{"id":404595,"date":"2020-01-20T23:26:11","date_gmt":"2020-01-21T04:26:11","guid":{"rendered":"https:\/\/myscena.org\/?p=404595"},"modified":"2026-04-09T21:41:39","modified_gmt":"2026-04-10T01:41:39","slug":"ensemble-caprice-presente-motezuma-lopera-oublie-de-vivaldi","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/ensemble-caprice-presente-motezuma-lopera-oublie-de-vivaldi\/","title":{"rendered":"Ensemble Caprice pr\u00e9sente Motezuma, l\u2019op\u00e9ra oubli\u00e9 de Vivaldi"},"content":{"rendered":"<p><strong>VIVALDI\u202f:\u00a0MOTEZUMA, L\u2019OP\u00c9RA\u00a0OUBLI\u00c9\u00a0<\/strong><\/p>\n<p><strong><em>L\u2019\u0153uvre\u00a0rena\u00eet\u00a0dans une version\u00a0reconstitu\u00e9e\u00a0!\u00a0<\/em><\/strong><\/p>\n<p><strong>Montr\u00e9al, (Qu\u00e9bec) 16 janvier 2020<\/strong><\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/unnamed-2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-404602 alignleft\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/unnamed-2-268x300.png\" alt=\"\" width=\"268\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/unnamed-2-268x300.png 268w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/unnamed-2-300x336.png 300w, https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/unnamed-2.png 401w\" sizes=\"(max-width: 268px) 100vw, 268px\" \/><\/a>D\u00e9couvert en 2002 dans les archives de la\u00a0Sing-Akademie de Berlin, l\u2019op\u00e9ra <em>Motezuma<\/em>\u00a0d\u2019Antonio Vivaldi (1678-1741)\u00a0rena\u00eetra dans une version\u00a0restaur\u00e9e\u00a0par\u00a0le chef\u00a0Matthias Maute,\u00a0directeur artistique de l\u2019Ensemble Caprice.<\/p>\n<p>Cet\u00a0\u00e9v\u00e9nement\u00a0est\u00a0une collaboration internationale\u00a0avec\u00a0La <strong>Bach Society du Minnesota<\/strong>\u00a0et\u00a0le\u00a0<strong>Early\u00a0Music Seattle<\/strong>\u00a0avec une distribution\u00a0mettant en vedette des artistes de Montr\u00e9al, du Mexique et des \u00c9tats-Unis.<\/p>\n<p><strong>\u00a0<\/strong><strong><em>Motezuma <\/em><\/strong><strong>sera pr\u00e9sent\u00e9 le 4 f\u00e9vrier \u00e0 19\u00a0h\u00a030,\u00a0\u00e0 la\u00a0Salle Bourgie,1339, rue Sherbrooke Ouest<\/strong>.<\/p>\n<p><strong>Engouement\u00a0international\u00a0<\/strong><\/p>\n<p>L\u2019op\u00e9ra\u00a0<em>Motezuma<\/em>,\u00a0cr\u00e9\u00e9 en 1733,\u00a0suscite un fort engouement\u00a0dans l\u2019univers de la musique\u00a0classique\u00a0puisque qu\u2019on a\u00a0r\u00e9cemment\u00a0retrouv\u00e9 le\u00a0livret\u00a0complet\u00a0de cette \u0153uvre de Vivaldi, mais\u00a0plus de la moiti\u00e9 de la\u00a0musique manque\u00a0\u00e0 l\u2019appel !<\/p>\n<p>Bien que la partition originale ait \u00e9t\u00e9 retrouv\u00e9e,\u00a0plusieurs sections sont\u00a0disparues.\u00a0C\u2019est le chef\u00a0Matthias\u00a0Maute\u00a0qui a compos\u00e9\u00a0dans le style\u00a0baroque\u00a0les\u00a0parties\u00a0manquantes\u00a0afin de compl\u00e9ter l\u2019op\u00e9ra\u00a0pour la repr\u00e9sentation montr\u00e9alaise.<\/p>\n<p>L\u2019Ensemble Caprice pr\u00e9sentera une version semi-sc\u00e9nique de\u00a0<em>Motezuma<\/em> le 4 f\u00e9vrier\u00a0prochain.\u00a0\u00a0Par ailleurs, les\u00a0r\u00e9cits ont \u00e9t\u00e9 retir\u00e9s\u00a0de la version reconstitu\u00e9e par Caprice pour \u00eatre remplac\u00e9s\u00a0par des\u00a0monologues r\u00e9cit\u00e9s par un acteur\u00a0afin de\u00a0rendre le point de vue de l\u2019empereur\u00a0Azt\u00e8que\u00a0encore plus vivant.<\/p>\n<p>L\u2019op\u00e9ra s\u2019inspire de la conqu\u00eate du Mexique\u00a0par les Espagnols\u00a0et raconte l\u2019histoire de\u00a0la rencontre de\u00a0Motezuma,\u00a0le dernier empereur azt\u00e8que,\u00a0avec\u00a0le G\u00e9n\u00e9ral Hernan Cort\u00e9s\u00a0en 1519. Les conflits surviennent entre les deux chefs col\u00e9riques lorsque la fille de Motezuma,\u00a0Teutile, tombe amoureuse de Ramiro, le fr\u00e8re de Fernando. Cette histoire d\u2019amour passionn\u00e9 pr\u00e9cipite l\u2019op\u00e9ra vers un d\u00e9nouement heureux, mais fictif.