{"id":396358,"date":"2019-10-30T11:52:12","date_gmt":"2019-10-30T15:52:12","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/rachmaninov-concertos-pour-piano-no-1-et-no-3-dg\/"},"modified":"2019-10-30T11:56:32","modified_gmt":"2019-10-30T15:56:32","slug":"rachmaninov-concertos-pour-piano-no-1-et-no-3-dg","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/rachmaninov-concertos-pour-piano-no-1-et-no-3-dg\/","title":{"rendered":"Rachmaninov\u00a0: Concertos pour piano\u00a0no\u00a01 et no 3 (DG)"},"content":{"rendered":"

\"ImageLes enregistrements de ces concertos commencent avec le compositeur lui-m\u00eame et se poursuivent avec Vladimir Horowitz, que Rachmaninov a reconnu comme meilleur interpr\u00e8te. La r\u00e9f\u00e9rence des temps modernes \u00e9tait jusque-l\u00e0 l\u2019enregistrement de Vladimir Ashkenazy avec Andr\u00e9 Previn sur Decca, un effort de concentration et un d\u00e9fi partag\u00e9 que peu d\u2019autres ont r\u00e9ussi dans cette s\u00e9rie.<\/p>\n

J\u2019ai le sentiment que Daniil Trifonov et Yannick N\u00e9zet-S\u00e9guin ont \u00e9tabli ici la r\u00e9f\u00e9rence pour le prochain quart de si\u00e8cle. Remarquables dans leur enregistrement pr\u00e9c\u00e9dent des deuxi\u00e8me et quatri\u00e8me concertos, ils livrent une interpr\u00e9tation du Concerto no\u00a01<\/i> qui met en lumi\u00e8re ses difficult\u00e9s et ses h\u00e9sitations, all\u00e9geant \u00e9galement sa morbidit\u00e9 end\u00e9mique avec de petites touches habiles et quelques phrases magnifiquement jou\u00e9es par les vents de l\u2019Orchestre de Philadelphie. Si le Concerto\u00a0no<\/i>\u00a0<\/i>3 <\/i>m\u2019\u00e9pate un peu moins, c’est seulement parce que le premier place la barre si haut et que la concurrence \u2013 Argerich, Gilels, Richter, Hough \u2013 est tr\u00e8s f\u00e9roce. Trifonov tient son bout, mais il \u00e9choue l\u2019\u00e9tape ultime de la possession. Peut-\u00eatre att\u00e9nue-t-il trop l\u2019ambiance vacillante de l\u2019\u0153uvre, peut-\u00eatre le chef est-il un tantinet prosa\u00efque. On a tellement l\u2019habitude d\u2019\u00eatre convaincus par Trifonov qu’il est rassurant de le voir mortel. Dans dix ans, il donnera une interpr\u00e9tation tr\u00e8s diff\u00e9rente de l\u2019\u0153uvre.<\/p>\n

Abonnez-vous aux actualit\u00e9s du blogue\u00a0: www.slippedisc.com<\/a><\/p>\n

Visitez le site web\u00a0: www.normanlebrecht.com<\/a><\/p>\n

Lisez mon nouveau livre, Genius and Anxiety<\/i><\/p>\n

\"\"<\/p><\/blockquote>\n

Traduction par Andr\u00e9anne Venne<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Les enregistrements de ces concertos commencent avec le compositeur lui-m\u00eame et se poursuivent avec Vladimir Horowitz, que Rachmaninov a reconnu comme meilleur interpr\u00e8te. La r\u00e9f\u00e9rence des temps modernes \u00e9tait jusque-l\u00e0 l\u2019enregistrement de Vladimir Ashkenazy avec Andr\u00e9 Previn sur Decca, un effort de concentration et un d\u00e9fi partag\u00e9 que peu d\u2019autres ont r\u00e9ussi dans cette s\u00e9rie.<\/p>\n

Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":395940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[39310,37291,559,41818,24106],"class_list":{"0":"post-396358","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-andre-previn-fr","9":"tag-daniil-trifonov-fr","10":"tag-rachmaninoff","11":"tag-vladimir-horowitz-fr","12":"tag-yannick-nezet-seguin-fr-10","13":"type-critique-de-disque","14":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/10\/Rachmaninov.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/10\/Rachmaninov-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/10\/Rachmaninov.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/396358"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=396358"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/396358\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/395940"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=396358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=396358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=396358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}