et les plus grands chanteurs d\u2019ici et d\u2019ailleurs tout au long de la saison, c\u2019est ce que l\u2019OdM propose en 2020-2021 !<\/p>\n<p>De plus, pour la deuxi\u00e8me ann\u00e9e, les amateurs d\u2019op\u00e9ra pourront b\u00e9n\u00e9ficier d\u2019une repr\u00e9sentation le dimanche apr\u00e8s-midi \u00e0 14h00, permettant ainsi de faciliter l\u2019acc\u00e8s \u00e0 de nombreux amateurs d\u2019op\u00e9ra\u00a0! Cela s\u2019ajoute \u00e0 la tr\u00e8s populaire s\u00e9rie de causeries gratuite <em>Parlons op\u00e9ra\u00a0!<\/em>, qui continuera son essor partout \u00e0 Montr\u00e9al et dans les banlieues avoisinantes.<\/p>\n<p><strong>La saison 2020\/2021 en bref\u00a0:<\/strong><\/p>\n<ul>\n<li><em>La Traviata<\/em>, Giuseppe Verdi, Septembre 2020, Salle Wilfrid-Pelletier (WP)<\/li>\n<li><em>Jen\u016ffa, <\/em>Leo\u0161 Jan\u00e1\u010dek, Novembre 2020, Salle WP<\/li>\n<li><em>La beaut\u00e9 du monde<\/em>, Julien Bilodeau \/ Michel Marc Bouchard, Mars 2021, Th\u00e9\u00e2tre Maisonneuve<\/li>\n<li><em>Les noces de Figaro<\/em>, Wolfang Amadeus Mozart, Mai 2021, Salle WP<\/li>\n<\/ul>\n<p><strong>Op\u00e9ra hors-s\u00e9rie\u00a0:<\/strong><\/p>\n<ul>\n<li>Collaboration avec Ballet Op\u00e9ra Pantomime et I Musici de Montr\u00e9al\u00a0:<em> Riders to the sea, <\/em>Ralph Vaughan Williams<em> + <\/em>nouvelle cr\u00e9ation par le compositeur Hubert Tanguay-Labrosse et l\u2019auteur Olivier Kemeid. Mai 2021, Monument-National.<\/li>\n<\/ul>\n<p><strong><em>LA TRAVIATA<\/em><\/strong> de Giuseppe Verdi<\/p>\n<p>Avec le destin unique de <strong>Jos\u00e9phine Baker <\/strong>en filigrane, cette toute nouvelle version du <strong>fameux op\u00e9ra de<\/strong> <strong>Verdi<\/strong> met en lumi\u00e8re le talent de la grande soprano qu\u00e9b\u00e9coise <strong>Marie-Jos\u00e9e Lord<\/strong>. Un amour passionn\u00e9 qui d\u00e9fie les conventions, avec le Paris des ann\u00e9es 30 en toile de fond.<\/p>\n<p><strong>Distribution<\/strong><\/p>\n<p>Violetta\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marie-Jos\u00e9e Lord<\/p>\n<p>Alfredo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rame Lahaj<\/p>\n<p>Germont\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jean-Fran\u00e7ois Lapointe<\/p>\n<p>Flora\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pascale Spinney<\/p>\n<p><strong>Chef\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jordan De Souza<\/strong><\/p>\n<p><strong>Metteur en sc\u00e8ne\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alain Gauthier<\/strong><\/p>\n<p><strong>Production\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Op\u00e9ra de Montr\u00e9al, Edmonton Opera, Manitoba Opera, Pacific Opera Victoria, Vancouver Opera<\/strong><\/p>\n<p>Ch\u0153ur de l\u2019Op\u00e9ra de Montr\u00e9al \/ Orchestre M\u00e9tropolitain<\/p>\n<p>26,29 septembre &amp; 1<sup>er<\/sup> octobre 2020 \u00e0 19h30 \/ Dimanche, 4 octobre 2020 \u00e0 14h<\/p>\n<p>Salle Wilfrid-Pelletier<\/p>\n<p><strong><em>JEN\u016eFA<\/em><\/strong><em>\u00a0 <\/em>de Leo\u0161 Jan\u00e1\u010dek<\/p>\n<p>La grandiose musique orchestrale de <strong>Jan\u00e1\u010dek<\/strong>, combin\u00e9e au talent du <strong>c\u00e9l\u00e8bre r\u00e9alisateur canadien Atom Egoyan<\/strong> et de la sublime <strong>soprano qu\u00e9b\u00e9coise Marianne Fiset<\/strong>, font de cette nouvelle production un incontournable de la saison.<\/p>\n<p><strong>Distribution<\/strong><\/p>\n<p>Jen\u016ffa\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marianne Fiset<\/p>\n<p>Laca\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Samuel Lakker<\/p>\n<p>Steva\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Adam Smith<\/p>\n<p>Kostelnika\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Agn\u00e8s Zwisrko<\/p>\n<p>Starek\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tom Goertz<\/p>\n<p>Buryja\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stefania Toczyska<\/p>\n<p>Chef\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alexander Briger<\/p>\n<p>Metteur en sc\u00e8ne\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>Atom Egoyan<\/strong><\/p>\n<p>Production\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Op\u00e9ra de Montr\u00e9al &amp; Pacific Opera Victoria<\/p>\n<p>Ch\u0153ur de l\u2019Op\u00e9ra de