{"id":393928,"date":"2019-09-25T14:45:15","date_gmt":"2019-09-25T18:45:15","guid":{"rendered":"https:\/\/myscena.org\/?p=393928"},"modified":"2019-09-25T14:54:11","modified_gmt":"2019-09-25T18:54:11","slug":"devoilement-de-la-16e-edition-du-festival-des-musiques-numeriques-immersives-akousma","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/devoilement-de-la-16e-edition-du-festival-des-musiques-numeriques-immersives-akousma\/","title":{"rendered":"D\u00e9voilement de la 16e \u00e9dition du festival des musiques num\u00e9riques immersives AKOUSMA"},"content":{"rendered":"<h4><strong>16e \u00e9dition du festival des musiques num\u00e9riques immersives <\/strong><strong>AKOUSMA <\/strong><\/h4>\n<p><strong>22 &gt; 24 octobre 2019, 19h30<br \/>\nLe Vivier \u2022 Usine C<\/strong><\/p>\n<p>Pour une 9e ann\u00e9e cons\u00e9cutive, le directeur artistique Louis Dufort propose une programmation \u00e9clectique qui d\u00e9montrera une fois de plus toute la richesse des musiques num\u00e9riques immersives.<\/p>\n<p>Avec une douzaine de prestations offertes par des artistes en provenance d&#8217;Allemagne, de France, de Gr\u00e8ce, du Japon, de Su\u00e8de, des \u00c9tats-Unis et aussi, bien s\u00fbr, de chez nous, l&#8217;\u00e9dition 2019 d&#8217;AKOUSMA promet d&#8217;en mettre plein les oreilles!<\/p>\n<p>Avec ses nombreuses oeuvres pr\u00e9sent\u00e9es en cr\u00e9ation, AKOUSMA reste l&#8217;\u00e9v\u00e9nement par excellence pour d\u00e9couvrir les chemins que suivront les musiques de demain.<\/p>\n<h4 style=\"text-align: left;\"><strong>\u00c0 SOULIGNER<\/strong><\/h4>\n<p><strong>Pr\u00e9sence \u00e0 Montr\u00e9al de FRAN\u00c7OIS BONNET (fr), directeur du Groupe de Recherches Musicales (GRM) de Paris;<\/strong><\/p>\n<ul>\n<li>Entretien pr\u00e9-concert avec\u00a0Louis Dufort le 22 au Vivier (18h30)<\/li>\n<li>Spatialisation d&#8217;une oeuvre d&#8217;\u00c9liane Radigue (fr) le 22 au Vivier (19h30)<\/li>\n<li>Pr\u00e9sentation de son projet\u00a0Kassel Jaeger le 23 \u00e0 l&#8217;Usine C (19h30)<\/li>\n<\/ul>\n<p><strong>Pr\u00e9sence \u00e0 Montr\u00e9al de RYU YOSHIZAWA (jp), compositeur d&#8217;une musique concr\u00e8te hyper-hachur\u00e9e et ultra-moderne (Orange Milk Records);<\/strong><\/p>\n<ul>\n<li>Pr\u00e9sentation de son projet\u00a0koeosaeme le 23 \u00e0 l&#8217;Usine C (19h30)<\/li>\n<\/ul>\n<p><strong>Pr\u00e9sence \u00e0 Montr\u00e9al de RICHARD DEVINE (us), qui offrira en soir\u00e9e de cl\u00f4ture une performance au synth\u00e9tiseur modulaire de type Eurorack, faisant appel aux plus r\u00e9centes technologies;<\/strong><\/p>\n<ul>\n<li>Le 24 \u00e0 l&#8217;Usine C (19h30)<\/li>\n<\/ul>\n<p><strong>5 soir\u00e9es A\/V en pr\u00e9lude au festival avec des oeuvres immersives de TERESA CARRASCO GARCIA (es) et JOS\u00c9 MIGUEL FERNANDEZ (fr\/cl);<\/strong><\/p>\n<ul>\n<li>Pr\u00e9sent\u00e9es \u00e0 la Satosph\u00e8re du 15 au 19 octobre (19h00)<\/li>\n<\/ul>\n<p><strong>Comme chaque ann\u00e9e, AKOUSMA donne un coup de pouce \u00e0 la rel\u00e8ve en composition \u00e9lectroacoustique;<\/strong><\/p>\n<ul>\n<li>Cr\u00e9ation collective d&#8217;\u00e9tudiant-e-s du C\u00e9gep de St-Laurent &#8211; le 23 \u00e0 l&#8217;Usine C (19h30)<\/li>\n<li>D\u00e9voilement de l&#8217;oeuvre laur\u00e9ate du premier prix au concours de composition JTTP de la Communaut\u00e9 \u00e9lectroacoustique canadienne &#8211; le 24 \u00e0 l&#8217;Usine C (19h30)<\/li>\n<\/ul>\n<h4 style=\"text-align: left;\"><strong>AKOUSMA 16 en un coup d&#8217;oeil<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/pr\u00e9lude.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-393929\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/pr\u00e9lude-300x146.jpg\" alt=\"\" width=\"701\" height=\"341\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/pr\u00e9lude-300x146.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/pr\u00e9lude-600x292.jpg 600w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/pr\u00e9lude-768x374.jpg 768w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/pr\u00e9lude-1024x499.jpg 1024w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/pr\u00e9lude.jpg 1153w\" sizes=\"(max-width: 701px) 100vw, 701px\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: center;\">Le directeur artistique d&#8217;AKOUSMA, <strong>Louis Dufort<\/strong>, est disponible pour entrevue, de m\u00eame que la plupart des artistes. Photos et extraits sonores disponibles sur demande.