{"id":403761,"date":"2020-01-09T14:15:10","date_gmt":"2020-01-09T19:15:10","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/poulenc-koechlin-piano-et-orchestre-odradek\/"},"modified":"2020-01-15T10:41:29","modified_gmt":"2020-01-15T15:41:29","slug":"poulenc-koechlin-piano-et-orchestre-odradek","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/poulenc-koechlin-piano-et-orchestre-odradek\/","title":{"rendered":"Poulenc\/Koechlin : Piano et orchestre (Odradek)"},"content":{"rendered":"

****\/**<\/h4>\n

L\u2019ann\u00e9e ne pourrait pas commencer sur une note plus joyeuse qu\u2019avec Francis Poulenc, et sur une note plus triste qu\u2019avec Charles Koechlin. L’album s\u2019ouvre avec la Sinfonietta<\/em> peu connue de Poulenc, \u00e0 l\u2019origine compos\u00e9e comme un quatuor \u00e0 cordes et jet\u00e9e, para\u00eetrait-il, dans un caniveau de Paris apr\u00e8s avoir connu l\u2019\u00e9chec. D\u2019abord jou\u00e9e \u00e0 Londres en 1948, la partition est \u00e0 mi-chemin entre Mozart et Stravinski, ce qui ne lui enl\u00e8ve rien. M\u00eame \u00e0 son plus n\u00e9oclassique, Igor n\u2019a jamais atteint ce degr\u00e9 de brio.<\/p>\n

Le passionnant concerto pour piano de Poulenc a \u00e9t\u00e9 jou\u00e9 pour la premi\u00e8re fois par le compositeur en 1950. Le public de Boston a snob\u00e9 l\u2019\u0153uvre, qu\u2019il consid\u00e9rait comme du Rachmaninov de second rang. Mais Poulenc, qui exprimait fi\u00e8rement ce qu\u2019il appelait sa \u00ab sexualit\u00e9 parisienne \u00bb, a bien plus de joie de vivre que Rachmaninov. De quoi mettre un sourire \u00e0 n\u2019importe quel visage (en dehors de Boston).<\/p>\n

Ce dont Koechlin ne peut s\u2019enorgueillir. Si Wagner \u00e9tait n\u00e9 un demi-si\u00e8cle plus tard en France, il aurait \u00e9t\u00e9 Koechlin. Ti\u00e8de, singeur, tout au plus Vaughan Williams en moins bien, Koechlin faisait le genre de musique que la BBC passait pour combler le silence jusqu\u2019au t\u00e9l\u00e9journal. La vie a plus de valeur. L\u2019Orchestre symphonique de Bamberg joue bien sous la direction de Thomas R\u00f6sner.<\/p>\n

www.normanlebrecht.com<\/a><\/p><\/blockquote>\n

Traduction par Andr\u00e9anne Venne<\/p>\n","protected":false},"excerpt":{"rendered":"

****\/** L\u2019ann\u00e9e ne pourrait pas commencer sur une note plus joyeuse qu\u2019avec Francis Poulenc, et sur une note plus triste qu\u2019avec Charles Koechlin. L’album s\u2019ouvre avec la Sinfonietta peu connue de Poulenc, \u00e0 l\u2019origine compos\u00e9e comme un quatuor \u00e0 cordes et jet\u00e9e, para\u00eetrait-il, dans un caniveau de Paris apr\u00e8s avoir connu l\u2019\u00e9chec. D\u2019abord jou\u00e9e \u00e0<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":403294,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[42739],"class_list":{"0":"post-403761","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-thomas-rosner-fr","9":"type-critique-de-disque","10":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/0855317003646.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/0855317003646-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2020\/01\/0855317003646.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/403761"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=403761"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/403761\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/403294"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=403761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=403761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=403761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}