{"id":387736,"date":"2019-06-07T17:24:14","date_gmt":"2019-06-07T21:24:14","guid":{"rendered":"http:\/\/myscena.org\/?p=387736"},"modified":"2026-04-09T21:41:39","modified_gmt":"2026-04-10T01:41:39","slug":"ballet-opera-pantomime-bop-remporte-le-prix-de-la-releve-caisse-desjardins-de-la-culture-2019","status":"publish","type":"post","link":"https:\/\/myscena.org\/fr\/newswire\/ballet-opera-pantomime-bop-remporte-le-prix-de-la-releve-caisse-desjardins-de-la-culture-2019\/","title":{"rendered":"Ballet Op\u00e9ra Pantomime (BOP) remporte le Prix de la rel\u00e8ve \u2013 Caisse Desjardins de la Culture 2019"},"content":{"rendered":"<p align=\"left\">C\u2019est l\u2019organisme Ballet Op\u00e9ra Pantomime (BOP) qui remporte le <em>Prix de la rel\u00e8ve \u2013 Caisse Desjardins de la Culture<\/em> 2019 et la bourse de 5 000 $ qui lui est associ\u00e9e. Ce prix vise \u00e0 reconna\u00eetre le travail des jeunes collectifs ou organismes professionnels qui posent des actions structurantes pour la rel\u00e8ve artistique.<\/p>\n<p align=\"left\"><strong>Ballet Op\u00e9ra Pantomime<\/strong><br \/>\nFond\u00e9e en 2013 par Hubert Tanguay-Labrosse et Alexis Raynault, Ballet Op\u00e9ra Pantomime (BOP) s\u2019est donn\u00e9 pour mission de cr\u00e9er des spectacles pluridisciplinaires, centr\u00e9s sur des \u0153uvres de musique classique et contemporaine, et pr\u00e9sent\u00e9s dans des environnements favorisant l\u2019immersion \u00e9motionnelle du spectateur.<\/p>\n<p>Les membres du jury ont voulu souligner la contribution innovante et singuli\u00e8re de la compagnie Ballet Op\u00e9ra Pantomime \u00e0 la vitalit\u00e9 artistique de notre sc\u00e8ne montr\u00e9alaise. En fournissant aux artistes un cadre de cr\u00e9ation et de production hors du commun, BOP contribue au rayonnement des artistes et fait de chaque spectacle un \u00e9v\u00e9nement incontournable.<\/p>\n<p>Le jury \u00e9tait constitu\u00e9 de Mellissa Larivi\u00e8re, directrice g\u00e9n\u00e9rale et artistique de ZH Festival, Rachel McCrum, coordinatrice aux\u00a0 communications \u00e0 la QWF et po\u00e8te, performeuse et animatrice de La po\u00e9sie partout, et Houda Rihani, charg\u00e9e du d\u00e9veloppement \u00e0 La Machinerie des arts.<\/p>\n<p><strong>Le Prix de la rel\u00e8ve \u2013 Caisse Desjardins de la Culture<\/strong><br \/>\nLe <em>Prix de la rel\u00e8ve &#8211; Caisse Desjardins de la Culture<\/em> a \u00e9t\u00e9 cr\u00e9\u00e9 par le Conseil des arts de Montr\u00e9al en association avec son partenaire la Caisse Desjardins de la Culture pour reconna\u00eetre les interventions qui am\u00e9liorent les conditions de pratique des artistes de la rel\u00e8ve, stimulent le partage des ressources, des expertises et des connaissances, soutiennent son int\u00e9gration au march\u00e9 du travail, favorisent l\u2019acc\u00e8s \u00e0 l\u2019information ou \u00e0 du soutien financier, ou encore, proposent de nouveaux mod\u00e8les organisationnels d\u00e9di\u00e9s \u00e0 la cr\u00e9ation, \u00e0 la production ou \u00e0 la diffusion des arts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u2019est l\u2019organisme Ballet Op\u00e9ra Pantomime (BOP) qui remporte le Prix de la rel\u00e8ve \u2013 Caisse Desjardins de la Culture 2019 et la bourse de 5 000 $ qui lui est associ\u00e9e. Ce prix vise \u00e0 reconna\u00eetre le travail des jeunes collectifs ou organismes professionnels qui posent des actions structurantes pour la rel\u00e8ve artistique. Ballet Op\u00e9ra<\/p>\n<div class=\"read-more hi\"><a href=\"https:\/\/myscena.org\/fr\/newswire\/ballet-opera-pantomime-bop-remporte-le-prix-de-la-releve-caisse-desjardins-de-la-culture-2019\/\" title=\"Continuer\">Continuer<\/a><\/div>\n","protected":false},"author":2806,"featured_media":387737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[16922,17265,394,17251,399],"tags":[40143,40142,40144,40140,40141],"class_list":{"0":"post-387736","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-communiques","8":"category-contemporaine","9":"category-musique-classique","10":"category-musique-vocale","11":"category-opera-fr","12":"tag-alexis-raynault","13":"tag-houda-rihani","14":"tag-hubert-tanguay-labrosse-fr","15":"tag-mellissa-lariviere","16":"tag-rachel-mccrum","17":"type-communique-de-presse","18":"section-actualites-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/06\/unnamed-8-1024x683.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/06\/unnamed-8-300x200.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/06\/unnamed-8-1024x683.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/387736"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2806"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=387736"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/387736\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/387737"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=387736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=387736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=387736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}