{"id":405656,"date":"2020-02-04T14:26:39","date_gmt":"2020-02-04T19:26:39","guid":{"rendered":"https:\/\/myscena.org\/?p=405656"},"modified":"2020-02-04T14:26:39","modified_gmt":"2020-02-04T19:26:39","slug":"losm-devoile-4-concerts-de-la-derniere-viree-classique-de-kent-nagano","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/losm-devoile-4-concerts-de-la-derniere-viree-classique-de-kent-nagano\/","title":{"rendered":"L\u2019OSM d\u00e9voile 4 concerts de la derni\u00e8re Vir\u00e9e classique de Kent Nagano!"},"content":{"rendered":"<p><strong>Montr\u00e9al, le 4 f\u00e9vrier 2020<\/strong>\u00a0\u2013 L\u2019Orchestre symphonique de Montr\u00e9al invite les m\u00e9lomanes \u00e0 \u00eatre nombreux lors de la 9<sup>e<\/sup>\u00a0\u00e9dition de la Vir\u00e9e classique qui se d\u00e9roulera du\u00a0<strong>6 au 9 ao\u00fbt 2020<\/strong>. Cette \u00e9dition en l\u2019honneur de Maestro Nagano, propose une programmation qui refl\u00e8te l\u2019unicit\u00e9 de son legs \u00e0 la communaut\u00e9 qu\u00e9b\u00e9coise notamment par sa contribution \u00e0 la cr\u00e9ation musicale d\u2019ici, son soutien aux interpr\u00e8tes canadiens et bien s\u00fbr, son affection pour le r\u00e9pertoire germanique. Alors que la programmation compl\u00e8te sera d\u00e9voil\u00e9e en mai, coup d\u2019\u0153il \u00e0 cette \u00e9dition historique!<\/p>\n<p><strong>BILLETS DISPONIBLES LE JEUDI 6 F\u00c9VRIER \u00c0 MIDI<br \/>\n<a href=\"http:\/\/osm.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/OSM.CA&amp;source=gmail&amp;ust=1580924463934000&amp;usg=AFQjCNEGVnR6EFCtvbH4eQcsyCB-Y-B4Qg\">OSM.CA<\/a> \u2022 514 842-9951 \u2022 1 888 842-9951<\/strong><\/p>\n<p><em>Pr\u00e9vente aux abonn\u00e9s de l\u2019OSM d\u00e8s maintenant et aux inscrits de l\u2019infolettre le 5 f\u00e9vrier \u00e0 midi<\/em><\/p>\n<p><strong>\u25ba CHAAKAPESH : \u00a0DE KUUJJUAQ \u00c0 MONTR\u00c9AL<\/strong><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-405657\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1-300x95.jpg\" alt=\"\" width=\"752\" height=\"238\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1-300x95.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1-600x191.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1-1024x325.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1-768x244.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1-1536x488.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/1.jpg 1920w\" sizes=\"(max-width: 752px) 100vw, 752px\" \/><\/a>Cr\u00e9\u00e9 en 2018, l\u2019op\u00e9ra de chambre Chaakapesh, le p\u00e9riple du fripon est le fruit d\u2019une \u00e9troite collaboration entre des artistes inuits et des Premi\u00e8res Nations, le compositeur canadien <strong>Matthew Ricketts<\/strong>, le dramaturge cri <strong>Tomson Highway<\/strong> ainsi que l\u2019OSM. Pr\u00e9sent\u00e9e en premi\u00e8re mondiale \u00e0 la Maison symphonique lors des concerts d\u2019ouverture de la 85<sup>e<\/sup>saison de l\u2019OSM, l\u2019\u0153uvre tragicomique a ensuite \u00e9t\u00e9 pr\u00e9sent\u00e9e \u00e0 trois nations autochtones au Nunavik et dans le Nord du Qu\u00e9bec lors de la tourn\u00e9e de l\u2019OSM \u00e0 l\u2019automne 2018. S\u2019inspirant d\u2019une l\u00e9gende autochtone porteuse d\u2019espoir, cet op\u00e9ra (qui a fait l\u2019objet d\u2019un documentaire par Roger Frappier et Justin Kingsley) \u00e9tablit un v\u00e9ritable dialogue entre les peuples, m\u00ealant langues, cultures et musiques.\u00a0 <strong>Jeudi 6 ao\u00fbt, 19h30 &#8211; Th\u00e9\u00e2tre Maisonneuve<\/strong><\/p>\n<p><strong>\u25ba KENT NAGANO DIRIGE MOZART ET LISZT<\/strong><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-405663\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2-300x95.jpg\" alt=\"\" width=\"787\" height=\"249\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2-300x95.