Montr\u00e9al \/ Orchestre M\u00e9tropolitain<\/p>\n<ol start=\"14\">\n<li>17. et 19 novembre 2020 \u00e0 19h30 \/ 22 novembre \u00e0 14h00<\/li>\n<\/ol>\n<p>Salle Wilfrid-Pelletier<\/p>\n<p><strong><em>LA BEAUT\u00c9 DU MONDE<\/em><\/strong><em>\u00a0 <\/em>de Julien Bilodeau et Michel Marc Bouchard \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0PREMI\u00c8RE MONDIALE<\/p>\n<p>Suite au succ\u00e8s du bouleversant op\u00e9ra <em>Les feluettes<\/em> pr\u00e9sent\u00e9 en 2016, le dramaturge qu\u00e9b\u00e9cois <strong>Michel Marc Bouchard<\/strong> est de retour \u00e0 l\u2019OdM avec un livret original inspir\u00e9 du <strong>sauvetage des \u0153uvres du Louvre pendant la II<sup>e<\/sup> Guerre Mondiale<\/strong>. Il fait cette fois \u00e9quipe avec le compositeur Julien Bilodeau. Un op\u00e9ra qui illumine le sens de l\u2019art et de la beaut\u00e9 dans nos vies.<\/p>\n<p><strong>Argument<\/strong>\u00a0: D\u00e8s 1939, craignant l\u2019avanc\u00e9e allemande avec ses bombardements et ses pillages, Jacques Jaujard, le directeur des mus\u00e9es nationaux de France, organise l\u2019\u00e9vacuation des pi\u00e8ces majeures du Louvre et la mise en lieu s\u00fbr des collections. Alors que les Allemands avancent sur Paris, des milliers d\u2019\u0153uvres se retrouvent donc en exil sur les routes de France. La Joconde, incognito, fait partie du convoi.<\/p>\n<p>De son c\u00f4t\u00e9, Rose Valland, l\u2019ancienne directrice du Mus\u00e9e du Jeu de Paume, relay\u00e9e \u00e0 un r\u00f4le de concierge, recueille en secret et collige au risque de sa vie tous les renseignements sur les collections priv\u00e9es poss\u00e9d\u00e9es par les Juifs et saisies par les Allemands. Hermann G\u00f6ring, le mar\u00e9chal de l\u2019Empire allemand, fait des dizaines de visites au Jeu de Paume et s\u00e9lectionne des milliers d\u2019\u0153uvres pour sa collection personnelle.<\/p>\n<p>\u00c0 la fin de la guerre, gr\u00e2ce aux efforts et \u00e0 l\u2019instinct de Jacques Jaujard, l\u2019enti\u00e8ret\u00e9 des \u0153uvres du Louvre ont retrouv\u00e9 leur place dans leur mus\u00e9e.\u00a0 Gr\u00e2ce au travail et aux notes de Rose Valland, plus de 60,000 \u0153uvres spoli\u00e9es en majorit\u00e9 aux Juifs ont retrouv\u00e9 leur propri\u00e9taire.<\/p>\n<p><strong>Distribution<\/strong><\/p>\n<p>Jacques Jaujard\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Philippe Sly<\/p>\n<p>Le Comte Franz Wolff-Mettermich \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Elliot Madore<\/p>\n<p>Rose Valland\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Julie Boulianne<\/p>\n<p>Jeanne Boitel\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Layla Claire<\/p>\n<p>Bruno Lohse\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Isaiah Bell<\/p>\n<p>Esther\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 France Bellemare<\/p>\n<p>Alexandre Rosenberg \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jean Michel Richer<\/p>\n<p>Hermann G\u00f6ring \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marc Hervieux<\/p>\n<p>Chef\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jean-Marie Zeitouni<\/p>\n<p>Metteur en sc\u00e8ne\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Florent Siaud<\/p>\n<p>Nouvelle production<\/p>\n<p>Ch\u0153ur de l\u2019Op\u00e9ra de Montr\u00e9al \/ Orchestre M\u00e9tropolitain<\/p>\n<p>20.22.24.26 et 30 Mars 2021 \u00e0 19h30\/ 28 mars 2021 \u00e0 14h<\/p>\n<p>Th\u00e9\u00e2tre Maisonneuve<\/p>\n<p><strong><em>LES NOCES DE FIGARO<\/em><\/strong> de Wolfgang Amadeus Mozart<\/p>\n<p>Le g\u00e9nie de <strong>Mozart<\/strong> nous offre ici ses plus beaux airs, dans une version d\u2019\u00e9poque qui charmera \u00e0 coup s\u00fbr. D\u00e9couvrez ou red\u00e9couvrez cette \u0153uvre ador\u00e9e des connaisseurs et des profanes, avec en vedette <strong>les plus grands chanteurs d\u2019ici<\/strong>.