En concert<\/strong><\/p>\n\u00bb Duo\u00a0: TD Vancouver JazzFest, 29 juin<\/p>\n
\u00bb Kris Davis (avec Ingrid Laubrock)\u00a0: TD Ottawa JazzFest, 28 juin et Vancouver, 23 juin\u2009; FIJM, 6 juillet (solo)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
Vijay Iyer et Craig Taborn: The Transitory Poems \u2013 ECM 2644 Neuf ans apr\u00e8s leur premi\u00e8re collaboration sur sc\u00e8ne, Vijay Iyer et Craig Taborn signent enfin un premier disque. En quelque 75 minutes, cet album reprend presque int\u00e9gralement la captation d\u2019un concert \u00e0 Budapest en mars 2018. Huit plages coulent (et s\u2019\u00e9coulent) dans un v\u00e9ritable<\/p>\n
Continuer<\/a><\/div>\n","protected":false},"author":2781,"featured_media":387483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"rating_form_position":"","rating_results_position":"","mr_structured_data_type":"","footnotes":""},"categories":[17038,404],"tags":[40045,40070,20644],"class_list":{"0":"post-387484","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critiques-de-disques-et-livres","8":"category-scena-jazz-fr","9":"tag-craig-taborn-fr","10":"tag-kris-davis-fr","11":"tag-vijay-iyer","12":"type-critique","13":"type-critique-de-disque","14":"volume-volume-24","15":"issue-vol-24-issue-7-fr"},"featured_image_src":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/06\/Disque_Davis_Tabornp.3b-CMYK.jpg","blog_images":{"medium":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/06\/Disque_Davis_Tabornp.3b-CMYK-300x300.jpg","large":"https:\/\/myscena.org\/wp-content\/uploads\/2019\/06\/Disque_Davis_Tabornp.3b-CMYK.jpg"},"acf":[],"aioseo_notices":[],"ams_acf":[{"key":"le_volume","label":"Le volume","value":[]},{"key":"numero","label":"Num\u00e9ro","value":[]},{"key":"source_url","label":"Source URL","value":""},{"key":"author_name","label":"Author","value":""},{"key":"editchoice","label":"Edit Choice","value":[]},{"key":"is_cover_story","label":"Is Cover Story","value":[]},{"key":"performer_1","label":"Performer 1","value":""},{"key":"performer_2","label":"Performer 2","value":""},{"key":"other_info","label":"Other info","value":""},{"key":"ink_amazon","label":"Ink Amazon","value":""},{"key":"archambault","label":"archambault link","value":""},{"key":"price","label":"Price","value":""}],"multi-rating":{"mr_rating_results":[]},"_links":{"self":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/387484"}],"collection":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/users\/2781"}],"replies":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/comments?post=387484"}],"version-history":[{"count":0,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/posts\/387484\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media\/387483"}],"wp:attachment":[{"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/media?parent=387484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/categories?post=387484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/myscena.org\/fr\/wp-json\/wp\/v2\/tags?post=387484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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<\/a>Neuf ans apr\u00e8s leur premi\u00e8re collaboration sur sc\u00e8ne, Vijay Iyer et Craig Taborn signent enfin un premier disque. En quelque 75 minutes, cet album reprend presque int\u00e9gralement la captation d\u2019un concert \u00e0 Budapest en mars 2018. Huit plages coulent (et s\u2019\u00e9coulent) dans un v\u00e9ritable fleuve sonore, les pauses \u00e9tant si br\u00e8ves qu\u2019on a tout juste le temps de prendre une respiration. Pourtant, il n\u2019y a rien d\u2019essoufflant ou d\u2019ardu ici, mais une communion entre deux complices habitu\u00e9s \u00e0 composer sur le moment. B\u00e9nis comme ils le sont de tous les moyens techniques, ils \u00e9vitent tout feu d\u2019artifice ou des bras de fer, danger r\u00e9el pour des virtuoses se lan\u00e7ant \u00e0 corps perdu dans la libre improvisation. Tout semble bien ma\u00eetris\u00e9 dans ce r\u00e9cital, avec une certaine retenue qui tient peut-\u00eatre de l\u2019\u00e9tat d\u2019\u00e2me des musiciens, marqu\u00e9s durant cette p\u00e9riode par la disparition de personnages influents pour eux. \u00c0 tour de r\u00f4le, ils d\u00e9dient des morceaux \u00e0 l\u2019artiste visuel Jack Whitten (Sensorium<\/em>), aux pianistes Muhal Richard Abrams (Clear Monolith<\/em>) et Geri Allen (\u00e0 qui ils rendent hommage en effleurant un de ses th\u00e8mes), puis \u00e0 Cecil Taylor (Luminous Brewing<\/em>), ce dernier passant l\u2019arme \u00e0 gauche moins d\u2019un mois apr\u00e8s cette prestation. En cette \u00e9poque de production de disques en s\u00e9rie et de d\u00e9sir de gratification instantan\u00e9e, on ne peut qu\u2019applaudir le travail d\u2019artistes prenant le temps de cr\u00e9er des \u0153uvres de substance et d\u2019envergure. Pour une meilleure appr\u00e9ciation de cet effort, quelques \u00e9coutes attentives sont de rigueur.<\/p>\n