{"id":402081,"date":"2019-12-11T15:06:02","date_gmt":"2019-12-11T19:06:02","guid":{"rendered":"https:\/\/myscena.org\/?p=402081"},"modified":"2019-12-11T15:06:02","modified_gmt":"2019-12-11T19:06:02","slug":"23e-edition-des-prix-opus-hommage-a-monique-dube","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/23e-edition-des-prix-opus-hommage-a-monique-dube\/","title":{"rendered":"23e \u00e9dition des prix Opus – Hommage \u00e0 Monique Dub\u00e9"},"content":{"rendered":"

\"\"<\/a>Montr\u00e9al, le 11 d\u00e9cembre 2019<\/strong> – Le Conseil qu\u00e9b\u00e9cois de la musique remettra le prix Hommage de la 23e <\/sup>\u00e9dition des prix Opus \u00e0 Madame Monique Dub\u00e9, directrice g\u00e9n\u00e9rale retrait\u00e9e de la Soci\u00e9t\u00e9 Pro Musica, organisme au service de la rel\u00e8ve musicale du Qu\u00e9bec, pour ses 30 ann\u00e9es de d\u00e9vouement et de leadership. La Soci\u00e9t\u00e9 Pro Musica s’est vue renouvel\u00e9e et professionnalis\u00e9e par le passage de Madame Dub\u00e9. Fortement engag\u00e9e dans le d\u00e9veloppement de la rel\u00e8ve musicale d’ici, Monique Dub\u00e9 a cr\u00e9\u00e9 avec Pierre Rolland, directeur artistique, la s\u00e9rie Topaze et les M\u00e9lod\u00eenes. Pr\u00e9sent\u00e9e \u00e0 la Cinqui\u00e8me salle, la s\u00e9rie Topaze mettait en vedette des musiciens au seuil de la carri\u00e8re internationale. Quant aux M\u00e9lod\u00eenes, d\u00e9velopp\u00e9es en partenariat avec la Place des Arts, elles permettent toujours aux m\u00e9lomanes et aux curieux de d\u00e9couvrir de jeunes musiciens prometteurs dans une ambiance d\u00e9contract\u00e9e.<\/p>\n

Le prix Hommage sera remis lors du 23e<\/sup> gala des prix Opus qui aura lieu le dimanche 19 janvier prochain \u00e0 15h \u00e0 la salle Bourgie du Mus\u00e9e des beaux-arts de Montr\u00e9al, o\u00f9 30 laur\u00e9ats s’\u00e9tant d\u00e9marqu\u00e9s durant la saison 2018-2019 seront r\u00e9compens\u00e9s.<\/p>\n

Cr\u00e9\u00e9s en 1996, les prix Opus soulignent l’excellence et la diversit\u00e9 des musiques de concert au Qu\u00e9bec, dans diff\u00e9rents r\u00e9pertoires musicaux : m\u00e9di\u00e9val, de la Renaissance, baroque, classique, romantique, moderne, actuel, contemporain, \u00e9lectroacoustique, jazz, musiques du monde et musique traditionnelle qu\u00e9b\u00e9coise.<\/p>\n

Le Conseil qu\u00e9b\u00e9cois de la musique remercie ses partenaires pour leur support \u00e0 cette 23e \u00e9dition du gala des prix Opus :\u00a0Musicaction<\/a>, le\u00a0Conseil des arts et des lettres du Qu\u00e9bec<\/a>, le\u00a0minist\u00e8re de la Culture et des Communications<\/a>, le\u00a0Conseil des arts du Canada<\/a>,<\/a>\u00a0le\u00a0Conseil des arts de Montr\u00e9al<\/a>,\u00a0ICI MUSIQUE, la destination musicale de Radio-Canada<\/a>,\u00a0La Fabrique culturelle<\/a>,\u00a0Le Devoir<\/a>,<\/a>\u00a0La Scena Musicale<\/a>,\u00a0Ludwig Van Montr\u00e9al<\/a>,\u00a0CINARS<\/a>,\u00a0le Conseil qu\u00e9b\u00e9cois du patrimoine vivant<\/a>, le\u00a0Mus\u00e9e des beaux-arts de Montr\u00e9al<\/a>\u00a0ainsi que la\u00a0salle de concert Bourgie<\/a>.<\/p>\n

Le Conseil qu\u00e9b\u00e9cois de la musique regroupe les organismes et les individus professionnels ouvrant dans le domaine de la musique de concert. Par ses activit\u00e9s, il travaille \u00e0 la coh\u00e9sion, \u00e0 la reconnaissance, au d\u00e9veloppement et \u00e0 la d\u00e9fense des int\u00e9r\u00eats du milieu musical qu\u00e9b\u00e9cois.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Montr\u00e9al, le 11 d\u00e9cembre 2019 – Le Conseil qu\u00e9b\u00e9cois de la musique remettra le prix Hommage de la 23e \u00e9dition des prix Opus \u00e0 Madame Monique Dub\u00e9, directrice g\u00e9n\u00e9rale retrait\u00e9e de la Soci\u00e9t\u00e9 Pro Musica, organisme au service de la rel\u00e8ve musicale du Qu\u00e9bec, pour ses 30 ann\u00e9es de d\u00e9vouement et de leadership. La Soci\u00e9t\u00e9<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":402084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17294],"tags":[42480,42481,35304],"class_list":{"0":"post-402081","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-industrie-culturelle","8":"tag-conseil-quebecois-de-la-musiqu","9":"tag-monique-dube","10":"tag-opus-awards-fr","11":"type-communique-de-presse","12":"type-prix"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/prix-opus.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/prix-opus-300x114.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/12\/prix-opus.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/402081"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=402081"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/402081\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/402084"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=402081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=402081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=402081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}