<\/p>\n<p><strong>Distribution<\/strong><\/p>\n<p>Figaro\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Daniel Okulitch<\/p>\n<p>Susanna\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Andrea Nunez<\/p>\n<p>Comtesse\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kirsten McKinnon<\/p>\n<p>Comte\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hugo Laporte<\/p>\n<p>Cherubin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Katie Miller<\/p>\n<p>Marcelina\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sydney Frodsham<\/p>\n<p>Bartolo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Brenden Friesen<\/p>\n<p>Barbarina\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vanessa Croome<\/p>\n<p>Antonio\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jean-Philippe Mc Clish<\/p>\n<p>Chef\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nicolas Ellis<\/p>\n<p>Metteur en sc\u00e8ne\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stephen Lawless<\/p>\n<p>Production\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cette production appartient \u00e0 Lyric Opera of Kansas City, Opera Philadelphia, San Diego Opera et Palm Beach Opera.<\/p>\n<p>Ch\u0153ur de l\u2019Op\u00e9ra de Montr\u00e9al \/ Orchestre M\u00e9tropolitain<\/p>\n<p>8.11 et 13 mai 2021 \u00e0 19h30\/ 16 mai 2021 \u00e0 14h<\/p>\n<p>Salle Wilfrid-Pelletier<\/p>\n<p><strong><em>RIDERS TO THE SEA<\/em><\/strong> de Ralph Vaughn Williams<\/p>\n<p><strong>Ballet Op\u00e9ra Pantomime<\/strong> (BOP) et <strong>I Musici de Montr\u00e9al<\/strong> se joignent \u00e0 l\u2019OdM pour un programme double unique, o\u00f9 la mer tient le premier r\u00f4le. La mer qui nourrit mais, aussi, celle qui arrache des vies. \u00c0 l\u2019ouest de l\u2019Irlande, elle jouera tour \u00e0 tour avec les destins des fils de Maurya. Suivra une nouvelle cr\u00e9ation sur le th\u00e8me des migrants, selon le livret original de Olivier Kemeid et sur une musique de Hubert Tanguay-Labrosse.<strong>\u00a0<\/strong><\/p>\n<p><strong>Distribution<\/strong><\/p>\n<p>\u00c0 VENIR<\/p>\n<p>Chef d\u2019orchestre\u00a0: Hubert Tanguay-Labrosse<\/p>\n<p>Orchestre I Musici de Montr\u00e9al<\/p>\n<p>22 et 23 mai 2021<\/p>\n<p>Monument National<strong>\u00a0<\/strong><\/p>\n<p><strong>Op\u00e9ra de Montr\u00e9al |<\/strong> <strong>Saison 2020-2021 \u2013 41<sup>e<\/sup> saison<\/strong><\/p>\n<p>Tous les op\u00e9ras sont pr\u00e9sent\u00e9s en langue originelle, avec surtitres bilingues projet\u00e9s au-dessus de la sc\u00e8ne.<\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong>Abonnement<\/strong> \u00e0 4 op\u00e9ras \u00e0 partir de119$ !<\/p>\n<p><strong>Plusieurs autres formules d\u2019abonnement avantageuses<\/strong> !<\/p>\n<p>Billetterie de l\u2019Op\u00e9ra de Montr\u00e9al\u00a0: 514-985-2258\u00a0 \u2022\u00a0 1\u00a0877\u00a0385-2222<\/p>\n<p><a href=\"http:\/\/www.operademontreal.com\">www.operademontreal.com<\/a><\/p>\n<p><strong>Billets \u00e0 la pi\u00e8ce<\/strong><\/p>\n<p>Billetterie de la Place des Arts\u00a0: 514-842-2112 \u2022 1\u00a0866 842-2112<\/p>\n<p>\u00c0 partir de 30 $ et en vente <strong>en juin 2020<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al, mercredi 4 mars 2020 \u2014 Les plus beaux airs de Verdi et Mozart, le retour tr\u00e8s attendu du grand compositeur Jan\u00e1\u010dek, une \u0153uvre originale sign\u00e9e Julien Bilodeau et Michel Marc Bouchard, et les plus grands chanteurs d\u2019ici et d\u2019ailleurs tout au long de la saison, c\u2019est ce que l\u2019OdM propose en 2020-2021 ! De<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/la-saison-2020-2021-de-lopera-de-montreal\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":407389,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922,17251,399],"tags":[43987,23886],"class_list":{"0":"post-407387","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"category-musique-vocale","9":"category-opera-fr","10":"tag-2020-2021-fr","11":"tag-opera-de-montreal-fr-15","12":"type-communique-de-presse"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/03\/la-traviata-1024x576.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/03\/la-traviata-300x169.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/03\/la-traviata-1024x576.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/407387"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=407387"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/407387\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/407389"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=407387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=407387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=407387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}