{"id":402479,"date":"2019-12-18T18:32:36","date_gmt":"2019-12-18T22:32:36","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/beethoven-oeuvres-pour-piano-a-quatre-mains-delphian\/"},"modified":"2019-12-18T18:32:36","modified_gmt":"2019-12-18T22:32:36","slug":"beethoven-oeuvres-pour-piano-a-quatre-mains-delphian","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/beethoven-oeuvres-pour-piano-a-quatre-mains-delphian\/","title":{"rendered":"Beethoven\u00a0: \u0153uvres pour piano \u00e0 quatre mains (Delphian)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-402185 alignright\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/beethoven-4-hands-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/beethoven-4-hands.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/beethoven-4-hands-100x100.jpg 100w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/beethoven-4-hands-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Je suppose que peu de lecteurs connaissent la <i>Sonate en r\u00e9<\/i>, op. 6, de Beethoven. Publi\u00e9e en 1797, bien qu\u2019elle remonte peut-\u00eatre \u00e0 l&#8217;adolescence du compositeur, la sonate commence par la premi\u00e8re phrase caract\u00e9ristique de la <i>Symphonie no\u00a05, <\/i>\u0153uvre qui allait mettre encore une d\u00e9cennie avant d\u2019\u00eatre achev\u00e9e. Vraiment\u00a0? Comme moi, vous serez peut-\u00eatre incr\u00e9dule devant la confiance saisissante qui se d\u00e9gage de cette composition en deux mouvements. C\u2019est l\u2019aspect le plus remarquable, \u00e0 part le ta-ta-ta-taaa et la signature particuli\u00e8re de Beethoven qui r\u00e9sonne chaque seconde.<\/p>\n<p>Les pianistes britanniques Peter Hill et Benjamin Frith se sont associ\u00e9s pour nous faire explorer des recoins inattendus de la table de travail \u00e9parse de Beethoven. Par exemple, huit variations sur un th\u00e8me du comte Waldstein. Le th\u00e8me lui-m\u00eame est vague, mais une fois que Beethoven se lance dans les variations, on est dans la p\u00e9riode <i>Eroica<\/i> et tous les travaux s&#8217;arr\u00eatent jusqu&#8217;\u00e0 ce qu&#8217;il ait termin\u00e9. Comme les six variations sur <i>Ich denke dein<\/i>, une petite comptine pour deux jolies s\u0153urs qu\u2019il trouvait de son go\u00fbt.<\/p>\n<p>La d\u00e9couverte entre toutes est la <i>Grosse Fuge<\/i>, op. 134 en version r\u00e9duite pour quatre mains. Pratiquement compos\u00e9e sur son lit de mort, cette \u0153uvre est indispensable pour comprendre la fin de vie de Beethoven. Vous n\u2019en avez jamais entendu parler\u00a0? Le jeu est absolument convaincant.<\/p>\n<blockquote><p>Inscrivez-vous aux actualit\u00e9s du blogue\u00a0: <a href=\"http:\/\/www.artsjournal.com\/slippeddisc\">www.slippedisc.com<\/a><\/p>\n<p>Visitez mon site Internet\u00a0: <a href=\"http:\/\/www.normanlebrecht.com\/\">www.normanlebrecht.com<\/a><\/p>\n<p>Lisez mon livre, <i>Genius and Anxiety<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-400253\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/11\/genious-and-anxiety-Lebrecht-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/11\/genious-and-anxiety-Lebrecht-300x225.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/11\/genious-and-anxiety-Lebrecht-600x450.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/11\/genious-and-anxiety-Lebrecht-768x576.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/11\/genious-and-anxiety-Lebrecht-1024x768.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/11\/genious-and-anxiety-Lebrecht.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p><\/blockquote>\n<p>Traduction par Andr\u00e9anne Venne<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Je suppose que peu de lecteurs connaissent la Sonate en r\u00e9, op. 6, de Beethoven. Publi\u00e9e en 1797, bien qu\u2019elle remonte peut-\u00eatre \u00e0 l&#8217;adolescence du compositeur, la sonate commence par la premi\u00e8re phrase caract\u00e9ristique de la Symphonie no\u00a05, \u0153uvre qui allait mettre encore une d\u00e9cennie avant d\u2019\u00eatre achev\u00e9e. Vraiment\u00a0? Comme moi, vous serez peut-\u00eatre incr\u00e9dule<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/beethoven-oeuvres-pour-piano-a-quatre-mains-delphian\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":402184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[],"class_list":{"0":"post-402479","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"type-critique","9":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/beethoven-4-hands.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/beethoven-4-hands-300x184.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/beethoven-4-hands.png"},"acf":[],"aioseo_notices":[],"ams_acf":[],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/402479"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=402479"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/402479\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/402184"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=402479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=402479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=402479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}