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2-600x191.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2-1024x325.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2-768x244.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2-1536x488.jpg 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/2.jpg 1920w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/><\/a>Une symphonie aux allures de s\u00e9r\u00e9nade, p\u00e9tillante de gait\u00e9; un concerto pour piano d\u2019une \u00e9blouissante virtuosit\u00e9 : Mozart et Liszt se rencontrent sous la baguette de <strong>Kent Nagano.<\/strong>Le jeune pianiste <strong>Benjamin Grosvenor,<\/strong> dont la technique sans failles et la sensibilit\u00e9 raffin\u00e9e font l\u2019unanimit\u00e9 des critiques, sera soliste pour l\u2019occasion. <strong>Vendredi 7 ao\u00fbt, 18h30 &#8211; Maison symphonique<\/strong><\/p>\n<p><strong>\u25baMARI KODAMA ET KENT NAGANO C\u00c9L\u00c8BRENT BEETHOVEN\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-405661\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3-300x95.png\" alt=\"\" width=\"857\" height=\"271\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3-300x95.png 300w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3-600x191.png 600w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3-1024x325.png 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3-768x244.png 768w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3-1536x488.png 1536w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/3.png 1920w\" sizes=\"(max-width: 857px) 100vw, 857px\" \/><\/a>Le temp\u00e9rament h\u00e9ro\u00efque de Beethoven s\u2019exprime dans l\u2019<em>Ouverture<\/em> d\u2019Egmont, une \u0153uvre de maturit\u00e9, alors que la fougue de la jeunesse explose dans son <em>Concerto pour piano n<sup>o<\/sup> 2<\/em>. Des id\u00e9es foisonnantes et un <em>Rondo<\/em> final entra\u00eenant procurent \u00e0 cette pi\u00e8ce une vivifiante fra\u00eecheur. <strong>Mari Kodama<\/strong>, sp\u00e9cialiste du compositeur, est au piano, alors que <strong>Kent Nagano<\/strong> dirige l\u2019OSM. Li\u00e9s non seulement en tant que collaborateurs musicaux, mais aussi comme couple mari\u00e9, ils offriront une performance en toute complicit\u00e9.\u00a0<strong>Samedi 8 ao\u00fbt, 12h30 &#8211; Maison symphonique<\/strong><\/p>\n<p><strong>\u25ba KENT NAGANO ET L\u2019OSM : UN DERNIER BOL\u00c9RO DE RAVEL<\/strong><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-405659\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/4-300x222.jpg\" alt=\"\" width=\"793\" height=\"586\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/4-300x222.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/4-600x443.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/4-1024x757.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/4-768x568.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/4.jpg 1031w\" sizes=\"(max-width: 793px) 100vw, 793px\" \/><\/a><\/p>\n<p>Sous la direction de <strong>Kent Nagano<\/strong>, l\u2019OSM interpr\u00e8te deux de ses plus grands succ\u00e8s : l\u2019envo\u00fbtant Bol\u00e9ro de Ravel mettant en valeur chaque section de l\u2019Orchestre et le po\u00e9tique <em>Pr\u00e9lude \u00e0 l\u2019Apr\u00e8s-midi d\u2019un faune <\/em>de Debussy. <strong>Andrew Wan<\/strong>, le brillant violon solo de l\u2019Orchestre, joue le Concerto \u00ab Adrano \u00bb, \u0153uvre compos\u00e9e sp\u00e9cifiquement pour lui par le compositeur montr\u00e9alais Samy Moussa et cr\u00e9\u00e9e en 2019 \u00e0 la Maison symphonique. <strong>Samedi 8 ao\u00fbt, 20h30 \u2013 Maison symphonique<\/strong><\/p>\n<p><strong>L\u2019OSM REMERCIE SES PARTENAIRES\u00a0<\/strong><br \/>\nL\u2019Orchestre symphonique de Montr\u00e9al tient \u00e0 remercier ses partenaires publics : le Secr\u00e9tariat \u00e0 la r\u00e9gion m\u00e9tropolitaine, le minist\u00e8re du Tourisme du Qu\u00e9bec, Patrimoine canadien et le Conseil des arts de Montr\u00e9al qui contribuent \u00e0 la r\u00e9alisation de ses activit\u00e9s estivales.