{"id":388595,"date":"2019-07-15T15:44:33","date_gmt":"2019-07-15T19:44:33","guid":{"rendered":"https:\/\/myscena.org\/norman-lebrecht\/brahms-symphonie-no-3-dvorak-symphonie-no-8-tudor\/"},"modified":"2019-07-15T15:47:42","modified_gmt":"2019-07-15T19:47:42","slug":"brahms-symphonie-no-3-dvorak-symphonie-no-8-tudor","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/norman-lebrecht\/brahms-symphonie-no-3-dvorak-symphonie-no-8-tudor\/","title":{"rendered":"Brahms : Symphonie no 3; Dvo\u0159\u00e1k : Symphonie no 8 (Tudor)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-388516 alignright\" src=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/07\/Brahms-Dvorak-Tudor-300x270.jpg\" alt=\"\" width=\"300\" height=\"270\" srcset=\"https:\/\/myscena.org\/wp-content\/uploads\/2019\/07\/Brahms-Dvorak-Tudor-300x270.jpg 300w, https:\/\/myscena.org\/wp-content\/uploads\/2019\/07\/Brahms-Dvorak-Tudor.jpg 425w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>L\u2019Orchestre symphonique de Bamberg a \u00e9t\u00e9 form\u00e9 en 1946 par des membres de la diaspora allemande expuls\u00e9s par les Tch\u00e8ques en repr\u00e9sailles de l\u2019occupation nazie. \u00c9tabli en Bavi\u00e8re, l\u2019orchestre a acquis un son tr\u00e8s diff\u00e9rent de celui des orchestres de Munich et m\u00eame des autres orchestres de la nation.<\/p>\n<p>Joseph Keilberth dirigea l\u2019ensemble avec distinction pendant 20 ans, succ\u00e9d\u00e9 par Horst Stein. Depuis le d\u00e9but du si\u00e8cle, le son a perdu un peu de son originalit\u00e9 sous la direction du chef britannique Jonathan Nott.<\/p>\n<p>Aujourd\u2019hui, il est rassurant de voir le chef tch\u00e8que Jakub Hr\u016f\u0161a r\u00e9int\u00e9grer dans le r\u00e9pertoire traditionnel des sonorit\u00e9s d\u2019origine, en permettant aux cuivres de devenir plus acides sans sonner faux et aux cordes d\u2019\u00eatre plus d\u00e9contract\u00e9es.<\/p>\n<aside class=\"modern-quote pull alignleft\">L\u2019ensemble est retourn\u00e9 \u00e0 son meilleur.<\/aside>\n<p>Le Brahms, si glorieusement bucolique qu\u2019il soit, donne l\u2019impression qu\u2019il aurait pu rester encore une demi-heure sous le soleil d\u2019\u00e9t\u00e9. Hr\u016f\u0161a en aura davantage \u00e0 dire \u00e0 ce sujet dans les ann\u00e9es qui viendront. La huiti\u00e8me de <em>Dvo\u0159\u00e1k<\/em>, cependant, est l\u2019une des plus exaltantes jamais entendues, p\u00e9tillante d\u2019\u00e9nergie, de surprises et de douceur de vivre. Les enregistrements proviennent de la Konzerthalle de Bamberg, qui est sup\u00e9rieure en tous points imaginables \u00e0 quoi que ce soit que Munich puisse offrir. L\u2019ensemble est retourn\u00e9 \u00e0 son meilleur.<\/p>\n<blockquote><p>Inscrivez-vous aux actualit\u00e9s du blogue\u00a0 <a href=\"http:\/\/www.artsjournal.com\/slippeddisc\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.artsjournal.com\/slippeddisc&amp;source=gmail&amp;ust=1563037954783000&amp;usg=AFQjCNGhyUJzL4rU8opKhKbfEqFQctTu_g\">www.slippedisc.com<\/a><\/p>\n<p>Visitez le site web : <a href=\"http:\/\/www.normanlebrecht.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.normanlebrecht.com&amp;source=gmail&amp;ust=1563037954783000&amp;usg=AFQjCNH-FciIpaUTcesz6Pd2kTVK-Z5wqA\">www.normanlebrecht.com<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019Orchestre symphonique de Bamberg a \u00e9t\u00e9 form\u00e9 en 1946 par des membres de la diaspora allemande expuls\u00e9s par les Tch\u00e8ques en repr\u00e9sailles de l\u2019occupation nazie. \u00c9tabli en Bavi\u00e8re, l\u2019orchestre a acquis un son tr\u00e8s diff\u00e9rent de celui des orchestres de Munich et m\u00eame des autres orchestres de la nation. Joseph Keilberth dirigea l\u2019ensemble avec distinction<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/norman-lebrecht\/brahms-symphonie-no-3-dvorak-symphonie-no-8-tudor\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2760,"featured_media":388523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[34360],"tags":[40390],"class_list":{"0":"post-388595","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lhebdo-lebrecht","8":"tag-jakob-hrusa-fr","9":"type-critique-de-disque","10":"section-critiques"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/07\/Brahms-Dvorak-1.png","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/07\/Brahms-Dvorak-1-300x177.png","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/07\/Brahms-Dvorak-1.png"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/388595"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2760"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=388595"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/388595\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/388523"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=388595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=388595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=388595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}