<\/p>\n<p><strong>AKOUSMA | Le festival des musiques num\u00e9riques immersives | 16e \u00e9dition<br \/>\nDu 22 au 24 octobre 2019 | 19h30<\/strong><\/p>\n<p><strong>Le Vivier (Ges\u00f9, 1200, rue de Bleury, Montr\u00e9al)<br \/>\nUsine C (1345, Ave Lalonde, Montr\u00e9al)<\/strong><\/p>\n<p><a href=\"https:\/\/rugicomm.us7.list-manage.com\/track\/click?u=5a50c2da8b8dc30cfe76e7b64&amp;id=649477dd0f&amp;e=c0351c04f4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rugicomm.us7.list-manage.com\/track\/click?u%3D5a50c2da8b8dc30cfe76e7b64%26id%3D649477dd0f%26e%3Dc0351c04f4&amp;source=gmail&amp;ust=1569521311776000&amp;usg=AFQjCNFPBF5n8GIxBCpnh_knsqFzCnpg1Q\">Billetterie Usine C <\/a>| 514.521.4493<br \/>\n<a href=\"https:\/\/rugicomm.us7.list-manage.com\/track\/click?u=5a50c2da8b8dc30cfe76e7b64&amp;id=19337fdd1e&amp;e=c0351c04f4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rugicomm.us7.list-manage.com\/track\/click?u%3D5a50c2da8b8dc30cfe76e7b64%26id%3D19337fdd1e%26e%3Dc0351c04f4&amp;source=gmail&amp;ust=1569521311776000&amp;usg=AFQjCNEpEjmuoHkald3jl4Ug795ZmcwOyw\">Billetterie Ges\u00f9<\/a> | 514.861.4036<\/p>\n<p><strong>Info : <\/strong><a href=\"https:\/\/rugicomm.us7.list-manage.com\/track\/click?u=5a50c2da8b8dc30cfe76e7b64&amp;id=d35720591c&amp;e=c0351c04f4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rugicomm.us7.list-manage.com\/track\/click?u%3D5a50c2da8b8dc30cfe76e7b64%26id%3Dd35720591c%26e%3Dc0351c04f4&amp;source=gmail&amp;ust=1569521311776000&amp;usg=AFQjCNFwawxeG3iBKAf1BeTqfWWvAJtYOg\">http:\/\/akousma.ca\/<\/a><\/p>\n<hr \/>\n<h4><strong>AKOUSMA remercie<\/strong><\/h4>\n<ul>\n<li>la Communaut\u00e9 \u00e9lectroacoustique canadienne pour l&#8217;organisation du concours de composition JTTP,<\/li>\n<li>Le Vivier pour la codiffusion du concert du 22 octobre,<\/li>\n<li>La SAT pour la codiffusion des soir\u00e9es A\/V du 15 au 19 octobre,<\/li>\n<li>Les profs de la facult\u00e9 de musique de l&#8217;Universit\u00e9 Concordia pour leur collaboration dans l&#8217;organisation de conf\u00e9rences et classes de ma\u00eetre,<\/li>\n<li>l&#8217;\u00e9quipe de l&#8217;Usine C, pour son accueil chaleureux<\/li>\n<li>et, bien s\u00fbr, le CAC, le CAM, le CALQ, Patrimoine canadien et la Fondation Socan pour leur soutien financier indispensable.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"m_-2903547706139701125m_-5948643570061373132mcnImage CToWUd aligncenter\" src=\"https:\/\/ci3.googleusercontent.com\/proxy\/2PgEax8kweLQq2vPy2IxRU-nHQGRP5FuBZ-a3TvQVKxarSD8f5qiO308Fv6tytQOq76_A32QeP9sgzCge-N2I1WFxi6ccwULbfnjr-7L8nosfe_tSAyC2iSwaK2PbvIIapjlSCjc7GZB4oNF2aCwUzzKZNiXF5fmrrw=s0-d-e1-ft#https:\/\/gallery.mailchimp.com\/5a50c2da8b8dc30cfe76e7b64\/images\/180f1910-c782-4e1f-a973-b4acd34b1393.png\" alt=\"\" width=\"564\" align=\"middle\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>16e \u00e9dition du festival des musiques num\u00e9riques immersives AKOUSMA 22 &gt; 24 octobre 2019, 19h30 Le Vivier \u2022 Usine C Pour une 9e ann\u00e9e cons\u00e9cutive, le directeur artistique Louis Dufort propose une programmation \u00e9clectique qui d\u00e9montrera une fois de plus toute la richesse des musiques num\u00e9riques immersives. Avec une douzaine de prestations offertes par des<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/devoilement-de-la-16e-edition-du-festival-des-musiques-numeriques-immersives-akousma\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":393931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922],"tags":[40910,40914,34641,40912,40911,40913],"class_list":{"0":"post-393928","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"tag-francois-bonnet","9":"tag-jose-miguel-fernandez","10":"tag-louis-dufort","11":"tag-richard-devine","12":"tag-ryu-yoshizawa","13":"tag-teresa-carrasco-garcia","14":"type-communique-de-presse","15":"section-actualites-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/akousma-1024x768.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/akousma-300x225.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/09\/akousma-1024x768.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/393928"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=393928"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/393928\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/393931"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=393928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=393928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=393928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}