\u00a0 Avec\u00a0une\u00a0distribution\u00a0r\u00e9unissant\u202f:<\/p>\n<p><strong>Marduk Salam (Mexique)\u202f:\u00a0\u00a0Motezuma (Chanteur)<\/strong><br \/>\nLisa Rodriguez (Mexique)\u202f:\u00a0Teutile<br \/>\nNerea\u00a0Berraondo\u00a0(Espagne\/\u00c9tats-Unis)\u202f:\u00a0Mitrena<br \/>\nNayelli\u00a0Acevedo (Mexique)\u202f:\u00a0Asprano<br \/>\nNelle June Anderson (\u00c9tats-Unis)\u202f:\u00a0Ramiro<br \/>\nNicholas\u00a0Chalmers\u00a0(\u00c9tats-Unis)\u202f:\u00a0Fernando<br \/>\nPedro Juan Fonseca (Puerto Rico\/\u00c9tats-Unis),\u00a0Motezuma (acteur)<\/p>\n<p><strong>Tourn\u00e9e am\u00e9ricaine 2020\u202f\u00a0<\/strong><\/p>\n<p>Mentionnons\u00a0qu\u2019avec cette production, l\u2019Ensemble\u00a0Caprice s\u2019appr\u00eate \u00e0 r\u00e9aliser la\u00a0plus importante tourn\u00e9e de son histoire.\u00a0En effet,\u00a0Caprice\u00a0pr\u00e9sentera\u00a0<em>Motezuma<\/em>\u00a0prochainement\u00a0dans plusieurs\u00a0grandes\u00a0villes am\u00e9ricaines\u202f:\u00a0 8 f\u00e9vrier 2020\u202f:\u202f Seattle, Washington, 9\u00a0f\u00e9vrier\u00a02020\u202f:\u202f Seattle, Washington, 11 f\u00e9vrier 2020\u202f:\u202f Mankato, Minnesota, 12 f\u00e9vrier 2020\u202f:\u202f St-Paul, Minnesota , 14 f\u00e9vrier 2020\u202f:\u202f Miami, Floride , 3 avril 2020\u202f:\u202f Marshall, Minnesota , 5 avril 2020\u202f:\u202f Washington, DC , 6 avril 2020\u202f:\u202f Washington, DC.<\/p>\n<p><strong>\u00c0 propos d\u2019Ensemble Caprice\u202f\u00a0<\/strong><\/p>\n<p>CAPRICE, contribue \u00e0 l\u2019avancement de la culture musicale au Qu\u00e9bec depuis 30 ans et assure la diffusion de grandes \u0153uvres du r\u00e9pertoire\u00a0classique\u00a0\u00e0 Montr\u00e9al et en r\u00e9gions.\u202f\u202fCaprice pr\u00e9sente\u00a0au Qu\u00e9bec\u00a0une cinquantaine de concerts par ann\u00e9e sur quatre continents et embauche annuellement 600 artistes.\u00a0En plus de sa s\u00e9rie r\u00e9guli\u00e8re de concerts\u00a0\u00e0\u00a0Montr\u00e9al,\u00a0l\u2019ensemble effectue des tourn\u00e9es au Canada, en Europe,\u202fen Asie, en Am\u00e9rique latine et en Afrique du sud.<\/p>\n<p><strong>En partenariat avec LaPresse.ca\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIVALDI\u202f:\u00a0MOTEZUMA, L\u2019OP\u00c9RA\u00a0OUBLI\u00c9\u00a0 L\u2019\u0153uvre\u00a0rena\u00eet\u00a0dans une version\u00a0reconstitu\u00e9e\u00a0!\u00a0 Montr\u00e9al, (Qu\u00e9bec) 16 janvier 2020 D\u00e9couvert en 2002 dans les archives de la\u00a0Sing-Akademie de Berlin, l\u2019op\u00e9ra Motezuma\u00a0d\u2019Antonio Vivaldi (1678-1741)\u00a0rena\u00eetra dans une version\u00a0restaur\u00e9e\u00a0par\u00a0le chef\u00a0Matthias Maute,\u00a0directeur artistique de l\u2019Ensemble Caprice. Cet\u00a0\u00e9v\u00e9nement\u00a0est\u00a0une collaboration internationale\u00a0avec\u00a0La Bach Society du Minnesota\u00a0et\u00a0le\u00a0Early\u00a0Music Seattle\u00a0avec une distribution\u00a0mettant en vedette des artistes de Montr\u00e9al, du Mexique et des \u00c9tats-Unis. \u00a0Motezuma<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/ensemble-caprice-presente-motezuma-lopera-oublie-de-vivaldi\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":404600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[394,17251,399],"tags":[23840],"class_list":{"0":"post-404595","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musique-classique","8":"category-musique-vocale","9":"category-opera-fr","10":"tag-ensemble-caprice-fr-10"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/Chanteur-Marduk-Salam-Motuzema.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/Chanteur-Marduk-Salam-Motuzema-300x234.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/Chanteur-Marduk-Salam-Motuzema.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/404595"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=404595"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/404595\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/404600"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=404595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=404595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=404595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}