<br \/>\n<strong>Pr\u00e9sentateur de l\u2019OSM<\/strong> : Hydro-Qu\u00e9bec<br \/>\n<strong>Pr\u00e9sentateur du volet gratuit et du programme 34 ans et moins<\/strong> : Groupe Banque TD<br \/>\n<strong>H\u00f4te de la Vir\u00e9e classique<\/strong> : Place des Arts<br \/>\n<strong>Partenaire privil\u00e9gi\u00e9 <\/strong>: Complexe Desjardins<br \/>\n<strong>Partenaire associ\u00e9 <\/strong>: Tourisme Montr\u00e9al<br \/>\n<strong>Partenaires d\u2019espace<\/strong> : Timpano Percussion, Twigg Musique, Yamaha Canada Musique<br \/>\n<strong>Fournisseurs<\/strong> : ESKA, Solotech, Piano Heritage<br \/>\n<strong>Partenaires artistiques<\/strong> : Alliance chorale du Qu\u00e9bec, BAnQ Grande Biblioth\u00e8que, Fondation de la Place des Arts, F\u00e9d\u00e9ration des harmonies et des orchestres symphoniques du Qu\u00e9bec, Festival Pr\u00e9sence autochtone, YogaTribes<br \/>\n<strong>Partenaires m\u00e9dias<\/strong> : CISM 89,3, ICI MUSIQUE, Ludwig van Montr\u00e9al, <a href=\"http:\/\/medici.tv\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/medici.tv&amp;source=gmail&amp;ust=1580924463934000&amp;usg=AFQjCNGudPZsTVKk0-72qi8jWbXnNAAsKg\">medici.tv<\/a><br \/>\n<strong>Partenaires publics<\/strong> : Conseil des arts et des lettres du Qu\u00e9bec, Conseil des arts du Canada, Gouvernement du Qu\u00e9bec<\/p>\n<p>Billets \u00e9galement en vente sur <a href=\"http:\/\/placedesarts.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/PLACEDESARTS.COM&amp;source=gmail&amp;ust=1580924463934000&amp;usg=AFQjCNG5Ka722Xrpu6so_a-6IOFwax3DZA\">PLACEDESARTS.COM<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montr\u00e9al, le 4 f\u00e9vrier 2020\u00a0\u2013 L\u2019Orchestre symphonique de Montr\u00e9al invite les m\u00e9lomanes \u00e0 \u00eatre nombreux lors de la 9e\u00a0\u00e9dition de la Vir\u00e9e classique qui se d\u00e9roulera du\u00a06 au 9 ao\u00fbt 2020. Cette \u00e9dition en l\u2019honneur de Maestro Nagano, propose une programmation qui refl\u00e8te l\u2019unicit\u00e9 de son legs \u00e0 la communaut\u00e9 qu\u00e9b\u00e9coise notamment par sa contribution<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/losm-devoile-4-concerts-de-la-derniere-viree-classique-de-kent-nagano\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":405665,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922],"tags":[23885,41404,24139],"class_list":{"0":"post-405656","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"tag-kent-nagano","9":"tag-mari-kodama-fr","10":"tag-osm-fr-39","11":"type-communique-de-presse"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/vir.e-classique-kent.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/vir.e-classique-kent-300x158.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/02\/vir.e-classique-kent.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/405656"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=405656"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/405656\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/405665"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=405656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=405656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=405656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}